New Books In Literature

Perhaps in anticipation of the seventy-fifth anniversary of the armistice, or just the reality that the last survivors will not be with us much longer, World War II has dominated the genre of historical fiction for some time. But two years before Hitler’s aggression against Poland set off the conflagration in Europe, imperial Japan occupied China, capturing Shanghai and Nanjing before launching bombing forays westward. In The Library of Legends (William Morrow, 2020), Janie Chang draws on family stories and ancient legends to weave a fact-based yet mystical tale about this period in China’s long history. The novel focuses on a group of university students evacuated from Nanjing as the Japanese army approaches. Eager to defend their cultural heritage, the students embrace the task assigned to them: safeguarding an encyclopedia of lore compiled during the early Ming dynasty five hundred years before. Hu Lian, a scholarship recipient from a single-parent family, encounters Liu Shaoming and his enigmatic former s

Tochi Onyebuchi’s Riot Baby (Tor.com, 2020) tells the story of two siblings—Ella, who is gifted with powers of precognition and telekinesis, and her younger brother Kevin, whose exuberant resistance to systemic racism earns him a one-way ticket to jail. Onyebuchi’s first novel for adults is as much a tale of the siblings’ bond as it is a portrait of white supremacy, police brutality, and the anger of Black Americans at centuries of injustice. The book’s publication just months before the murder of George Floyd and the Covid-19 pandemic might seem prescient, yet the novel could have been written at any point in the last several decades (or centuries) and still felt timely. Kev is born during the riots in Los Angeles that followed the acquittal of the police officers who brutally beat Rodney King. A few years later, the police killing of Sean Bell leads Ella to run away from home, afraid that her anger, harnessed to the supernatural powers she can’t yet control, might cause her to hurt those she loves. “She's c

Xu Xu (1908-1980) was one of the most widely read Chinese authors of the 1930s to 1960s. His popular urban gothic tales, his exotic spy fiction, and his quasi-existentialist love stories full of nostalgia and melancholy offer today’s readers an unusual glimpse into China’s turbulent twentieth century. The translations in Bird Talk and Other Stories by Xu Xu: Modern Tales of a Chinese Romantic. (Stone Bridge Press, 2020)--spanning a period of some thirty years, from 1937 until 1965--bring to life some of Xu Xu’s most representative short fictions from prewar Shanghai and postwar Hong Kong and Taiwan. The Afterword illustrates that Xu Xu’s idealistic tendencies in defiance of the politicization of art exemplify his affinity with European romanticism and link his work to global literary modernity. Frederik H. Green is an associate professor of Chinese at San Francisco State University. He is the author of numerous articles and book chapters on the literature and culture of the Qing dynasty and the Republican Per

From the New York Times, best selling author Erica Bauermeister comes House Lessons: Renovating a Life (Sasquatch Books, 2020). This memoir is about the power of home, and the transformative act of restoring one house in particular. In this mesmerizing memoir-in-essays, Erica Bauermeister renovates a trash-filled house in eccentric Port Townsend, Washington, and in the process takes readers on a journey to discover the ways our spaces subliminally affect us. A personal, accessible, and literary exploration of the psychology of architecture, as well as a loving tribute to the connections we forge with the homes we care for and live in, this book is designed for anyone who's ever fallen head over heels for a house. It is also a story of a marriage, of family, and of the kind of roots that settle deep into your heart. Discover what happens when a house has its own lessons to teach in this moving and insightful memoir that ultimately shows us how to make our own homes (and lives) better. Erica Bauermeister is the

Abandoned by his parents and raised by a strong-willed grandmother and her live-in friend, Claude McKay Love just wants to have friends and fit in at school or on the playground. He faces all the usual hurdles of growing up, with the additional challenge of being black. And he lives in Chicago’s South Shore neighborhood, formerly home of both Michelle Obama and Kanye West. It’s packed with beautiful old homes and sits on the lakefront about 9 miles from downtown Chicago, but it was a food desert for a number of years and missed out on much of Chicago’s growth and expansion. Claude has to navigate past gangs, drug wars, and a riot in which seventy neighbors and friends are killed. He also falls in love. In Everywhere You Don’t Belong (Algonquin Books, 2020), Gabriel Bump has created an unforgettable debut novel that will sometimes make you laugh, and sometimes pull at your gut. Gabriel Bump grew up in South Shore, Chicago. His work has appeared in: McSweeney’s, Guernica, Electric Literature, SLAM, and elsewher

Brian Greene is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the World Science Festival. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe (Random House, 2020) Until the End of Time gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanati

At the dawn of the new millennium, Els Gordon finds herself adrift – she’s in mourning for her fiancé and her father, she’s lost the inheritance of her Scottish Highlands estate, her mother left when she was two-years-old but it her only living relative, she’s about to be unemployed, and she’s just bought an old plantation house on the island of Nevis in the Caribbean. It’s a little haunted by the previous owner, who needs help making amends, and in exchange, helps Els fall in love with a man who has, like Els, survived heartache and loss. Listen in as I speak with Alice C. Early about her book The Moon Always Rising (She Writes Press, 2020). Early ’s career spans academia, commercial real estate, international executive recruiting, and career-transition coaching, and has included many ‘first woman to…’ roles. Her college English/creative writing major and professional roles requiring listening and shaping stories eventually pointed her back to her first love—writing fiction. In her cherished Martha’s Vineyar

Velocity Weapon (Orbit, 2019) by Megan E. O’Keefe centers on siblings: Biran, a member of an elite cadre that controls the interstellar gates by which humans travel among star systems, and his sister, Sanda, a gunner who finds herself waking 230 years after her last battle on an empty, enemy spaceship, believing she’s the last human alive. O’Keefe’s characters search for truth in a universe where the secrets are centuries old and where A.I.s depend on humans as much as humans depend on A.I.s. Among the many themes O’Keefe’s space opera explores are the limits of human perception. In Sanda’s case, her reality is controlled by a spaceship. “They are elements of horror when you can’t trust the environment you live in, when the only thing keeping you alive might be dishonest,” O’Keefe says. O’Keefe challenges Tolstoy’s claim that “all happy families are alike” by giving Biran and Sanda an upbringing in their two-dad home that is as happy as it is unique. “I enjoy taking the opportunity to explore a family that is

Kathryn H. Ross has found a balance. Between past and present. Between self and ancestors. Between self-discovery and continuous growth. In her hybrid collection, Black Was Not a Label, Ross invites readers into a life unfurling. Through the lenses of natural hair, faith, and microaggressions, she lights a path to what it means to seek self while still honoring the past lives, personal and historical, that connect us all. Black Was Not a Label (Pronto, 2019) is as soft as it is sharp. Ross is a writer of humanness, one who finds more interest in what we feel than theme. Yet, even in this general warmth, she manages to hone in on topics that have rippled throughout generations. Readers are not allowed to look away from the sometimes ingrained expectations of assimilation nor are we allowed to put down the weight of all that came before us. What she gives us in this collection are the means to carry it with grace and the hope it will become a little lighter. Kathryn Ross is a Southern California based writer an

Two guys named Nick Chance, both with clairvoyant dogs named Royo, both inventors living in Pasadena, California – in 1913 and 1993. The original Nick, who starts out working on an ostrich farm, is drawn to the Colorado Street Bridge and manages to meet some of the great personalities of the period: Teddy Roosevelt, Upton Sinclair and Adolphus Busch all meet Nick. He parlays an idea for lighting into a job on the bridge and survives the lethal collapse of one of its arches during construction. Eighty years later, on the anniversary of the bridge’s inauguration, the second Nick Chance is pulled into rectifying the mistakes of the past. Pasadena, which had a millionaire’s row even back then, is nothing like the original, romanticized version of the town. There’s some magical realism, lots of fascinating historical detail about Pasadena and southern California, and lots of eating. Today I talked to Chip Jacobs about his new book Arroyo (Rare Birds Books, 2019) Jacobs is a Los Angeles Times bestselling author and

