New Books In Literature

Harvey Araton’s new book Our Last Season: A Writer, a Fan, a Friendship (Penguin, 2020), reads like a mix between Tuesdays with Morrie and a sequel to his book When the Garden was Eden (which chronicled the New York Knicks’ early-70s title teams). It’s a book about friendship, aging and of course, basketball. Harvey Araton is one of New York's--and the nation's--best-known sports journalists, having covered thousands of Knicks games over the course of a long and distinguished career. But the person at the heart of Our Last Season, Michelle Musler, is largely anonymous--except, that is, to the players, coaches, and writers who have passed through Madison Square Garden, where she held season tickets behind the Knicks bench for 45 years. In that time, as she juggled a successful career as a corporate executive and single parenthood of five children, she missed only a handful of home games. The Garden was her second home--and the place where an extraordinary friendship between fan and sportswriter was forged. Tha

Sharifa and her husband Murtuza are spending his sabbatical year in Mumbai with their seven-year-old daughter, Zeenat. While Murtuza teaches, Shari is planning to homeschool Zee, reconnect with her family, and research her great-great grandfather with hopes of creating a family history. But Sharifa’s cousins, with whom she was once close, are at odds. Fatema is involved in a campaign to ban the practice of female genital mutilation (FGM) while Zainab sees it as a time-honored tradition that must be respected. Sharifa thinks it’s a cruel and harmful injustice, but isn’t at all sure it is still practiced in the Dawoodi Bohra Muslim sect they all belong to – and if it is, she wonders who is insisting on such an outdated practice? Today I talked to writer, activist, and psychotherapist Farzana Doctor, author of Seven (Dundurn Press, 2020). She was born in Zambia to Indian parents, lived there for five years and then in 1971, immigrated with her family to Canada. As a teenager, Doctor because interested in communi

Alix E. Harrow’s The Once and Future Witches (Redhook, 2020) begins with the familiar phrase “Once upon a time” but the novel is anything but a traditional fairytale. Yes, there are witches. But there are also suffragists. Yes, there are spells. But there are also women who fall in love with each other. While Harrow loves fairytales “because they give us this shared language,” she hates them for the limits they impose. Through her main characters, the Eastwood sisters, she turns the familiar archetypes of Maiden, Mother, and Crone on their heads. “The Maiden-Mother-Crone triptych is something that I have always hated. It's pretty gross to define a woman's existence by her reproductive state at that moment,” Harrow says. “I wanted to be embodying and subverting it at the same time.” As the story unfolds, women’s demands to rediscover and use magic parallel their demands for political power and social freedom. In the guise of a fairytale, The Once and Future Witches explores the long afterlife of family trauma,

Welcome to The Academic Life. You are smart and capable, but you aren’t an island, and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring in an expert about something? Email us at cgessler@gmail.com or dr.danamalone@gmail.com. Find us on Twitter : The Academic Life @AcademicLifeNBN. In this episode you’ll hear: disaster stories, finishing a book project, poetry, and what resilience is and isn’t. Our guest is: Jennifer Strube, a writer, educator, and licensed therapist who loves chronicling life's stories. After three master's degrees and a decade of teaching, she relocated west from New York City in search of open sky. An avid believer in the wild places, her work highlights the spaces that wake one up—the byroads of travel, the subtlety of everyday grace, and that impetuous ache called love. She is the author of the poetry book Wild Everything, discussed in this episode. Your

Californian Claire Easton, who writes a magazine column called “The Anglophile’s Notebook,” travels to England to do research for a book about Charlotte Brontë. She’s already in love with England, where her late mother grew up and where she plans to find some healing now that her marriage of twenty years is imploding. Claire is specifically interested in Charlotte Bronte, but she wants to read up on the people who are obsessed with the world’s most famous literary family, the Brontës. The three precocious Bronte sisters and their alcoholic brother lived in a chilly parsonage surrounded by a cemetery and the mysterious Yorkshire moors, and the novels they wrote between 1844-49 changed the course of English literature. Clair, while connecting with people who can help her research, manages to solve some mysterious goings on, connect her new friends to each other, rebuild her life, and fall in love with the man who might publish her as yet unwritten book. Today I talked to author Sunday Taylor about The Anglophil

Terry Baum’s book One Dyke’s Theater: Selected Plays 1975-2014 (Exit Press, 2019) collects plays and solo scripts from throughout the career of a “slightly world-renowned lesbian playwright.” The plays range from outlandish comedies like Bride of Lesbostein to the historical drama Hick: A Love Story. This book will be of interest to anyone interested in the history of queer theatre, solo performance, and feminism. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn

Home is the place many of us have spent our days for the last eight months. During the pandemic, our homes have become our workplaces, our classrooms, and our social spaces through apps like Zoom. But no matter what we do in our homes, for many of us, the notion of a home is fixed, tied just as much to a specific place as it is to our identities—both how we understand who we are, and the ways we communicate that self to the world. Whether our country, our region, or our city, when asked where we come from, most of us will respond with a definitive answer: This is the place I call my home. But for some, the concept of home is anything but stable, or fixed. For author Megan Harlan, a nomadic family lifestyle led her to live in seventeen homes across four continents by the time she was seventeen years old. In Mobile Home: A Memoir in Essays, Harlan recounts her experiences living in some of the world’s most historically rich, remote places, and how these many homes afforded her an appreciation and a keen eye for

A rich and complex world of sword-wielding fighters and seductive sorceresses, written in percussive, lyrical prose. The 19th Bladesman (Dark Blade, 2018) first introduces us to Kaell, the eponymous hero of the novel, when he runs away from the mountain castle where Lord Vraymorg tutors him in swordcraft. We learn the eight-year old Kaell is bonded to the battle god Khir and has been blessed with exceptional strength. In a pattern that’s often to be repeated, Kaell’s defiance of Vraymorg after a verbal tussle propels him into an unsanctioned adventure—and exposure to danger. For Kaell is a target of those who know of the prophecy of the 19th Bladesman. It is said that if he breaks, disaster will strike the lands. Vraymorg is soon informed of this prophecy as well, by a beautiful queen who then beds him, but though he appears stern with Kaell, he loves the boy like his own son. Vraymorg hopes to protects him—well, as much as a child sworn to serve a battle god can ever be protected. As the tale winds on, intro

The Botticelli Caper (Wings ePress, 2019) is set at the Uffizi Galleries during a period, not long ago, when workmen were constantly coming in and out during massive amounts of reconstruction. Flora, an art conservator, is working to clean Sondro Botticelli’s world-famous Birth of Venus. She realizes that there are no notes from the previous cleaning and begins to get suspicious as she removes the frame and looks at the paint’s sheen. Then she sees a smiley-face. She’d seen it before in a forgery of another famous painting. In this light-hearted caper, Wisseman asks how some very skilled painter could make a nearly perfect copy of one of the world’s great paintings. But, how would the original have been removed from the museum with guards all around, night and day? Now a few more forgeries are discovered along with two bodies. Against the advice of all, Flora continues to meander through the beautiful old building, wondering where the original copies might be stored. What about all the doors, the unused corri

On a hot day in Bethlehem, a 12-year-old Palestinian-American girl is yelled at by a group of men outside the Church of the Nativity. She has exposed her legs in a biblical city, an act they deem forbidden, and their judgement will echo on through her adolescence. When our narrator finally admits to her mother that she is queer, her mother's response only intensifies a sense of shame: "You exist too much," she tells her daughter. Told in vignettes that flash between the U.S. and the Middle East--from New York to Jordan, Lebanon, and Palestine--Zaina Arafat's debut novel traces her protagonist's progress from blushing teen to sought-after DJ and aspiring writer. In Brooklyn, she moves into an apartment with her first serious girlfriend and tries to content herself with their comfortable relationship. But soon her longings, so closely hidden during her teenage years, explode out into reckless romantic encounters and obsessions with other people. Her desire to thwart her own destructive impulses will eventually

