New Books In Literature

Ruth Ozeki, whose most recent novel is The Book of Form and Emptiness, speaks with critic Rebecca Evans and guest host Emily Hyde. This is a conversation about talking books, the randomness and serendipity of library shelves, and what novelists can learn in the editing room of a movie like Mutant Hunt. Ozeki is an ordained Zen Buddhist priest, and her novels unfold as warm-hearted parables that have been stuffed full of the messiness of contemporary life. The Book of Form and Emptiness telescopes from global supply chains to the aisles of a Michaels craft store and from a pediatric psychiatry ward to the enchanted stacks of the public library. The exigencies of environmental storytelling arch over this conversation. Evans asks Ozeki questions of craft (how to move a story through time, how to bring it to an end) that become questions of practice (how to listen to the objects stories tell, how to declutter your sock drawer). And we learn Ozeki’s theory of closure: her novels always pull together at the end so

The Mahabharata is one of the central works of Indian literature—its characters, lessons, and tropes are widely known and referenced in Indian popular culture, literary discussions and political debate. And like all classic works, it’s ripe for reinterpretations, deconstructions and adaptations. One such reinterpretation is Song of Draupadi (Aleph Book Company, 2021), written by Ira Mukhoty. Ira’s book puts the Mahabhrata’s female characters front and center, focusing the story around their struggles and their strengths in fighting for themselves—and the men they have to care for. Ira Mukhoty is the author of several books about India and Indian women throughout history, including Heroines: Powerful Indian Women of Myth and History (Aleph Book Company: 2017), Daughters of the Sun: Empresses, Queens and Begums of the Mughal Empire (Aleph Book Company: 2018), and Akbar: The Great Mughal (Aleph Book Company: 2020). Ira can be followed on Twitter at @mukhoty, and on Instagram at @iramukhoty. We’re also joined by

Today I talked to Sandra Cavallo Miller about her novel Where No One Should Live (U Nevada Press, 2021). Dr. Maya Summer works at Arizona Public Health, overseeing and researching a myriad of public health issues. A passionate advocate for a motorcycle helmet law, she also monitors disease-bearing mosquitoes, rabid bobcats, and the opioid epidemic--along with many other concerns. To maintain her clinical skills, she spends time at the nearby family medicine residency, seeing patients and teaching new physicians. Maya also navigates a complicated personal life: a somewhat troubled romantic relationship with a cardiologist; a retired physician-friend searching for new meaning; an undocumented neighbor raising a young son; and a cherished ailing old horse. A new danger looms when she sparks the anger of local biker gangs who want to stop her helmet campaign. As the intimidating warnings reach an unsettling highpoint, a past trauma that had been fueling her work now starts to haunt her--threatening to derail her

Today I talked to Sequoia Nagamatsu about his novel How High We Go in the Dark (William Morrow, 2022). In 2030, a grieving archeologist arrives in the Arctic Circle to continue the work of his recently deceased daughter at the Batagaika Crater, where researchers are studying long-buried secrets now revealed in melting permafrost, including the perfectly preserved remains of a girl who appears to have died of an ancient virus. Once unleashed, the Arctic plague will reshape life on Earth for generations to come, quickly traversing the globe, forcing humanity to devise a myriad of moving and inventive ways to embrace possibility in the face of tragedy. In a theme park designed for terminally ill children, a cynical employee falls in love with a mother desperate to hold on to her infected son. A heartbroken scientist searching for a cure finds a second chance at fatherhood when one of his test subjects--a pig--develops the capacity for human speech. A widowed painter and her teenaged granddaughter embark on a cos

Nine out of ten dentists agree, Mazey Eddings's rom-com A Brush with Love (St. Martin's Griffin, 2022) makes your smile brighter!* *not scientifically proven Harper is anxiously awaiting placement into a top oral surgery residency program when she crashes (literally) into Dan. Harper would rather endure a Novocaine-free root canal than face any distractions, even one this adorable. A first-year dental student with a family legacy to contend with, Dan doesn’t have the same passion for pulling teeth that Harper does. Though he finds himself falling for her, he is willing to play by Harper’s rules. So with the greatest of intentions and the poorest of follow-throughs, the two set out to be “just friends.” But as they get to know each other better, Harper fears that trading fillings for feelings may make her lose control and can't risk her carefully ordered life coming undone, no matter how drool-worthy Dan is. Blood, gore, and extra-long roots? No problem. The idea of falling in love? Torture. Galina Limorenko

