Bit Teatergarasjens Podcast

The Green podcast: silly and eco-friendly in 7 minutes House philosopher Rune Salomonsen interviews selected artists during the Meteor 2019 theatre festival. Sometimes in town, sometimes on the train between Bergen and Arna. This time: Coordinator for the volunteers at Meteor, David Alræk

The Green podcast: silly and eco-friendly in 7 minutes House philosopher Rune Salomonsen interviews selected artists during the Meteor 2019 theatre festival. Sometimes in town, sometimes on the train between Bergen and Arna. This time: Alexei Tegn from Phurpa: bit-teatergarasjen.no/program/forest…e-replacement/ PS! Unfortunately the powerful voice of Tegin, sometimes drowns the voice of the interpreter. So, it is useful to speak/understan Russian.. #radicalfailure

Presentation and talks with the international network Create to Connect → Create to Impact It is no secret that many theatre scholars and programmers avoid engaging directly in participatory art. Why do we keep on doing it? Do we have a notion that the general public demands this interaction? What changes when an audience member is asked to join in a direct interaction with an artwork or artist? Do we demand more from the spectator than their engaged act of perceiving, interpreting and processing what is being shown on site? Art and its impact in society around us is a topic that is constantly up for discussion, as it should be. What if we look at it through the participatory art lenses? We invite you to a presentation of the international network Create to Connect → Create to Impact, which deals with contemporary performing arts, and to a series of talks by professionals connected to the subject, among which: Lali Pertenava (art historian, Public Art Platform and Tbilisi Academy of Fine Art, Georgia),

The Green podcast: silly and eco-friendly in 7 minutes House philosopher Rune Salomonsen interviews selected artists during the Meteor 2019 theatre festival. Sometimes in town, sometimes on the train between Bergen and Arna. This time: Andrea Spreafico: http://bit-teatergarasjen.no/program/forestillinger/spreafico-eckly-theatre-replacement/

The Green podcast: silly and eco-friendly in 7 minutes House philosopher Rune Salomonsen interviews selected artists during the Meteor 2019 theatre festival. Sometimes in town, sometimes on the train between Bergen and Arna. This time: The Teenage Songbook of Love and Sex: http://bit-teatergarasjen.no/program/forestillinger/asrun-magnusdottir/

The Green podcast: silly and eco-friendly in 7 minutes House philosopher Rune Salomonsen interviews selected artists during the Meteor 2019 theatre festival. Sometimes in town, sometimes on the train between Bergen and Arna. This time: MaisonDahlBonnema: http://bit-teatergarasjen.no/program/forestillinger/maisondahlbonnema-yoga-for-theatres/

A showing of work-in-progress, conversation, and a live podcast on how performing arts is created. In recent years BIT Teatergarasjen has recurrently carried on podcast productions, since we seek to document the various discourse events of Rein Bonus while sharing good conversations and inspiring thoughts with a larger audience. This time in collaboration with Mirte Bogaert, the format expands to a work-in-progress showing combined with a podcast conversation. How does one present physical expression of words and sounds by using only vocal cords and ears? While working with the performance And there is a chair, Mirte explores the way dance turns into sounds that form a composition which, again, becomes a dance, observing how dance rearranges itself through sound. Objects and light turn into tools that initiate vibrations in the room so that movement can come into being anew. The event is a collaboration with Carte Blanche and Bergen Dansesenter - regional center of excellence for dance. The show

When Tupajić was in Bergen last autumn, local performing arts critic Rania Broud conducted an in depth interview with her. Prior to the performance both days, the audience were invited to collectively listen to the podcast version, with an unknown number of soft mats scattered throughout Gråsonen. The lights were out, and the space utterly dark. Podcast producer: Anders Løkeland Slåke. The event was part of Create to Connect -> Create to Impact, co-funded by the Creative Europe Programme of the European Union, and is supported by Fritt Ord

Aldri Mer Srebrenica - noe sted. En samtale mellom Tone Bringa og Stian Nordengen Christensen. Har det internasjonale samfunnet lært noe siden 90-tallet, med tanke på vårt ansvar for å gripe inn og forhindre store massakrer på sivile? BIT Teatergarasjen inviterte til samtale med dette som utgangspunkt i forbindelse med forestillingen Dark Numbers av Tea Tupajic. Samtalen ble arrangert i samarbeid med Bergen Offentlige Bibliotek.