A memoir-in-essays from disability advocate and creator of the Instagram account @sitting_pretty Rebekah Taussig, processing a lifetime of memories to paint a beautiful, nuanced portrait of a body that looks and moves differently than most. Growing up as a paralyzed girl during the 90s and early 2000s, Taussig only saw disability depicted as something monstrous (The Hunchback of Notre Dame), inspirational (Helen Keller), or angelic (Forrest Gump). None of this felt right; and as she got older, she longed for more stories that allowed disability to be complex and ordinary, uncomfortable and fine, painful and fulfilling. Writing about the rhythms and textures of what it means to live in a body that doesn’t fit, Rebekah reflects on everything from the complications of kindness and charity, living both independently and dependently, experiencing intimacy, and how the pervasiveness of ableism in our everyday media directly translates to everyday life. Disability affects all of us, directly or indirectly, at one po

Sarah Mullins, an American woman, arrives at the Kingdom: a fading luxury apartment complex in Bangkok. She is there to lay low, after passing over forged collectors’ items in Hong Kong. She meets the other residents of the Kingdom, including the energetic, yet mysterious Mali. This starts an unfolding story set amidst the fictional backdrop of growing protests, as both the Kingdom’s expatriate tenants and the local Thai staff evaluate what will happen next. Novelist Lawrence Osborne tells this story in his new novel The Glass Kingdom (Hogarth, 2020). In this interview, we discuss his novel, the flawed nature of his characters, and how the choice of a Bangkok apartment complex in a fictional period of Thai social unrest has some uncanny similarities to our present day. We also talk about his research process when it comes to writing a new book. Lawrence is a writer and novelist, currently residing in Bangkok, whose works like The Forgiven, The Ballad of a Small Player and Hunters in the Dark were published to

The intense interest in the horrors of World War II that has characterized the last few years has tended to overshadow other aspects of the long history of Jewish populations in Europe and the antisemitism that often—although not invariably—complicated that history. Michelle Cameron’s new novel, Beyond the Ghetto Gates (She Writes Press, 2020), explores one little-known episode of that past: the effect of Napoleon’s invasion of 1796–97 on the Italian port city of Ancona. The campaign of French revolutionary troops to conquer the still-disunited land of Italy has unexpected consequences when they free the Jews of Ancona from the ghetto that has confined them at night for as long as Mirelle, the young and mathematically gifted daughter of a local artist who manages a workshop devoted to producing Jewish marriage licenses, can remember. As the troops settle in, liberals who welcome change face off against opponents set on turning back the clock, expressing their fears through brutal attacks. Amid this increasing

After Henry Sinclair’s supervisor steals his research, he tries to rejuvenate his career by turning his girlfriend into a drug experiment. Astrid is a rising young singer. From her New York City apartment to a rehabilitation facility in Paris and a nudist camp on the Greek island of Antiparos, she struggles between her passion for Henry and her need to make her own decisions. Throughout this non-linear story, Astrid and Henry watch the box set of Sopranos, each affected differently by the ongoing violence and Tony Soprano’s bullying. Ultimately, What You Could Have Won (And Other Stories, 2020) is a novel about resilience and self-discovery in the face of control. Rachel Genn is a senior lecturer at the Manchester Writing School/School of Digital Arts and is currently creating a course on the neuroscience of Reverie. She earned a PhD in Psychopharmacology from the University of Durham, worked some years as a neuroscientist, and completed an MA in Writing at the Sheffield Hallam University, after which she com

P. Djèlí Clark’s new novella, Ring Shout (Tordotcom, 2020) is a fantasy built around an ugly moment in American history—the emergence of the second Ku Klux Klan in the early 20th century. The story follows three monster hunters: Maryse Boudreaux, who wields a magic sword; Chef, who had previously disguised herself as a man to serve with the Harlem Hellfighters during World War I; and Sadie, a sharpshooter who calls her Winchester rifle Winnie. The monsters are Ku Kluxes—member of the KKK who have transformed into huge, six-eyed, pointy-toothed, flesh-eating demons. The idea to turn hate-filled racists into larger-than-life demons came from Clark’s work as a historian. (In addition to an award-winning writer of speculative fiction, Clark is a professor of history at the University of Connecticut.) When reading narratives of formerly enslaved individuals collected by the Federal Writers' Project, he’d been struck by the way they described the KKK. “They often talk about them … wearing simply a pillowcase, somet