Interest in the events leading up to the Russian Revolution of 1917 has only increased since the centenary of the Romanovs’ assassination in 1918. Bryn Turnbull tackles this familiar story from the perspective of Emperor Nicholas’s eldest daughter, Grand Duchess Olga Nikolaevna (1895–1918). The novel opens with a prediction, apparently made on the day of Olga’s birth, that the infant grand duchess would “not live to see thirty.” From there it moves to 1907, when the young heir to the throne, Tsarevich Alexei, is on the brink of death due to uncontrolled bleeding, the result of his hereditary hemophilia. Enter Grigori Rasputin, who enacts a miracle cure, saving the boy’s life and earning himself the undying gratitude of the desperate empress. With this central conflict established—including the secrecy maintained around the nature of Alexei’s illness for as long as he remained heir to the throne—we shift forward in time to Nicholas II’s abdication in March 1917. The two stories of the revolution and the years

Julia Cooke speaks to managing editor Emily Everett about her essay “Past and Future on Rapa Nui,” which appears in The Common’s fall issue. In this conversation, Julia talks about her trip to Rapa Nui, commonly known as Easter Island, a place famous for the mysterious moai statues that dot the remote landscape. She also discusses the island’s complicated and unknowable history, her earlier work as a journalist, and her latest book, which chronicles stories from Pan Am stewardesses during the Jet Age. Julia Cooke is the author of Come Fly the World: The Jet-Age Story of the Women of Pan Am and The Other Side of Paradise: Life in the New Cuba. Her essays and reporting have been published in A Public Space, Smithsonian, Tin House, Condé Nast Traveler, and Virginia Quarterly Review, where she is a contributing editor. Read Julia’s essay in The Common here. Read more at juliacooke.com. Follow her on Twitter at @juliaccooke. The Common is a print and online literary magazine publishing stories, essays, and poems t

Bangkok, as Thailand’s largest and most economically-important cities, attracts migrants from all over the country. Drawn to its economic opportunities, migrants eke a living working in informal jobs, with few protections–yet they build a community among their fellow migrants and workers. The King of Bangkok (University of Toronto Press: 2021), written by Claudio Sopranzetti, illustrated by Sara Fabbri and translated from its original Italian by Chiara Natalucci, tells the story of one such migrant: Nok, who lives through economic upheaval, protest movements and military crackdowns, in a story based on years of research. Claudio Sopranzetti is an assistant professor in the Department of Sociology and Anthropology at the Central European University. He is the author of Owners of the Map: Motorcycle Taxi Drivers, Mobility, and Politics in Bangkok (University of California Press: 2017), winner of the 2019 Margaret Mead Award. Sara Fabbri is an illustrator and editorial designer, currently working as Art Director

In Fine Boys: A Novel (Ohio University Press, 2021), Ewaen is a Nigerian teenager, bored at home in Warri and eager to flee from his parents’ unhappy marriage and incessant quarreling. When Ewaen is admitted to the University of Benin, he makes new friends who, like him, are excited about their newfound independence. They hang out in parking lots, trading gibes in pidgin and English and discovering the pleasures that freedom affords them. But when university strikes begin and ruthlessly violent confraternities unleash mayhem on their campus, Ewaen and his new friends must learn to adapt—or risk becoming the confras' next unwilling recruits. In his trademark witty, colloquial style, critically acclaimed author Eghosa Imasuen presents everyday Nigerian life against the backdrop of the pro-democracy riots of the 1980s and 1990s, the lost hopes of June 12 (Nigeria’s Democracy Day), and the terror of the Abacha years. Fine Boys is a chronicle of time, not just in Nigeria, but also for its budding post-Biafran gene

