New Books In French Studies

Contemporary historians and other scholars of the body frequently use "writing" and "inscription as metaphors. Katherine Dauge-Roth's Signing the Body: Marks on Skin in Early Modern France (Routledge, 2019) is an absorbing book that emphasizes literal, material forms of writing the body, taking skin as a "privileged surface," a physical site of expression, experience, and representation. Examining different types of corporeal marking from the later part of the sixteenth century through the eighteenth, the book focuses on inscription "from the outside," such as tattoos and branding, as well as marks on skin believed to have been made by supernatural forces, including stigmata and the "Devil's mark," the traces of God or of demonic possession/collaboration. Examining a range of cases from France and the "French Atlantic" context, the book engages with the histories of Christianity, witchcraft, travel, settler colonialism, slavery, crime, and punishment. It takes up questions of religious belief, spirituality, g

Following tirailleurs sénégalais’ deployments in West Africa, Congo, Madagascar, North Africa, Syria-Lebanon, Vietnam, and Algeria from the 1880s to 1962, Militarizing Marriage West African Soldiers’ Conjugal Traditions in Modern French Empire (Ohio UP, 2021) historicizes how African servicemen advanced conjugal strategies with women at home and abroad. Sarah J. Zimmerman examines the evolution of women’s conjugal relationships with West African colonial soldiers to show how the sexuality, gender, and exploitation of women were fundamental to the violent colonial expansion and the everyday operation of colonial rule in modern French Empire. These conjugal behaviors became military marital traditions that normalized the intimate manifestation of colonial power in social reproduction across the empire. Soldiers’ cross-colonial and interracial households formed at the intersection of race and sexuality outside the colonizer/colonized binary. Militarizing Marriage uses contemporary feminist scholarship on militar

Listen to this interview of Alex Csiszar, professor in the Department of the History of Science, Harvard University and author of The Scientific Journal: Authorship and the Politics of Knowledge in the Nineteenth Century (U Chicago Press, 2018). We talk about the British, the French, and the Germans. No joke. Alex Csiszar : "There's this myth out there about what makes a scientist a scientist. It's that they're highly skeptical of everything. They don't believe a claim until they see it with their own eyes. But anybody who spends any kind of time in the scientific process knows this is ridiculous. Most everything that everybody believes in the sciences is stuff that they've been given to believe through reading papers, through education, through being told by their colleagues, through textbooks–––almost everything anybody in the sciences believes has come to them through trust. And the formats and genres through which a lot of that stuff comes to one's eyes matter a lot for generating that trust. Though, mayb

A short and entertaining narrative of France from prehistory to the present, recounting the great events and personalities that helped create France’s cultural and political influence today. Country and destination, nation and idea, France has a rich and complex history that fascinates the world and attracts millions of visitors each year to its chateaux and cathedrals, boulevards and vineyards. In this succinct and entertaining volume, Veteran historian Jeremy Black narrates how France’s past has created its distinct character and powerful artistic, intellectual, and political influence across the globe. In France: A Short History (Thames & Hudson, 2021), Black takes readers from the cave paintings of Lascaux and the origins of Gothic architecture, to Claude Monet, Edgar Degas, and the Lumiere brothers, and even into the cataclysm of the 1789 revolution, the countercultural student protests of 1968, and the gilets jaunes (yellow vests) today. His account presents a vivid take on history that emphasizes the u

Meryl Altman's new book Beauvoir in Time, published by Brill Rodopi Press (2020), situates Simone de Beauvoir's The Second Sex (1949) in its historical context and responds to criticism that muddles what she actually said about sex, race and class. She takes up three aspects of Beauvoir's work today’s feminists find problematic: the characterizations of the frigid woman and lesbians, the analogy of race and class that obscures Black and working-class women and her examples drawn from white middle-class experience. Charged with ethnocentrism, her contribution is distorted by not considering her place and time. Through close reading of Beauvoir's writing in many genres, alongside expansive criticism, Altman shows that what appears as a problem for feminist theory is best understood by a full consideration of Beauvoir’s engagement with Freudian, Marxist and anticolonial thinkers. Extremely helpful in understanding the place of The Second Sex within international feminist theory, Altman offers insights into how B

