New Books In Literature

Hello, this is Eric LeMay, a host on the New Books Network. Today I interview Sergio Lopez-Pineiro about his new book, A Glossary of Urban Voids (2020). It's one of the more fascinating books I've encountered in some time. And I say "encountered" because it's not only a book, in the traditional sense of something you read, but also a keen intellectual and aesthetic experience: the very design of the book and its use of the glossary as a form open up exciting ways of thinking and seeing. And this is very much to the point for Lopez-Pineiro, because the urban void about which he writes is a phenomenon that resists definition. It is, in his words, "unspecified and underspecified." And that's exactly what makes it so intriguing. Join me in hearing Lopez-Pineiro show us how some of the most seemingly overlooked and neglected areas of our urban environments may end up being the most crucial for our freedoms and our possibilities. Eric LeMay is on the creative writing faculty at Ohio University. He is the author of

Wyatt Townley speaks to managing editor Emily Everett about her poem “Instructions for the Endgame,” which appears in The Common’s spring issue. In this conversation, Townley talks about experiencing poetry in all parts of her life—in dance and yoga, in astronomy and physics, and in nature. She also discusses her time as Poet Laureate of Kansas, the pleasure of revising poems, and what it’s like seeing her work performed as an opera. Wyatt Townley is Poet Laureate of Kansas Emerita. Her books include four collections of poetry: Rewriting the Body, The Breathing Field, Perfectly Normal, and The Afterlives of Trees. Wyatt’s work has been read on NPR, featured in American Life in Poetry, and published in journals ranging from New Letters to Newsweek, North American Review to The Paris Review, Yoga Journal to Scientific American. Formerly a dancer, Wyatt has developed and trademarked her own yoga system, Yoganetics, now practiced on six continents. Read Wyatt’s poems in The Common at thecommononline.org/tag/wyatt

"Your problem is you have a Russian soul," Anna's mother tells her. In 1980, Anna is a naïve UConn senior studying abroad in Moscow at the height of the Cold War-and a second-generation Russian Jew raised on a calamitous family history of abandonment, Czarist-era pogroms, and Soviet-style terror. As Anna dodges date rapists, KGB agents, and smooth-talking black marketeers while navigating an alien culture for the first time, she must come to terms with the aspects of the past that haunt her own life. With its intricate insight into the everyday rhythms of an almost forgotten way of life in Brezhnev's Soviet Union, Forget Russia (Tailwinds Press, 2020) is a disquieting multi-generational epic about coming of age, forgotten history, and the loss of innocence in all of its forms. L. Bordetsky-Williams (aka Lisa Williams) is the author of Forget Russia, published by Tailwinds Press, December 2020 (https://www.forgetrussia.com). She has also published the memoir, Letters to Virginia Woolf, The Artist as Outsider i

Where does DNA end and the soul begin? It’s a question that Evelyn Caldwell, the brilliant genetic researcher at the center of Sarah Gailey’s The Echo Wife, never asks as she develops her award-winning technique for human cloning, which takes DNA from “sample to sentience” in 100 days. In The Echo Wife, clones are tools, created for specific time-limited purposes—to serve as a body double to draw fire from potential assassins, for example, or to provide donor organs. The question of a soul never enters into it. “Clones aren’t people. …They’re specimens,” Evelyn explains. “They’re temporary, and when they stop being useful, they become biomedical waste. They are disposable.” Evelyn’s attitudes evolve when her ex-husband, Nathan, secretly uses the Caldwell Method to create Martine—a new wife scaffolded from Evelyn’s DNA but modified to be more docile and easy going. Because of Martine’s compliant nature (and complete reliance on Nathan for her knowledge of the world), Martine is eager to provide Nathan with the

It can be easy to forget amongst the glistening skyscrapers, bustling streets and neon lights, but the Pearl River Delta used to be a haven for banditry and piracy. As the authority of Imperial China waned, pirate fleets based out of Guangdong Province roamed the waves, raiding traders and taking captives. One of these captives, and later pirates was Cheng Yat Sou—the “wife of Cheng Yat”—who rose from humble beginnings to eventually bring together the competing pirate fleets into a confederation. She is also the star of Larry Feign’s first novel The Flower Boat Girl (Top Floor Books, 2021). Larry starts the story of the pirate queen from her abduction by Cheng Yat, and writes of how she gains a foothold among the pirate fleets. More information—and a sample chapter—can be found on the book’s website. Larry and I talk about Cheng Yat Sou, early-nineteenth century China, and pirate fleets. We also talk about how Larry wrote the book, and what he learned from being one of Hong Kong’s most prominent cartoonists.

Today I talked to Karen Salyer McElmurray about her novel Wanting Radiance (UP of Kentucky, 2020). Fifteen-year-old Miracelle Loving hears the gunshot that kills her mother, and runs to hold her while she dies. She spends the next two decades roaming, fortune telling and picking up odd jobs. Then, as if in a dream, she hears her mother’s voice urging her to seek answers about where she came from. Miracelle finds love, but isn’t ready for it, and she finds a possible path, but doesn’t recognize it. She embarks on a solitary journey that no amount of fortune telling can prepare her for and discovers a home she never knew, a father she never met, and a grandfather she didn’t know existed. Perhaps the most important thing she learns is that she can’t love another person if she doesn’t love herself. Karen Salyer McElmurray earned an MFA in Fiction Writing from the University of Virginia, an MA in Creative Writing from Hollins University, and a PhD from the University of Georgia, where she studied American Literatu

A Physician on the Nile: A Description of Egypt and Journal of the Famine Years (NYU Press, 2021) is a unique text that will fascinate specialists and general readers alike. Written by the polymath and physician ʿAbd al-Laṭīf al-Baghdādī, and intended for the Abbasid caliph al-Nāṣir (r. 1180-1225 CE), the first part of the book offers detailed descriptions of Egypt’s geography, plants, animals, and local cuisine, including a recipe for a giant picnic pie made with three entire roast lambs and dozens of chickens. ʿAbd al-Laṭīf’s text is also a pioneering work of ancient Egyptology, with detailed observations of Pharaonic monuments, sculptures, and mummies. An early and ardent champion of archaeological conservation, ʿAbd al-Laṭīf condemns the vandalism wrought by tomb-robbers and notes with distaste that Egyptian grocers price their goods with labels written on recycled mummy-wrappings. The book’s second half relates his horrific eyewitness account of the great famine that afflicted Egypt in the years 597–598/

Silvia Spring speaks to managing editor Emily Everett about her debut short story “The Home Front,” which appears in The Common’s fall issue. In this conversation, Spring talks about the inspiration and process behind this story, which tangles with the difficulties of coming into adulthood, and the experience of living abroad without feeling part of the community. Spring drew from her own experience studying and living in London in the U.K., and her time as a journalist at Newsweek, embedded with troops in Iraq and Afghanistan. The conversation also includes discussion of the revision process; writing without an MFA; and U.S. foreign policy, today and over the last few years. Silvia Spring is the Foreign Policy Lead on TikTok’s U.S. Public Policy Team. Prior to joining TikTok, she spent three years as Airbnb’s Foreign Policy Manager. Silvia was a Foreign Service Officer with the U.S. Department of State from 2010-2017, serving in the Office of the Special Representative for Afghanistan and Pakistan, the Burea

Today I spoke to anthropologist Alisse Waterston and artist Charlotte Corden to ask them questions, such as: What will become of us in these trying times? How will we pass the time that we have on earth? These questions draw on their gorgeously rendered graphic form book, Light in Dark Times: The Human Search for Meaning (University of Toronto Press, 2020), which invites readers to explore the political catastrophes and moral disasters of the past and present, to reveal issues that beg to be studied, understood, confronted, and resisted. A profound work of anthropology and art, this book is for anyone yearning to understand the darkness and hoping to hold onto the light. It is a powerful story of encounters with writers, philosophers, activists, and anthropologists whose words are as meaningful today as they were during the times in which they were written. This book is at once a lament over the darkness of our times, an affirmation of the value of knowledge and introspection, and a consideration of truth, li

Listen to this interview of Brooke Rollins, Assistant Professor of English at Lehigh University. We talk about lots of Greeks and about one Frenchman and (if you write) also about you. Brooke Rollins : "I think there is a way that practice in reading and writing–––that it lines up so nicely with physical training. You know, to run a marathon, you don't simply just run 26.2 miles every day to practise for that. There are things that gradually take you up to that, but it's persistent. It's over an extended period of time. Regularity in reading and writing is important. And I certainly feel like the contemporary university doesn't do enough of that with writing. There's first-year courses, and then the thinking is, 'Well, they've had that, they've passed that bar, and now they can move on to their fields and not worry about writing anymore. We've taken care of that.' But in fact, writing development is necessary along the whole course of study. That's why writing-in-the-discipline programs are so important." Da