Homicide and Halo-Halo (Berkley, 2022) is the second cozy mystery in the Tita Rosie’s Kitchen mystery series. Written in first person, baker Lila Macapagal is about to open the Brew-Ha Café in Shady Palms, a fictional town about 2 hours outside of Chicago. Lila, a proud Filipino American who bakes awesome fusions of Filipino and American pastry, is a 25-year-old who has been asked to guest judge a local beauty pageant that she won as a teenager. The first sign of trouble is a threat about the competition, and then one of Lila’s fellow judges is found dead. Cozy mysteries are usually lightweight and amusing – while Homicide and Halo-Halo is written in a light-hearted style, characters grapple with serious issues such as PTSD, fatphobia, fertility and pregnancy issues, predatory behavior, unresolved grief, parental death, and dismissive attitudes toward mental health. Mia P. Manansala is a writer and certified book coach who earned her undergraduate degree in English at Northeastern Illinois University. A 2017

An interview with Jessamine Chan, author of The School for Good Mothers (Simon and Schuster, 2022), a debut novel about the current and future terrors of state-disciplined forms of motherhood. Jessamine and I discuss the genesis of this near-future dystopia, and how she never considers genre when writing. We talk about the deep well of ingrained ideologies about the mothering and protection of children against unseen dangers, the complicated layers of the novel’s Philadelphia settings, including the real-life campus that inspired the fictional school, surveillance of racial minorities by police and child protective services, and so much more. Jessamine Recommends: “Where is your mother?” The New Yorker “Foster Care as Punishment” The New York Times Kim Brooks, Small Animals Liz Moore, Long Bright River Katie Gutierrez, More than You’ll Ever Know Ling Ma, Severance Alyssa Songsiridej, Little Rabbit Chloe Cooper Jones, Easy Beauty  Chris Holmes is Chair of Literatures in English and Associate

Guest host Chris Holmes sits down with Booker Prize winning novelist Damon Galgut and Andrew van der Vlies, distinguished scholar of South African literature and global modernisms at the University of Adelaide, Australia. Andrew and Damon tunnel down into the structures of Damon’s newest novel, The Promise to locate the ways in which a generational family story reflects broadly on South Africa’s present moment. The two discuss how lockdowns during the Covid-19 pandemic invoke for some the limitations on movement during the Apartheid era in South Africa. The Promise is a departure from Damon’s previous two novels, which were peripatetic in their global movement and range. Damon describes the ways in which this novel operates cinematically, as four flashes of a family’s long history, with the disembodied narrator being the one on the move. Damon provocatively divides novels into two traditions: those that provide consolation, and those that can provide true insight on the world but must do so with a cold distan

This conversation, first aired in July 2021, features Brandeis poet Elizabeth Bradfield, and the poet Sean Hill, author of Blood Ties and Brown Liquor (2008) and Dangerous Goods (2014). Sean reads his “Musica Universalis in Fairbanks,” (it appeared in the Alaska Quarterly Review) and then, like someone seated in an archive turning over the pages of aged and delicate documents, unfolds his ideas about birds, borders, houses and “who was here before me.” Mentioned in This Episode: C.S. Giscombe, Into and Out of Dislocation C.S. Giscombe, Giscome Road Lorine Neidecker, Lake Superior Italo Calvino, Invisible Cities Anne Carson, Plainwater William Vollmann, The Ice-Shirt Listen and Read: Read transcript here: Sean Hill on Bodies in Space and Time Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn

Tochi Onyebuchi’s new novel Goliath (Tordotcom, 2022) features a phenomenon familiar to those of us who live in cities—gentrification. Like the gentrifiers of today who push out old-timers with high rents and coffee boutiques, Onyebuchi’s urban colonizers are taking over property in communities that have suffered from underinvestment and systemic racism. But unlike gentrifiers of today, who often leave behind comfortable lives in the suburbs, the gentrifiers in Goliath are returning from comfortable lives on space stations where those with means had fled years earlier to escape pollution and environmental degradation on Earth. Onyebuchi sees in the story of David and Jonathan—returnees from who take over a home in a Black and Brown community in New Haven—parallels to frontier narratives. “I've read a lot of westerns and western-inflected literature, and the ways in which people have written about the American West were very fundamental in how I approached the characters of David and Jonathan. You have people