Michel-Rolph Trouillot wrote that “the silencing of the Haitian Revolution is only a chapter within a narrative of global domination. It is part of the history of the West and it is likely to persist, even in attenuated form, as long as the history of the West is not retold in ways that bring forward the perspective of the world.” Alyssa Goldstein Sepinwall’s Slave Revolt on Screen: The Haitian Revolution in Film and Video Games (University Press of Mississippi, 2021) illustrates how this holds true not just in the writing of historical narratives but also the history of film. The book shows how one of the most important revolutions in world history, a revolt in which enslaved people fought for their freedom and created the first majority Black and post-slavery republic, has been silenced, ridiculed, or whitewashed by American and European film makers. She introduces us to Haitian directors such as Raoul Peck who want to tell their own story, free of white saviors but with the full horrors of slavery. The boo

English has borrowed more words from French than from any other modern foreign language. French words and phrases—such as à la mode, ennui, naïveté and caprice—lend English a certain je-ne-sais-quoi that would otherwise elude the language. Richard Scholar examines the continuing history of untranslated French words in English and asks what these words reveal about the fertile but fraught relationship that England and France have long shared and that now entangles English- and French-speaking cultures all over the world. Émigrés: French Words That Turned English (Princeton UP, 2020) demonstrates that French borrowings have, over the centuries, “turned” English in more ways than one. From the seventeenth-century polymath John Evelyn’s complaint that English lacks “words that do so fully express” the French ennui and naïveté, to George W. Bush’s purported claim that “the French don’t have a word for entrepreneur,” this unique history of English argues that French words have offered more than the mere seasoning o

Nicholas Harrison's Our Civilizing Mission: The Lessons of Colonial Education (Liverpool UP, 2019) is a fascinating examination of colonial education not just as a facet of colonialism, but as an "example" of education in a broader sense, albeit an "extreme" one. At once a historical study, a series of close readings of texts, ideas, and authors, and a set of intellectual, professional, and political biographies, the book explores and interrogates approaches to the teaching of languages, literatures, and histories within and beyond colonial contexts.  Centering as educators writers and thinkers essential to our critical understanding of colonialism and postcolonialism literature, the book has implications for how we think about the project of education as a whole, particularly in the Humanities, and especially right now. In chapters that pursue the educational, intellectual, and teaching stories of figures like Edward Said, Mouloud Ferraoun, Assia Djebar, and Albert Memmi, Our Civilizing Mission takes up issu

Painting by Numbers: Data-Driven Histories of Nineteenth-Century Art (Princeton UP, 2021) presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production. With new quantitative evidence for more than five hundred thousand works of art, Diana Seave Greenwald provides fresh insights into the nineteenth century, and the extent to which art historians have focused on a limited—and potentially biased—sample of artwork from that time. She addresses long-standing questions about the effects of industrialization, gender, and empire on the art world, and she models more expansive approaches for studying art history in the age of the digital humanities. Examining art in France, the United States, and the United Kingdom, Greenwald features datasets created from indices and exhibition catalogs that—to date—have been used primarily as finding aids. From this body of information, she reveals the importance of access to t

The Western Front evokes images of mud-spattered men in waterlogged trenches, shielded from artillery blasts and machine-gun fire by a few feet of dirt. This iconic setting was the most critical arena of the Great War, a 400-mile combat zone stretching from Belgium to Switzerland where more than three million Allied and German soldiers struggled during four years of almost continuous combat. It has persisted in our collective memory as a tragic waste of human life and a symbol of the horrors of industrialized warfare. In this history, military historian Nick Lloyd captures the horrific fighting in The Western Front: A History of the First World War (Liveright, 2021). As Lloyd reveals, far from a site of attrition and stalemate, the Western Front was dynamic and defined by extraordinary scientific and tactical innovation. It was on the Western Front that the modern technologies—machine guns, mortars, grenades, and howitzers—were refined and developed into effective killing machines. It was on the Western Front

