New Books In French Studies

While it is an overused cliché, France is indeed a land of contrasts, famous for its paradoxes. In French political history, the most startling may be the progressive policies of the Third Republic (1870-1940) on just about everything except for gender. Despite its embrace of the spirit of 1789, universal manhood suffrage, and secularism, the republic deemed French women second class citizens. Indeed, French women did not get the vote until the Fourth Republic in 1944, a full generation after almost every nation-state in the global north. Karen Offen has written an encyclopedic history of French debates about the soi-dissant “Woman Question”. While Dr. Offen’s Debating the Woman Question in the French Third Republic, 1870-1920 (Cambridge University Press, 2018), was the focus of our discussion, we also touched on its companion book, The Woman Question in France, 1400-1870 (Cambridge UP, 2017). Karen Offen earned her Ph.D. at Stanford University. She is currently a historian and independent scholar, affiliated

Today I talked to Lilianne Milgrom about L' Origine: The Secret Life of the World's Most Erotic Masterpiece (Girl Friday Books, 2021). In 1866, maverick French artist Gustave Courbet painted one of the most iconic images in the history of art: a sexually explicit portrait of a woman's exposed genitals. Audaciously titled L'Origine du monde (The Origin of the World), the scandalous painting was kept hidden for a century and a half. Today, it hangs in the world-renowned Orsay Museum in Paris, viewed by millions of visitors a year. As the first artist authorized by the Orsay Museum to re-create Courbet's The Origin of the World, author Lilianne Milgrom was thrust into the painting's intimate orbit, spending six weeks replicating every fold, crevice, and pubic hair. The experience inspired her to share her story and the painting's riveting clandestine history with readers beyond the confines of the art world. Pallavi Joshi is a PhD Candidate in French Studies at the University of Warwick. Learn more about your a

Jean Jaurès was a towering intellectual and political leader of the democratic Left at the turn of the twentieth century, but he is little remembered today outside of France, and his contributions to political thought are little studied anywhere. In Jean Jaurès: The Inner Life of Social Democracy (Penn State University Press, 2016), Geoffrey Kurtz introduces Jaurès to an American audience. Geoffrey Kurtz is Associate Professor of Political Science at the Borough of Manhattan Community College, CUNY. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Today I talked to Virginia Reinburg about her book Storied Places: Pilgrim Shrines, Nature, and History in Early Modern France (Cambridge UP, 2019). Pilgrim shrines were places of healing, holiness, and truth in early modern France. By analyzing the creation of these pilgrim shrines as natural, legendary, and historic places whose authority provided a new foundation for post-Reformation Catholic life, Virginia Reinburg examines the impact of the Reformation and religious wars on French society and the French landscape. Divided into two parts, Part I offers detailed studies of the shrines of Sainte-Reine, Notre-Dame du Puy, Notre-Dame de Garaison, and Notre-Dame de Betharram, showing how nature, antiquity, and images inspired enthusiasm among pilgrims. These chapters also show that the category of 'pilgrim' included a wide variety of motivations, beliefs, and acts. Part II recounts how shrine chaplains authored books employing history, myth, and archives in an attempt to prove that the shrines were authentic,

The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. With a Marxist orientation inspired by the thinking of Louis Althusser, Jacques Lacan and Roland Barthes, the "red years" of Cahiers du cinéma produced a theoretical outpouring that was formative for the establishment of film studies as an academic discipline in the 1970s, and is still of vital relevance for the contemporary audiovisual landscape. It was also the seminal experience for a generation of critics who have dedicated the following half-century to the task of critically responding to the cinema. Daniel Fairfax's The Red Years of Cahiers du Cinéma (1968-1973) (Amsterdam UP, 2021) gives a historical overview of this period in the journal's history, combining biographical accounts of the critics who were involved with Cahiers