Today I talked to Lee Zacharias about her new book What a Wonderful World this Could Be (Madville Publishing, 2021). Alex has always wanted a real family. Her father commits suicide, her mother has never noticed where she is, and at 15, she falls in love with a 27-year-old photographer. When she comes of age, she’s about to marry him, but someone else has turned her head, Ted Neal, a charismatic activist on his way to Mississippi for 1964’s Freedom Summer. Alex just wants to take pictures, but she and Ted invite some of his friends to live together in a collective that functions like a sort of family. Alex is happy, but the conversations focus in on anti-war movement of the 60s, and some of the so-called family members get radicalized by the ‘Weathermen.’ Alex is incensed to learn that the FBI is following her even after the ‘family’ disperses and shocked when Ted disappears. Eleven years later he shows up again, but now he’s dying and Alex, who hasn’t remarried, has to figure out what love means. Lee Zachari

Constance Congdon's 2 Washington Square (Broadway Play Publishing, 2020) is a free-wheeling adaptation of Henry James' novel Washington Square set on the cusp of the 1960s as one era gives way to a startlingly different one. As always, Congdon's dialogue crackles with intensity and wit, echoing James' own razor-sharp observations of characters from eighty years earlier. This play also includes several dynamic and compelling roles for women actors. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

David Lodge meets Franz Kafka meets Stephen King? All attempts to classify The Scapegoat, let alone to summarize what happens in this compelling and terribly troubling first novel by Sara Davis, seem destined to fail. As the author tells Duncan McCargo, her book has not always been understood by readers in the ways she imagined - but then, The Scapegoat (Farrer, Straus and Giroux 2021) is now out of her hands. In this lively conversation full of laughter, Sara explains how in her next book she hopes to achieve "a more intentionally calibrated level of confusion". The Scapegoat tells the story of an unnamed university employee on a campus eerily reminiscent of Stanford, who struggles to maintain his grip on reality after the demise of his father and a series of strange incidents that follow - which Sara insists are nevertheless "real world and non-fantastical". Dear reader, no online blurb can do justice to this unusual book: just listen to Sara's remarkable voice in this podcast, and then buy yourself a copy.

In this episode, I interview Anahid Nersessian, professor of English at UCLA, about her book, Keats’s Odes: A Lover’s Discourse (University of Chicago Press, 2021). In 1819, the poet John Keats wrote six poems that would become known as the Great Odes. Some of them—“Ode to a Nightingale,” “To Autumn”—are among the most celebrated poems in the English language. Anahid Nersessian here collects and elucidates each of the odes and offers a meditative, personal essay in response to each, revealing why these poems still have so much to say to us, especially in a time of ongoing political crisis. Her Keats is an unflinching antagonist of modern life—of capitalism, of the British Empire, of the destruction of the planet—as well as a passionate idealist for whom every poem is a love poem. The book emerges from Nersessian’s lifelong attachment to Keats’s poetry; but more, it “is a love story: between [Nersessian] and Keats, and not just Keats.” Drawing on experiences from her own life, Nersessian celebrates Keats even

Political Theorist Robert Bartlett spoke with the New Books in Political Science podcast about two of his recent publications, which take on translating the work of two distinct classical thinkers, Aristotle and Aristophanes. In discussing these thinkers, we talked about two of Aristophanes’ earliest extant plays, The Acharnians and The Knights. We also discussed Aristotle’s text, The Art of Rhetoric. All three of these works focus on the interaction of the words spoken by a public individual, and how those words are also received and considered by an audience, especially the citizens of the state. This conversation took us to ancient Athens and some of the earliest western thinking about the interrelationship between political rhetoric and emotions, and how these connections can be both useful and dangerous, especially for democracies. Bartlett explains that Aristotle’s Art of Rhetoric (University of Chicago Press, 2019) is an important component of Aristotle’s thinking about politics, and one of his later w