Teri M. Brown's novel Sunflowers Beneath the Snow (Atmosphere Press 2022) opens in 1973 with a Ukrainian man being spirited out of the USSR. He’s part of the resistance and his cover was blown. Ivanna, his wife is told that he died in another woman’s bed, and she never wants to hear his name again. Loyal to the Soviet Union, Ivanna manages to raise her daughter Yevtsye, who grows up, falls in love, gets married, and gives birth to a daughter, Ionna. Then Gorbachev comes to power and the Soviet Union collapses, leaving Ivanna in shock but offering hope to Yevtsye, Danya, and their daughter. The years pass, and Ionna wants to learn languages and see the world. She takes a job at an American summer camp and slowly overcomes the prejudices of the rest of the staff. Then the Soviet army invades Crimea, and she can’t get home, so she heads to New York City in hopes of blending into the large Ukrainian population. This is a story of resilience and courage. G.P. Gottlieb is the author of the Whipped and Sipped Myster

Manuel Padilla Jr. spoke to me today in his very accessible yet historically conscious novel Coconut: Brown on the Outside, White on the Inside (Xlibris Publications, 2020) in which he depicts Latino culture while also considering politics, history, class and generational differences in the life of a Latino family in the Los Angeles of the 1960’s and 70’s. Through the unflustered logic of a five year old child we see the impact of racism and differentiation and we are made aware of the evolution of multiculturalism in the United States a country that was supposed to be the melting pot of races but where people are still thought of by their race. Manuel Padilla Jr. has over 36 years of professional writing experience in the media and publishing worlds, working as a newspaper reporter and editor; marketing, public relations and advertising professional; and public speaker. He has written pieces which have appeared in the Los Angeles Times and other publications. He was also a regular columnist for the Los Angel

An interview with Hillary Jordan and Cheryl Lu-Lien Tan, editors of Anonymous Sex, a collection of 27 explicit sex stories unattributed to the 27 writers listed in the byline. Cheryl, Hillary, and I discuss how exactly you get writers like Louise Erdrich, Rebecca Makkai, Helen Oyeyemi, and Robert Olen Butler to contribute a story when the conceit is sex. We talk about the problem with stale erotica and the search for fresh language with which to talk about sex and desire, the necessity of understanding sex as culturally constructed, and so much more. Hillary Recommends: Michael Cunningham, Flesh and Blood ----. A Home at the End of the World Cheryl Recommends: Fumiko Enchi, Masks ----. The Waiting Years The Novels of Muriel Spark Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New

Mona Kareem speaks to managing editor Emily Everett about her essay “Mapping Exile: A Writer’s Story of Growing Up Stateless in Post-Gulf War Kuwait,” which appears in a portfolio of writing from the Arabian Gulf, in The Common’s fall issue. In this conversation, Mona talks about her family’s experience living in Kuwait as Bidoon, or stateless people, and why examining and writing about that experience is important to her. She also discusses her work as a poet and translator, her thoughts on revision and translation, and why she sometimes has mixed feelings about writing in English. Mona Kareem is the author of three poetry collections. She is a recipient of a 2021 NEA literary grant and a fellow at the Center for the Humanities at Tufts University. Her work appears in The Brooklyn Rail, Michigan Quarterly Review, Fence, Ambit, Poetry London, the Los Angeles Review of Books, Asymptote, Words Without Borders, Poetry International, PEN America, Modern Poetry in Translation, Two Lines, and Specimen. She has held

Starting a new historical mystery series is always fun, but summarizing one at book 7 creates a certain conundrum: how to convey the essence of a character and her development without giving away too much information? Since her first adventure in 1887 (A Curious Beginning, published in 2015), Veronica Speedwell, a lepidopterist by inclination and training, has had an exciting two years. Early in that book, she leaves a family funeral only to encounter a housebreaker and would-be abductor. She evades the villain with help from an unknown rescuer who promises to reveal a decades-old secret but dies before he can fulfill his promise. Veronica is nothing if not intrepid, and she flees London in the company of the unkempt and misanthropic Stoker. Together they attempt to discover who perpetrated the murder and why without falling under suspicion themselves. By 1889, Veronica and Stoker have tackled more than a few complicated cases. In An Impossible Impostor (Berkley Books, 2022), the head of Scotland Yard’s Spec

An interview with Andrew Lipstein, author of the debut novel, Last Resort. Andrew and I discuss ownership over stories, the blurring of the commercial and the literary in contemporary publishing, the dread that accompanies a story that grows out of your control, and so much more. Andrew Recommends: Natasha Brown, Assembly Sheila Heti, Pure Color Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature