New Books In Eastern European Studies

In Wild Music: Sound and Sovereignty in Ukraine (Wesleyan UP, 2019), Maria Sonevytsky tracks vernacular Ukrainian discourses of “wildness” as they manifested in popular music during a volatile decade of Ukrainian political history bracketed by two revolutions. From the Eurovision Song Contest to reality TV, from Indigenous radio to the revolution stage, Sonevytsky assesses how these practices exhibit and re-imagine Ukrainian tradition and culture. As the rise of global populism forces us to confront the category of state sovereignty anew, Sonevytsky proposes innovative paradigms for thinking through the creative practices that constitute sovereignty, citizenship, and nationalism. John Vsetecka is a PhD Candidate in the Department of History at Michigan State University where he is finishing a dissertation that examines the aftermath of the 1932-33 famine in Soviet Ukraine (Holodomor). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooks

Since 2020, Europe's financial sector has been severely stress-tested by a global pandemic and a major land war yet, compared to the period between 2007 and 2012, the impact has been remarkably muted. Still minnows compared to their US peers, Europe's post-crisis recapitalised banks nevertheless have held up well. And so, by and large, has the quality of their assets despite ten years of slow growth and low inflation followed by enormous volatility, high inflation and interest rates heading to two-decade highs. How much of this has been luck? How much is due to the redesign of European banking supervision after the punishing experience of the 2007-12 crisis? What still has to be done? To answer these questions, Robert Holzmann and Fernando Restoy have pulled together 21 contributors from policy-making and the academy to examine these fundamental questions in Central Banks and Supervisory Architecture in Europe: Lessons from Crises in the 21st Century (Edward Elgar, 2022). Since 2019, Robert Holzmann has been

For almost a year now, we have been absorbing news and information about Russia’s invasion of Ukraine. There are a variety of different, or competing, narratives to explain and define what we understand about the origins of this conflict and the ongoing military successes and failures on the ground in Ukraine and in Russia. I had the chance to interview Jordan Miller for PostScript (a special series that allows scholars to comment on pressing contemporary issues) about his work on narrative and attempts to influence the activities within the field of battle in Ukraine. Miller is finishing his dissertation on this topic at the War Studies Program at the Royal Military College of Canada. Miller’s research specifically focusses on these narrative dynamics, which are influential to battlefield success and potentially the outcome of this war. In our discussion, we examine the various points of information that were being put forward by Russia and by the United States before Russia moved into Ukraine in February of

In the midst of the Second World War, Central and East European governments-in-exile struggled to make their voices heard as they reported back to the Allies and sought to reach mass Allied publics with eyewitness testimony of German atrocities committed in their respective homelands. The most striking case is that of Poland, whose wartime exile government served as the principal conduit for first-hand testimony (much of which was initially ignored, questioned, or suppressed by the major Allies) of both the Holocaust and the German occupiers’ mass repression and killing of non-Jewish Poles. Historian Michael Fleming offers a rich and unprecedented take on the story of Poles’ contributions to the emergence of a global legal regime for prosecuting war crimes, by reconstructing the central contribution of the Polish War Crimes Office in London to the emergence, successful work, and postwar legacy of the UN War Crimes Commission.  In the Shadow of the Holocaust: Poland, the United Nations War Crimes Commission, a

Frank Wolff's ground-breaking Yiddish Revolutionaries in Migration: The Transnational History of the Jewish Labour Bund (Haymarket Books, 2021) investigates how this social movement transformed itself from one of the most important revolutionary protagonists in early twentieth-century Russia to a socialist institution of secular Jewish life and yidishkayt for Jews in North and South America. By following thousands of activists’ paths from the shtetlekh of Eastern Europe to the working-class Yiddish neighborhoods of New York and Buenos Aires, Wolff traces the patterns of activism and networks that connected these revolutionaries on both sides of the Atlantic, resulting in a richly detailed social history of this seminal transnational movement. Frank Wolff is a senior researcher in Modern and Contemporary History at the University of Osnabrück and a board member of the Institute for Migration Research and Intercultural Studies with a focus on historical border regimes, Jewish history and law in social history,