The Making of Justice is a vulnerable portrayal of seven prison inmates who have been charged with murder. Through conversations with the inmates, Sarah Vanhee encounters individuals in impossible situations, and their reflections surrounding retribution and rehabilitation. The film establishes a subtle tension in relation to questions about the retributive justice system as well as society’s perception and treatment of those who have lived outside the law. After the screening of the film there was an artist talk between artist Sarah Vanhee and philosopher David Chelsom Vogt. The entire talk is in English.

BIT Teatergarasjen har inngått et samarbeid med Teatertanken om prosjektet Levende kritikk. Prosjektet går inn for å heve kompetansen rundt scenekunstkritikk gjennom å utforske nye former for kritikk – med Vestlandet som utgangspunkt og omdreiningspunkt. I etterkant av forestillingen Love & Emotions 16. februar, ble det arrangert en kritikersalong bestående av et panel med dansehistorikere, dansekritikere,“teatergjengere” og en kunstner fra en annen del av feltet. Publikum deltok også i denne samtalen. Moderator: Anna Watson. Salong: Judith Dybendahl (kritiker), Snelle Hall (danseviser), Jan Piet Ballegeer (publikum) og Gitte Sætre (kunstner)

BIT Teatergarasjen har inngått et samarbeid med Teatertanken om prosjektet Levende kritikk. Prosjektet går inn for å heve kompetansen rundt scenekunstkritikk gjennom å utforske nye former for kritikk – med Vestlandet som utgangspunkt og omdreiningspunkt. I forkant av forestillingen Love & Emotions 16. februar, holdt koreograf, danser og førsteamanuensis ved KhiO Snelle Hall en introduksjon der målet var å se på forestillingen i et historisk perspektiv ved å gå inn på hva slags virkemidler og hvilken estetikk som benyttes.

The situationist movement has been an important inspiration for group foundations in Europe, including Group 66 in Norway, and is crucial to the Nordic aesthetics as it’s seen internationally. Through the seminar Art as Force on situationism in the Nordic region we want to establish an understanding of the Nordic tradition we come from. Part 4 - Balagan as conscious chaos - then and now: With contributions from David Elliott, Lisa Charlotte Badouin Lie and Worm Winther. Panel debate moderated by Knut Ove Arntzen at the end. Moderator Art as Force: Ine Therese Berg. The seminar was part of Positions - discursive program during the international dance festival Oktoberdans 2018 produced by BIT Teatergarasjen, and presented in collaboration with The University of Bergen, theatre studies and KODE.

The situationist movement has been an important inspiration for group foundations in Europe, including Group 66 in Norway, and is crucial to the Nordic aesthetics as it’s seen internationally. Through the seminar Art as Force on situationism in the Nordic region we want to establish an understanding of the Nordic tradition we come from. Part 3 - Situationism and performing arts: With contributions from Arnd Wesemand and Helena Waldmann. Moderator: Ine Therese Berg. The seminar was part of Positions - discursive program during the international dance festival Oktoberdans 2018 produced by BIT Teatergarasjen, and presented in collaboration with The University of Bergen, theatre studies and KODE.