Today on New Books in History, Rod Phillips, Professor of History at Carleton University in Ottawa, Canada, talks about his book, French Wine: A History, out in 2016 with the University of California Press, and published in paperback in 2020. For centuries, wine has been associated with France more than with any other country. France remains one of the world’s leading wine producers by volume and enjoys unrivaled cultural recognition for its wine. If any wine regions are global household names, they are French regions such as Champagne, Bordeaux, and Burgundy. Within the wine world, products from French regions are still benchmarks for many wines. French Wine is the first synthetic history of wine in France: from Etruscan, Greek, and Roman imports and the adoption of wine by beer-drinking Gauls to its present status within the global marketplace. Rod Phillips places the history of grape growing and winemaking in each of the country’s major regions within broad historical and cultural contexts. Examining a ran

What makes us happy? What keeps us from being happy? Is restlessness the same thing as unhappiness? Is happiness something we should value or assume we can even find? These are some of the questions that Benjamin and Jenna Storey explore in their 2021 book, Why We Are Restless: On the Modern Quest for Contentment (Princeton UP, 2021). They lead us through the ideas on these matters of four French-language thinkers: Montaigne, Pascal, Rousseau, and Tocqueville. The book begins by examining the relaxed view of the human condition that Montaigne (1533–1592) took that has been called his, “nonchalance.” It moves on to the stern, forbidding view of Blaise Pascal (1623–1662), who felt that everyone was miserable and that it was folly to deny it and the only answer was God—and finding God was a grueling quest. They then take on Jean-Jacques Rousseau (1712–1778), who felt that everyone was good at heart but that society tended to stifle that goodness and deform moral character. They conclude with Alexis de Tocquevill

On this episode, J.J. Mull interviews scholar and historian Camille Robcis. In her most recent book, Disalienation: Politics, Philosophy, and Radical Psychiatry in Postwar France (University of Chicago Press, 2021), Robcis grapples with the historical, intellectual, psychiatric and psychoanalytic meaning of institutional psychotherapy as articulated at Saint-Alban Hospital in France by exploring the movement’s key thinkers, including François Tosquelles, Frantz Fanon, Félix Guattari, and Michel Foucault. Anchored in the history of one hospital, Robcis's study draws on a wide geographic context—revolutionary Spain, occupied France, colonial Algeria, and beyond—and charts the movement's place within a broad political-economic landscape, from fascism to Stalinism to postwar capitalism. J.J. Mull is a poet, training clinician, and graduate student at Smith College School for Social Work currently living in Northampton, MA. He can be reached at jmull@smith.edu. Learn more about your ad choices. Visit megaphone.fm/

During a pivotal few months in the middle of the First World War all sides-Germany, Britain, and America-believed the war could be concluded. Peace at the end of 1916 would have saved millions of lives and changed the course of history utterly. Two years into the most terrible conflict the world had ever known, the warring powers faced a crisis. There were no good military options. Money, men, and supplies were running short on all sides. The German chancellor, Theobald von Bethmann-Hollweg, secretly sought President Woodrow Wilson's mediation to end the war, just as British ministers and France's president also concluded that the time was right. The Road Less Traveled: The Secret Battle to End the Great War, 1916-1917 (PublicAffairs, 2021), by renowned author and former government official, Philip Zelikow, Professor of History at the University of Virginia, describes how tantalizingly close these far-sighted statesmen came to ending the war, saving millions of lives, and avoiding the total war that dimmed ho