Mostafa Minawi's Losing Istanbul: Arab-Ottoman Imperialists and the End of Empire (Stanford University Press, 2022) offers an intimate history of empire, following the rise and fall of a generation of Arab-Ottoman imperialists living in Istanbul. Minawi shows how these men and women negotiated their loyalties and guarded their privileges through a microhistorical study of the changing social, political, and cultural currents between 1878 and the First World War. He narrates lives lived in these turbulent times—the joys and fears, triumphs and losses, pride and prejudices—while focusing on the complex dynamics of ethnicity and race in an increasingly Turco-centric imperial capital. Drawing on archival records, newspaper articles, travelogues, personal letters, diaries, photos, and interviews, Minawi shows how the loyalties of these imperialists were questioned and their ethnic identification weaponized. As the once diverse empire comes to an end, they are forced to give up their home in the imperial capital. A

Hell on Earth: The 30 Years War and the Violent Birth of Capitalism is a new 10-part series from the creators of Hell of Presidents — one of Entertainment Weekly’s best podcasts of 2021 — and Chapo Trap House, the political podcast that they claim has made more people angrier than any other podcast. Hell on Earth tells the story of the Thirty Years War, 1618–1648. Including the long crisis of the 17th century, the birth of Protestantism and the collapse of Catholic Christendom, and ultimately, “the gleaming T-800 Terminator skeleton of capitalism emerging from the rotting corpse of feudalism”. In addition to tales of lurid violence from a bygone age, of hot death on the battlefield, and cool palace intrigue, Christman and Wade explore climate change, financial collapse, moral panics, speculative bubbles, pandemic, crisis in institutional legitimacy, of conspiracy theories driving policy, and an information revolution that changes the way everyday people relate to their political leaders. Sound familiar? This

Why is it so hard for left wing parties in the West to win elections? Some such as the UK Labour Party have headed to the centre. The history of Labour since 1979 tells the story – their record goes lost, lost, lost, lost, Blair, Blair, Blair, lost, lost, lost, lost. But what does heading the centre consist of? And are their alternative strategies? Listen to Owen Bennett Jones discuss leftist parties and what they need to do to win with Eunice Goes of the Richmond American International University. Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Seeing cigarette smoking as a cultural phenomenon of Western modernity is perhaps easier when the test case is outside the US where the narrative is dominated by Big Bad Tobacco and litigation. Tricia Starks's two volume study does just that. Her second volume, Cigarettes and Soviets: Smoking in the USSR (Cornell University Press, 2022) traces the rise and fall of cigarettes during the Soviet period. (Her first volume covered the pre-Revolutionary era.) In a beautifully written and jargon-free account illustrated with dozens of color plates, Starks tracks how the early revolutionaries tried unsuccessfully to combat mass smoking, how subsequent Soviet leaders made peace with it, and how in the post-war period, Soviet health authorities slowly made inroads against smoking, albeit with different arguments than those used in the anti-tobacco campaigns in the West. Daniel Peris is Senior Vice President at Federated Hermes in Pittsburgh. He can be reached at DanielxPeris@gmail.com or via Twitter @HistoryInvestor. H

How do states and societies confront the legacies of war and occupation, and what do truth, guilt, and justice mean in that process?  In Ghosts of War: Nazi Occupation and Its Aftermath in Soviet Belarus (Cornell UP, 2022), Franziska Exeler examines people's wartime choices and their aftermath in Belarus, a war-ravaged Soviet republic that was under Nazi occupation during the Second World War. After the Red Army reestablished control over Belarus, one question shaped encounters between the returning Soviet authorities and those who had lived under Nazi rule, between soldiers and family members, reevacuees and colleagues, Holocaust survivors and their neighbors: What did you do during the war? Ghosts of War analyzes the prosecution and punishment of Soviet citizens accused of wartime collaboration with the Nazis and shows how individuals sought justice, revenge, or assistance from neighbors and courts. The book uncovers the many absences, silences, and conflicts that were never resolved, as well as the truths