Between 1862 and 1866 Gustave Courbet embarked on a series of sensuous landscape paintings that would later inspire the likes of Monet, Pissarro, and Cézanne. This series has long been neglected in favor of Courbet’s paintings of rural French life. Courbet's Landscapes: The Origins of Modern Painting (Yale UP, 2022) explores these astonishing paintings, staking a claim for their importance to Courbet’s work and later developments in French modernism. Ranging from the grottoes of Courbet’s native Franche-Comté to the beaches of Normandy, Paul Galvez follows the artist on his travels as he uses a palette-knife to transform the Romantic landscape of voyage into a direct, visceral confrontation with the material world. In this interview, Allison Leigh talks to Dr. Galvez about why he felt we needed another book on Courbet, how he tackled the voluminous scholarship on this artist, and how to make claims about an artist’s intentions from a historical standpoint. Their conversation ranges from how to best use compar

In Engendering Islands: Sexuality, Reproduction, and Violence in the Early French Caribbean (University of Nebraska Press, 2021), Dr. Ashley M. Williard demonstrates how problematics of gender played a central role in defining colonial others, male and female, at the moment when slavery was first introduced in the French-controlled Antilles. The book argues that seventeenth-century French Caribbean reconstructions of masculinity and femininity helped sustain and justify occupation, slavery, and nascent ideas of race. In the face of historical silences, Williard’s close readings of archival and narrative texts reveals the words, images, and perspectives that reflected and produced new ideas of human difference in this colonial context. Juridical, religious, and medical discourses expose the interdependence of multiple conditions—male and female, enslaved and free, Black and white, Indigenous and displaced, normative and disabled—in the islands claimed for the French Crown. R. Grant Kleiser is a Ph.D. candidat

Jacob Collins's The Anthropological Turn: French Political Through After 1968 (University of Pennsylvania Press, 2020) examines some of the most important currents in French intellectual life through the 1970s. In the wake of the upheaval of 1968, and confronted with the economic and other crises of the decade that followed, a number of political thinkers and social theorists in France interrogated "the social" borrowing anthropological concepts and approaches to religion, identity, citizenship, and the state.  Collins's account of the decade focuses on the work of four key thinkers from across the political spectrum in France: Alain de Benoist, Marcel Gauchet, Emmanuel Todd, and Régis Debray. Across chapters that explore the work of these authors in depth, the book tracks the common methodological ground these figures shared, the individual and collective influence they exerted on the French political landscape of the era. In different ways, the book argues, the ideas of these and other "political anthropolo

Within the Western tradition, it was the philosophers Henri Bergson and Max Scheler who laid out and explored the nonrational power of "intuition" at work in human beings that plays a key role in orienting their thinking and action within the world. As author Adriana Alfaro Altamirano notes, Bergon's and Scheler's philosophical explorations, which paralleled similar developments by other modernist writers, artists, and political actors of the early twentieth century, can yield fruitful insights into the ideas and passions that animate politics in our own time. The Belief in Intuition: Individuality and Authority in Henri Bergson and Max Scheler (U Pennsylvania Press, 2021) shows that intuition (as Bergson and Scheler understood it) leads, first and foremost, to a conception of freedom that is especially suited for dealing with hierarchy, uncertainty, and alterity. Such a conception of freedom is grounded in a sense of individuality that remains true to its "inner multiplicity," thus providing a distinct contr

Carolyn Eichner's new book, The Paris Commune: A Brief History (Rutgers University Press, 2022) was published on March 18th, the anniversary of the eruption of Paris Commune of 1871. In this accessible history of the 72-day uprising during which the working-class people of Paris established their own government; experimented with forms of radical democracy and social change; and resisted the forces of the French state and military, Eichner explores the Commune within the context of nineteenth-century political, economic, and cultural history in France and beyond its borders. Structured in three parts/chapters that take up the metaphorics of illumination, fluorescence, and explosion, the book follows the lives, ideas, and actions of Communards who sought to bring about a new society, and were ultimately crushed in their efforts. After two and a half months, the French government under the leadership of Adolphe Thiers crushed the Commune during the "Bloody Week" of May 21st-28th. Thousands of Communards met the