The situationist movement has been an important inspiration for group foundations in Europe, including Group 66 in Norway, and is crucial to the Nordic aesthetics as it’s seen internationally. Through the seminar Art as Force on situationism in the Nordic region we want to establish an understanding of the Nordic tradition we come from. Part 2 - Situationism and Nordic popular art: With contributions from Knut Ove Arntzen, Marika Reuterswärd and Elsebet Rahlff / Gruppe 66 and the exhibition Bergensavantgarden 1966-85 at KODE (video). Moderator: Ine Therese Berg. The seminar was part of Positions - discursive program during the international dance festival Oktoberdans 2018 produced by BIT Teatergarasjen, and presented in collaboration with The University of Bergen, theatre studies and KODE.

The situationist movement has been an important inspiration for group foundations in Europe, including Group 66 in Norway, and is crucial to the Nordic aesthetics as it’s seen internationally. Through the seminar Art as Force on situationism in the Nordic region we want to establish an understanding of the Nordic tradition we come from. Part 1 - International Situationism: Introduction by Karoline Skuseth. With contributions from Mikkel Bolt Rasmussen and André Eiermann. Moderator: Ine Therese Berg. The seminar was part of Positions - discursive program during the international dance festival Oktoberdans 2018 produced by BIT Teatergarasjen, and presented in collaboration with The University of Bergen, theatre studies and KODE.

I Das Kapital, utgitt i årene 1867-94, hevder Karl Marx at kapitalismen vil kollapse under vekten av sine egne motsetninger. I dag, 124 år senere, fremstår kapitalismen som en like selvskreven del av samfunnet som demokratiet. Samtidig er vi på kollisjonskurs: verdier som evig vekst og bærekraft lar seg vanskelig kombinere. Vi inviterte 11. september Tomas Stølen, postdoktor ved det psykologiske fakultet, til å se tilbake på Marx i lys av Georg W.F. Hegel og Theodor Adorno. Hvilke filosofiske motiver ligger til grunn for Marx’ tenkning? Av særlig interesse i så måte er begrepet om fremmedgjøring. Foredraget ble arrangert i samarbeid med Bergen Offentlige Bibliotek og i forbindelse med forestillingen Trials of Money av den sveitsiske scenekunstneren Christophe Meierhans.

Teatervitenskapelig dugnad inviterte 25.-27. mai til tre dager med scenekunstfaglig utveksling og utvikling i Bergen. Tema og tittel for konferansen var Teatervitenskap – historiografi, teori og praksis med mål om å mønstre bredden av den teatervitenskapelige kompetansen på tvers av scenekunstneriske disipliner og teoretiske orienteringer. Konferansen fant sted på Universitetet i Bergen og ble arrangert i samarbeid mellom sentrale norske scenekunst-, forskning- og utdanningsinstitusjoner. Vertskap i Bergen er teatervitenskap ved UiB og BIT Teatergarasjen. teatervitenskapeligdugnad.com.

Teatervitenskapelig dugnad inviterte 25.-27. mai til tre dager med scenekunstfaglig utveksling og utvikling i Bergen. Tema og tittel for konferansen var Teatervitenskap – historiografi, teori og praksis med mål om å mønstre bredden av den teatervitenskapelige kompetansen på tvers av scenekunstneriske disipliner og teoretiske orienteringer. Konferansen fant sted på Universitetet i Bergen og ble arrangert i samarbeid mellom sentrale norske scenekunst-, forskning- og utdanningsinstitusjoner. Vertskap i Bergen er teatervitenskap ved UiB og BIT Teatergarasjen. teatervitenskapeligdugnad.com.

Teatervitenskapelig dugnad inviterte 25.-27. mai til tre dager med scenekunstfaglig utveksling og utvikling i Bergen. Tema og tittel for konferansen var Teatervitenskap – historiografi, teori og praksis med mål om å mønstre bredden av den teatervitenskapelige kompetansen på tvers av scenekunstneriske disipliner og teoretiske orienteringer. Konferansen fant sted på Universitetet i Bergen og ble arrangert i samarbeid mellom sentrale norske scenekunst-, forskning- og utdanningsinstitusjoner. Vertskap i Bergen er teatervitenskap ved UiB og BIT Teatergarasjen. teatervitenskapeligdugnad.com.