On February 24 2022, Vladimir Putin shocked the world by invading Ukraine. In this short interview, veteran military historian Jeremy Black looks at the conflict from a military point of view. Why have the Russians done so badly? Why have the Ukrainians done so well? And what are the prospects for victory by either side? Charles Coutinho, PH. D., Associate Fellow of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Paul Nelles (Carleton University) and Rosa Salzberg (University of Trento) talk about early modern culture, travel and the joys of editing their new volume, Connected Mobilities in the Early Modern World: The Practice and Experience of Movement (Amsterdam University Press, 2022). This book offers a panorama of movement, mobility, and exchange in the early modern world. While the pre-modern centuries have long been portrayed as static and self-contained, it is now acknowledged that Europe from the Middle Ages onwards saw increasing flows of people and goods. Movement also connected the continent more closely to other parts of the world. The present work challenges dominant notions of the 'fixed,' immobile nature of pre-modern cultures through study of the inter-connected material, social, and cultural dimensions of mobility. The case studies presented here chart the technologies and practices that both facilitated and impeded movement in diverse spheres of social activity such as communication, transport, poli

Donetsk, the black gem of Ukraine―Eden and Sodom in one, a stew steaming with coal fever, Manifest Destiny of Europe's east: Svetlana Lavochkina sends readers on a double odyssey with two adventurers, the fiery blacksmith Alexander and the elusive linguist Lisa, whose paths are destined to cross on the cusp of the war in the Donbas. Only one of them fathoms that their encounter goes far beyond its face-value purpose. A thriller, a romance, a CV, a rose of historical winds, a song of crafts, an ontology of Eastern-Ukrainian mind in one, Carbon: Song of Crafts (Lost Horse Press, 2020) is told in polyphonic verse―a prayer for the beloved, anguished city. Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Her dissertation explores contested memory focusing on Ukraine and Russia. She also holds a Ph.D. in American literature (Taras Shevchenko Institute of Literature, National Academy of Sciences of Ukraine, 2007). In her dissertation on Richard Brautigan, she focuse

In the 1990s, a network of twenty Soros Centres for Contemporary Art sprung up across Eastern Europe: Almaty, Belgrade, Budapest, Kiev, Ljubljana, Prague, Riga, Sarajevo, Tallinn, Warsaw, and Zagreb among them. These centres, funded as their name suggests by Geroge Soros’ Open Society Foundation, had as their mission the cataloguing of dissident pre-1989 art and the introduction of new forms of artistic practice to the art scenes of post-Eastern Block states. Within a decade, the centres wound up their operation and their histories have been forgotten but not because they made a mark on Eastern European art and societies. The Influencing Machine, Aaron Moulton’s exhibition and book traces the network’s history and evaluates its outsized impact on its host societies. Through the use of template annual exhibitions and synchronised open calls, the Centres pioneered forms of socially engaged practice that preceded the form’s development in Western art capitals and gave artists access to unprecedented production b

In the chaos of the end of WWI, the Russian Civil War, and a brief period of Ukrainian independence there occurred a series of massacres of German Mennonites. Sean Patterson's recent book Makhno and Memory: Anarchist and Mennonite Narratives of Ukraine's Civil War, 1917-1921 (University of Manitoba Press, 2020) analyzes the varying historical memories of these massacres. Patterson's book raises numerous and timely issues of national memory and identity, and contains much poignant reflection on the problems faced by an historically pacifist community facing down violent circumstances. What it means to be a member of a national community is an interesting and important question in any circumstances, but the construction of Ukrainian national identity is a subject of more-than-casual interest, in 2022. Makhno and Memory discusses a complicated and important series of event in accessible fashion, and usefully circumscribes what can and cannot be known about Nestor Makhno's specific role in those events. Aaron Wei