Today’s copyright laws are predicated on the idea that music is intellectual property; a commodity that has value to its creator and to its publisher. But, how did that concept originate and why? From Servant to Savant: Musical Privilege, Property, and the French Revolution (Oxford University Press, 2022) by Rebecca Geoffroy Schwinden tackles this question with an insightful examination of the years around the French Revolution when the legal protections for music moved from a system of monopolies granted by the sovereign that regulated music as an activity to a framework that assumed music was a kind of property. Before the French Revolution, making music was an activity that required permission. After the revolution, music was an object that could be possessed.In Geoffroy-Schwinden’s analysis, this is far from a simple history of commodification, it is, instead, a process entwined with the political, ideological, and cultural agendas of the French Revolutionaries. It is also a history of the development of

In Poland in the 1940s and '50s, a new kind of Catholic intended to remake European social and political life--not with guns, but French philosophy. Piotr H. Kosicki's book Catholics on the Barricades: Poland, France, and 'Revolution,' 1891-1956 (Yale UP, 2018) examines generations of deeply religious thinkers whose faith drove them into public life, including Karol Wojtyla, future Pope John Paul II, and Tadeusz Mazowiecki, the future prime minister who would dismantle Poland's Communist regime. Seeking to change the way we understand the Catholic Church, World War II, the Cold War, and communism, this study centers on the idea of "revolution." It examines two crucial countries, France and Poland, while challenging conventional wisdom among historians and introducing innovations in periodization, geography, and methodology. Why has much of Eastern Europe gone back down the road of exclusionary nationalism and religious prejudice since the end of the Cold War? Kosicki helps to understand the crises of contempo

In The Seventh Member State: Algeria, France, and the European Community (Harvard University Press, 2022), Dr. Megan Brown details the surprising story of how Algeria joined and then left the postwar European Economic Community and what its past inclusion means for extracontinental membership in today’s European Union. On their face, the mid-1950s negotiations over European integration were aimed at securing unity in order to prevent violent conflict and boost economies emerging from the disaster of World War II. But French diplomats had other motives, too. From Africa to Southeast Asia, France’s empire was unraveling. France insisted that Algeria—the crown jewel of the empire and home to a nationalist movement then pleading its case to the United Nations—be included in the Treaty of Rome, which established the European Economic Community. The French hoped that Algeria’s involvement in the EEC would quell colonial unrest and confirm international agreement that Algeria was indeed French. French authorities ha

In 1719, a ship named La Mutine (the mutinous woman), sailed from the French port of Le Havre, bound for the Mississippi. It was loaded with urgently needed goods for the fledgling French colony, but its principal commodity was a new kind of export: women. Falsely accused of sex crimes, these women were prisoners, shackled in the ship's hold. Of the 132 women who were sent this way, only 62 survived. But these women carved out a place for themselves in the colonies that would have been impossible in France, making advantageous marriages and accumulating property. Many were instrumental in the building of New Orleans and in settling Louisiana, Alabama, Arkansas, Illinois, and Mississippi. Drawing on an impressive range of sources to restore the voices of these women to the historical record, Mutinous Women: How French Convicts Became Founding Mothers of the Gulf Coast (Basic, 2022) introduces us to the Gulf South's Founding Mothers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our sho

Charly Coleman's latest book, The Spirit of French Capitalism: Economic Theology in the Age of Enlightenment (Stanford University Press, 2021) is at once a history of ideas, the economy, religion, and material culture. Pursuing the imbrication of the economy and theology with respect to both worldly and spiritual value and wealth, the book explores the emergence and development of a specifically Catholic ethic of capitalism particular to the French context in the century and more leading up to the French Revolution. In its six chapters, the book examines the Eucharist, John Law's system, speculation and debt, usury, consumption, luxury, and more. By the time this reader reached the epilogue, it became clear that The Spirit of French Capitalism is both a history of the Age of Enlightenment and a genealogy/prehistory of the commodity fetishism elaborated by Marx and Marxist thinkers from the nineteenth century to the present. Faith in infinite wealth creation, obsessive consumption, pleasure, abundance, and enc

