Art Talk

WEB EXCLUSIVE: Edward reflects on times when he's changed his mind about an artwork, and whether, maybe, that's a good thing.

Edward Goldman reflects on the hundredth anniversary of The Rite of Spring and its upcoming performance in Los Angeles.

Hunter Drohojowska-Philp talks about the impact of words writ large at Regen Projects.

Hunter Drohojowska-Philp recalls Rebecca’s restaurant in Venice, Gehry’s first fish lamps and her own octopus chandelier.

Over the last weekend, I saw and admired the work of three artists, whom I would describe as magicians and tricksters.

Hunter Drohojowska-Philp is impressed by the contemporary art on display in the 19th century mansion of the Huntingtons

Edward visits works on loan to the Getty and Norton Simon in search of a remedy to his New Year’s cold.

Hunter Drohojowska-Philp and Lisa Napoli drop by Redcat gallery for full immersion into a multi-media installation.

Hunter Drohojowska-Philp offers a glimpse of highlights in the first half of the coming year.

Hunter Drohojowska-Philp says it has been an exceptional year at LACMA but don't miss the paintings by Giotto at the Getty.

Edward Goldman reconsiders his feelings about film exhibitions after visiting LACMA's "Stanley Kubrick."

Hunter Drohojowska-Philp talks about the France/Los Angeles dialogue at the Municipal Art Gallery.

Edward Goldman takes a bird's-eye view of the American museum scene.

Hunter Drohojowska-Philp muses on the good and bad news concerning MOCA in 2012. 

Edward Goldman discusses Joe Wright's "Anna Karenina" from the perspective of an art critic.

Hunter Drohojowska-Philp gives thanks for the ancient wisdom of the cultures photographed for this exhibition.

Edward Goldman proposes an artful solution to the battle over Santa Monica's Nativity scenes.

Hunter Drohojowska-Philp talks about the video art of Marco Brambilla and Ben Jones.

Edward Goldman recommends visiting the exceptional Caravaggio and Giotto exhibitions currently at LACMA and the Getty.

Hunter Drohojowska-Philp finds the blues uplifting in MOCA curator Bennett Simpson's sprawling exhibition at the Geffen Contemporary.