Among the Jewish writers who emigrated from Eastern Europe to France in the 1910s and 1920s, a number chose to switch from writing in their languages of origin to writing primarily in French, a language that represented both a literary center and the promises of French universalism. But under the Nazi occupation of France from 1940 to 1944, these Jewish émigré writers—among them Irène Némirovsky, Benjamin Fondane, Romain Gary, Jean Malaquais, and Elsa Triolet—continued to write in their adopted language, even as the Vichy regime and Nazi occupiers denied their French identity through xenophobic and antisemitic laws. In Writing Occupation: Jewish Émigré Voices in Wartime France (Stanford UP, 2020), Julia Elsky argues that these writers reexamined both their Jewishness and their place as authors in France through the language in which they wrote. The group of authors Elsky considers depicted key moments in the war from their perspective as Jewish émigrés, including the June 1940 civilian flight from Paris, life

In the fall of 1942, only the city of Stalingrad stood between Soviet survival and defeat as Hitler’s army ran rampant. With the fate of the USSR hanging in the balance, Soviet propaganda chiefs sent their finest writers into the heat of battle. After six months of terrifying work, these men succeeded in creating an enduring epic of Stalingrad. Their harrowing tales of valour and heroism offered hope for millions of readers. “Stalingrad lives!” went the rallying cry: the city had to live if the nation was to stave off defeat.  In Stalingrad Lives!: Stories of Combat and Survival (McGill-Queen's Press, 2022) Ian Garner brings together a selection of short stories written at and after the battle. They reveal, for the first time in English, the real Russian narrative of Stalingrad - an epic story of death, martyrdom, resurrection, and utopian beginnings. Following the authors into the hellish world of Stalingrad, Garner traces how tragedy was written as triumph. He uncovers how, dealing with loss and destruction

The early 1930s constituted an ambiguous moment for the roughly three million Jews that resided in the Polish Republic. On the one hand, as recent scholars have emphasized, Polish Jews found numerous opportunities to partake in flourishing cultural and political projects that spanned the ideological spectrum from Zionism to Yiddishism to Polish integrationism to various brands of socialism. In addition, Josef Pilsudski’s government – while by no means an ally to Polish Jewry – was the lesser of two evils compared to the explicitly anti-Semitic Endecja regime that ruled the country by the end of the decade. At the same time, however, trouble lurked around every corner. Polish Jews found their earning opportunities deeply limited, due to both economic depression and a widespread social prejudice that blocked them from getting jobs. Even more concerning, the rise of fascist politics – in Poland and abroad – made clear the fledgling state’s weaknesses, and cast a shadow of doubt over any sense that acceptance wou

How has digitalisation changed Russian politics? How has Russia’s invasion of Ukraine changed Russia studies? What is special about Russia’s approach to algorithmic governance and internet control? Assistant Professor in Cyber-Security and Politics from Maastricht University, Mariëlle Wijermars, talks about her ongoing research on Russian politics, internet policy and platform governance. In a conversation with Joanne Kuai, Mariëlle Wijermars also talks about The Palgrave Handbook of Digital Russia Studies. This open-access handbook was published by Palgrave Macmillan in 2020 and was edited by Mariëlle together with Daria Gritsenko and Mikhail Kopotev. This handbook presents a multidisciplinary and multifaceted perspective on how the ‘digital’ is simultaneously changing Russia and the research methods scholars use to study Russia. It provides a critical update on how Russian society, politics, economy, and culture are reconfigured in the context of ubiquitous connectivity and accounts for the political and so

From governesses with supernatural powers to motor-car obsessed amphibians, the iconic images of English children's literature helped shape the view of the nation around the world. But, as Translating England into Russian: The Politics of Children's Literature in the Soviet Union and Modern Russia (Bloomsbury, 2021) reveals, Russian translators did not always present the same picture of Englishness that had been painted by authors. In this book, Elena Goodwin explores Russian translations of classic English children's literature, considering how representations of Englishness depended on state ideology and reflected the shifting nature of Russia's political and cultural climate. As Soviet censorship policy imposed restrictions on what and how to translate, this book examines how translation dealt with and built bridges between cultures in a restricted environment in order to represent images of England.  Through analyzing the Soviet and post-Soviet translations of Rudyard Kipling, Kenneth Grahame, J. M. Barri