In The Invention of Norman Visual Culture: Art, Politics, and Dynastic Ambition (Cambridge UP, 2020), Lisa Reilly establishes a new interpretive paradigm for the eleventh and twelfth-century art and architecture of the Norman world in France, England, and Sicily. Traditionally, scholars have considered iconic works like the Cappella Palatina and the Bayeux Embroidery in a geographically piecemeal fashion that prevents us from seeing their full significance. Here, Reilly examines these works individually and within the larger context of a connected Norman world. Just as Rollo founded the Normandy "of different nationalities", the Normans created a visual culture that relied on an assemblage of forms. To the modern eye, these works are perceived as culturally diverse. As Reilly demonstrates, the multiple sources for Norman visual culture served to expand their meaning. Norman artworks represented the cultural mix of each locale, and the triumph of Norman rule, not just as a military victory but as a legitimate

The beginnings of the modern welfare state are often traced to the late nineteenth-century labor movement and to policymakers’ efforts to appeal to working-class voters. But in Agents of Reform: Child Labor and the Origins of the Welfare State (Princeton UP, 2021), Elisabeth Anderson shows that the regulatory welfare state began a half-century earlier, in the 1830s, with the passage of the first child labor laws.  Agents of Reform tells the story of how middle-class and elite reformers in Europe and the United States defined child labor as a threat to social order, and took the lead in bringing regulatory welfare into being. They built alliances to maneuver around powerful political blocks and instituted pathbreaking new employment protections. Later in the century, now with the help of organized labor, they created factory inspectorates to strengthen and routinize the state’s capacity to intervene in industrial working conditions. Agents of Reform compares seven in-depth case studies of key policy episodes i

Haiti Fights Back: The Life and Legacy of Charlemagne Péralte (Rutgers University Press, 2021), by Yveline Alexis is the first US study of the politician and caco leader (guerrilla fighter) who fought against the US occupation of Haiti from 1915-1934. Alexis locates rare multilingual sources from both nations and documents Péralte's political movement and citizens' protests. The interdisciplinary work offers a new approach to studies of the US invasion period by documenting how Caribbean people fought back. Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

At the Risk of Thinking: An Intellectual Biography of Julia Kristeva (Bloomsbury, 2020) is the first biography of Julia Kristeva--one of the most celebrated intellectuals in the world. Alice Jardine brings Kristeva's work to a broader readership by connecting Kristeva's personal journey, from her childhood in Communist Bulgaria to her adult life as an international public intellectual based in Paris, with the history of her ideas. Informed by extensive interviews with Kristeva herself, this telling of a remarkable woman's life story also draws out the complexities of Kristeva's writing, emphasizing her call for an urgent revival of bold interdisciplinary thinking in order to understand--and to act in--today's world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Patronage has long been an important topic of study in musicology, but is much more likely to be one that specialists in medieval or renaissance music research. In The Creative Labor of Music Patronage in Interwar France (Boydell Press, 2021), Louis Epstein turns to patronage in the twentieth century to reveal an important part of the musical economy that is often overlooked. Many different types of patrons existed in this period, from music publishers and the French government to institutions and wealthy individuals. Far from mere sources of funding, early twentieth-century patrons collaborated closely with composers, treating commissions for new music as opportunities to express their own artistry. Although some of these patrons tried to interfere with the compositional process, most were engaged in a more subtle form of labor. For instance, they curated like-minded composers, encouraged people to write in expensive genres like opera or orchestral music, and supported French nationalism. Epstein also finds