A young man visits his half-brother in Vancouver and steals a book that changes his life. An archeology student is befriended and brought to Iraq by a brother and sister who need his help in assessing a family art collection. A man who fought for the British in South Africa’s Boer War enlists as an American to fight in WWI Germany. Spanning decades and continents, the stories in Bechard’s haunting novel A Song from Faraway (Milkweed Editions, 2020) slowly reveal themselves to be connected. In these pages, the lies of one generation are inherited by the next, homes are burnt to the ground, wives are abandoned, and innocent people suffer. With gripping portrayals of fathers and sons, mothers and siblings, passion and pain – this is a moving, non-linear novel about the relationships to family and society upon which all humanity rests. Deni Ellis Bechard is the author of eight books of fiction and nonfiction, including Vandal Love (Commonwealth Writers’ Prize for Best First Book); Into the Sun (Midwest Book Award

When Anne Louise Bannon heard her husband, then archivist for the City of Los Angeles, speak about how early Angelenos dug a large ditch (a zanja) to cull water from the Porciuncula River (now known as the Los Angeles River), her first thought was that the Zanja would be an interesting place to find a dead body. Death of the Zanjero and Death of the City Marshall were the first two in her Old Los Angeles series (both delightful), and now comes Death of the Chinese Field Hands (Healcroft House, 2020). Protagonist Maddie Wilcox is a widowed doctor who owns and manages a ranch and vineyard. When she isn’t supervising her wine production, ranch business, and a sizable staff, Maddie is called upon to treat the injuries and diseases of her neighbors. Solving murders is just a past-time, but luckily, she has a keen eye for details and knows what it means when a boot print with a gaping hole is discovered near the bodies of several Chinese workers. The story is loosely based on the lynching of eighteen Chinese men o

Lisa B. Thompson is equally renowned as a scholar of African and African-American studies and as a playwright. Her latest book Underground, Monroe, and the Mamalogues: Three Plays (Northwestern University Press 2020) collects plays from throughout her two decades as a playwright. "Underground" is a tense two-hander exploring themes of race, class, and masculinity through the story of two friends with very different ideas about how to change the world. Monroe draws on Thompson’s family’s history as part of the Great Migration of Blacks from the South to the urban north and west. "The Mamalogues" is the funniest and most personal play in this collection: it is a love letter to unpartnered Black mothers and a spiritual sequel to Thompson’s earlier play "Single Black Female." Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at

Heather Lende was one of the thousands of women inspired to take a more active role in politics during the past few years. Though her entire campaign for assembly member in Haines, Alaska, cost less than $1,000, she won! But tiny, breathtakingly beautiful Haines—a place accessible from the nearest city, Juneau, only by boat or plane—isn’t the sleepy town that it appears to be: from a bitter debate about the expansion of the fishing boat harbor to the matter of how to stop bears from rifling through garbage on Main Street to the recall campaign that targeted three assembly members, including Lende, we witness the nitty-gritty of passing legislation, the lofty ideals of our republic, and how the polarizing national politics of our era play out in one small town. With an entertaining cast of offbeat but relatable characters, Of Bears and Ballots: An Alaskan Adventure in Small-Town Politics (Algonquin Books, 2020) is an inspirational tale about what living in a community really means, and what we owe one another.

Maria Hinojosa is an award-winning journalist who, for nearly thirty years, has reported on stories and communities in America that often go ignored by the mainstream media—from tales of hope in the South Bronx to the unseen victims of the War on Terror and the first detention camps in the US. Bestselling author Julia Álvarez has called her “one of the most important, respected, and beloved cultural leaders in the Latinx community.” Once I Was You: A Memoir of Love and Hate in a Torn America (Atria Books, 2020), Maria shares her intimate experience growing up Mexican American on the South Side of Chicago. She offers a personal and illuminating account of how the rhetoric around immigration has not only long informed American attitudes toward outsiders, but also sanctioned willful negligence and profiteering at the expense of our country’s most vulnerable populations—charging us with the broken system we have today. An urgent call to fellow Americans to open their eyes to the immigration crisis and understand