Notre-Dame of Amiens is one of the great Gothic cathedrals. Its construction began in 1220, and artistic production in the Gothic mode lasted well into the sixteenth century. In Notre-Dame of Amiens: Life of the Gothic Cathedral (Columbia UP, 2020), Stephen Murray invites readers to see the cathedral as more than just a thing of the past: it is a living document of medieval Christian society that endures in our own time. Murray tells the cathedral’s story from the overlapping perspectives of the social groups connected to it, exploring the ways that the layfolk who visit the cathedral occasionally, the clergy who use it daily, and the artisans who created it have interacted with the building over the centuries. He considers the cycles of human activity around the cathedral and shows how groups of makers and users have been inextricably intertwined in collaboration and, occasionally, conflict. The book travels around and through the spaces of the cathedral, allowing us to re-create similar passages by our medi

Erin Duncan O’Neill (Assistant Professor, University of Oklahoma) speaks with Elizabeth Emery (Professor, Montclair State University) about Emery’s recent book, Reframing Japonisme: Women and the Asian Art Market in Nineteenth-Century France, 1853-1914 (Bloomsbury, 2020). Women figured prominently among the leading collectors and purveyors of Asian art in mid-nineteenth-century France, but scholars no longer recognize their influence. In her latest book, Reframing Japonisme,Elizabeth Emery asks us to consider their disappearance in light of the gendered dynamics at play in practices of artistic production and circulation of that period.  She presents a trove of materials--art objects, literary accounts, and fragmentary records scattered among diverse archives—to bring renewed attention to women’s contributions to the French discover of Japanese art and its celebration in museums, social settings, and the global art market. In this conversation, Emery and Duncan O’Neill discuss two women at the heart of her st

Emma Rothschild’s new book, An Infinite History: The Story of a Family in France over Three Centuries (Princeton University Press, 2021) (see the book’s accompanying website here: https://infinitehistory.org), is a beautiful work that, by following the lives of one obscure family over five generations, weaves together a history of France through the momentous revolutions and economic transformations of the eighteenth and nineteenth centuries. In this conversation, Emma talks to Yi Ning Chang about the puzzles of writing micro-, meso-, and macrohistory, about the literary and the historical, and about what it might mean for the historian to treat every historical story as one of potentially infinite possibilities. Marie Aymard was an illiterate widow who lived in the provincial town of Angoulême in southwestern France, a place where seemingly nothing ever happened. Yet, in 1764, she made her fleeting mark on the historical record through two documents: a power of attorney in connection with the property of her

Today on New Books in History, Juergen Martschukat, professor of North American History at Universitat Erfurt, talks about his new book, The Age of Fitness: How the Body Became a Sign of Success and Performance (Polity Press, 2021), to celebrate its translation into and publication in English with Polity Press, this year, 2021. The book was originally published in 2019, by S. Fischer, in German. We live in the age of fitness. Hundreds of thousands of people run marathons and millions go jogging in local parks, work out in gyms, cycle, swim, or practice yoga. The vast majority are not engaged in competitive sport and are not trying to win any medals. They just want to get fit. Why this modern preoccupation with fitness? In this new book, Jurgen Martschukat traces the roots of our modern preoccupation with fitness back to the birth of modern societies in the eighteenth century, showing how the idea of fitness was interwoven with modernity's emphasis on perpetual optimization and renewal. But it is only in the p

We know more about men who sought and had sex with men in eighteenth-century Paris than in any other city at the time. Police records provide information about thousands of sodomites who were arrested and thousands more who were not. Michel Rey explored the sodomitical culture of the capital in five articles, based on one set of sources, published from 1982 to 1994. No one has completed his pioneering work in the archives and challenged his anachronistic conclusions about identity, community, and effeminacy. Jeffrey Merrick's book Sodomy in Eighteenth-Century France (Cambridge Scholars, 2020), the first on the subject based on extensive research in all of the relevant series of police records, explores patterns and changes in the lives of men who desired men and in the surveillance and punishment of same-sex relations across the century. The book examines what the extant sources do and do not tell us about the heads, hearts, and hands of men detained or mentioned by the police. To that end, it includes a gene

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad ch