A young man who turns his desire to join the army into a long stint as a volunteer ambulance driver. A teacher living in an old slum who is the only one brave—or foolish—enough to confront the gangs. A refugee who becomes a community organiser. A woman in a traditional village looking at the new development quickly encroaching on their land. A bored engineer who finds his calling as a crime reporter. These people are subjects of Karachi Vice: Life and Death in a Contested City (Melville House, 2021), the debut by Samira Shackle. Samira travels to Karachi, the home city of her mother, and tells the stories of ordinary people trying to live their lives in the midst of terrible violence: first by the gangs, then by the Taliban. In this interview, I ask Samira to talk about the city of Karachi, and the five people she writes about in her book. We’ll talk about the turning points in the violence there, and what it was like to write about her mother’s home city. Samira Shackle is a freelance British-Pakistani write

A story about an alien invasion typically revolves around diplomacy, military strategy, technological one-upmanship, and brinksmanship. But the invaders in Andy Weir’s Project Hail Mary: A Novel (Ballantine Books, 2021) are anything but typical. Rather than a scheming sentient enemy, Weir gives us Astrophage, an opponent who is mindless—and microscopic. Similar to mold, Astrophage lives on—and taps energy from—the surface of stars. “It’s not intelligent in any way. It doesn’t care about us. But it gets to the point where there is so much of it on our sun that the sun is starting to lose luminance—it’s getting dimmer. And a four or five percent dimming of the sun would be fatal to life on Earth,” says Weir, who was a guest on New Books in Science Fiction in 2014 to talk about his runaway bestseller The Martian. An unlikely antagonist deserves an unlikely hero. Enter Ryland Grace, a middle school science teacher, who long ago authored a scientific paper that declared water isn’t a prerequisite for life. This on

Author Diana Stevan's sequel to the award-winning Sunflowers Under Fire. Lukia's story continues in Lilacs in the Dust Bowl (Peregrin Publishing, 2021),  an inspirational family saga about love and heartache during the Great Depression. In 1929, when Lukia Mazurets, a widow and a Ukrainian peasant farmer, immigrates to Canada with her four children, she has no idea the stock market is about to crash and throw the world into a deep depression. Falling grain prices, the ravages of nature, and unexpected family conflicts threaten to smash her dreams of family unity in a strange land. And when love knocks on her door again, awakening desire she thought was long gone, Lukia has to choose between having a man in her life or the children she’s sacrificed everything for. Diana Stevan is also the author of the novels, A Cry from The Deep and The Rubber Fence and the novelette The Blue Nightgown. A former family therapist, she is the mother of two daughters and lives with her husband Robert in West Vancouver and on Van

Today I talked to Ava Reid about her new book The Wolf and the Woodsman (Harper Voyager, 2021) The wolf, in the title refers to a pagan woman, given to the dreaded Woodsmen to keep her village safe. She’s part of a tithe, sent to satisfy the King, who demands a quota of witches every year. The impoverished villages hidden in the woods are inhabited by women with magical powers, who worship the old Gods. The Woodsmen, a religious paramilitary order who serve the king, bring selected women to the capital, where their eventual fates are a mystery. Évike, the metaphorical wolf of the story, is an illiterate angry young woman, who has been taunted by the villagers. She’s also not a witch. She’s clad in a witch’s wolf pelt and sent with the Woodsmen so that the true witches can remain safe to guard the village. When misfortune besets the Woodsmen, and only the one-eyed Gáspár remains to guard her, she learns that neither she or he are who they appear to be. The trials of their journey reveal latent magic in her and

Based loosely on a tragic real-life incident in 2014, One Kind Favor (WTAW Press, 2021) explores the consequences of the lynching of a young black man in rural North Carolina. After the lynching of Lincoln Lennox is discovered and subsequently covered up in the small fictional community of Cord, North Carolina, the ghosts who frequent the all-in-one bar and consignment shop take on the responsibility of unearthing the truth and acting as the memory for the town that longs to forget and continues to hate. A reimagined Kathy Acker, the groundbreaking literary icon, engages Lincoln in a love triangle and brings a transgressive post-punk esthetic to the mission. The down-the-rabbit-hole satirical storytelling of One Kind Favor, Kevin McIlvoy’s sixth novel, echoes Appalachian ghost stories in which haunting presences will, at last, have their way. Kevin McIlvoy has published five novels, A Waltz (Lynx House Press), The Fifth Station (Algonquin Books of Chapel Hill; paperback, Collier/Macmillan), Little Peg (Athene