Jim, our narrator, experiences a crisis of conscience in the wake of the possible suicide of his girlfriend. He quits his high-paying job seizing assets for a loan company and moves to a small village near the seaside to get away from it all. With no plans to occupy himself, and a golden parachute from his company, Jim finds himself with a lot of time on his hands—time that he hopes will help him heal from his loss. Instead, odd and spooky events immediately begin occurring. After he hears sounds from the empty attic, he finds out from his new friend, handyman Jed, that a little girl died falling down the steps. Soon, Jim begins to doubt that the little girl’s death was an accident. Jed, and a kindly neighbor, Emma, believe in supernatural visitations, and explain that he is receiving warnings from ghosts. Yet, some of the things that happen to Jim, like gas from the stove filling the cottage, seem too real to be ascribed to ghosts. Is Jim going mad, doing things he’s unaware of, or is there a real threat to

The Hour of All Things and Other Plays (Intellect Books, 2018) collects four plays by Caridad Svich, a 2012 OBIE for Lifetime Achievement playwright. The plays take place in Venezuela, Sub-Saharan Africa, and Southwest Detroit, as well as cyberspace and the place of dreams. In these works, Svich interrogates themes of globalization and environmental collapse in language that is poetic, rough, heart-breaking, hip, and relentlessly now. Svich remains one of America’s most exciting playwrights, and this book collects some of her most invigorating work yet. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on

"After I’d finished my rapid-fire history of self-justification he paused and then said, deadpan and rural-Australian-slow: 'Right. Ok. So how is that all working out for you?'" On Drugs (Giramondo Publishing, 2019) explores Australian philosopher Chris Fleming’s experience of addiction, which begins when he is a student at the University of Sydney and escalates into a life-threatening compulsion. In a memoir by turns insightful and outlandish, Fleming combines meticulous observation with a keen sense of the absurdity of his actions. He describes the intricacies of drug use and acquisition, the impact of drugs on the intellect and emotions, and the chaos that emerges as his tightly managed existence unravels into hospitalisations, arrests and family breakdown. His account is accompanied by searching reflections on his childhood, during which he developed acute obsessive compulsive disorder and became fixated on the rituals of martial arts, music-making and bodybuilding. In confronting the pathos and comedy of

In a sad but loving tribute to his Sicilian-Italian heritage, Marco Rafala’s debut novel How Fires End (Little A, 2019) centers on the haunting legacy of WWII on the people of a small Sicilian village. It’s the summer of 1943 and an unexploded mortar shell kills 9-year-old Salvatore’s twin brothers. His faith is destroyed, and his family unravels, fueling fear that the Vassallo name is cursed. Salvatore and his sister, Nella, accept the help of a fascist Italian soldier, Vincenzo, who accompanies them to a new life in America. But the three of them make the choice to keep their secrets hidden, and years later in America, Salvatore’s son, David, is swept up in the chaotic aftermath of their hidden pasts. This is a story about loyalty, family, and forgiveness. Marco Rafalà is a first-generation Sicilian American, novelist, musician, and writer for award-winning tabletop role-playing games (e.g. The One Ring). He earned his MFA in fiction from The New School and is a co-curator of the Guerrilla Lit Reading Serie

Rude Mechs’ Lipstick Traces (53rd State Press, 2019) is Lana Lesley’s graphic novelization of Lipstick Traces by Austin-based theatre collective Rude Mechs, itself an adaptation of Greil Marcus’ classic book Lipstick Traces: A Secret History of the 20th Century. The graphic novel vibrantly recreates the experience of watching Rude Mechs perform: light and sound cues, costume choices, and actors’ facial expressions are preserved much more faithfully here than they could ever be in a traditional script. From 16th-century mystic John of Leyden to 20th-century punk Johnny Rotten (born John Lydon – coincidence?), this imaginative and immersive work traces the secret history of a tradition of revolt that is perhaps more needed now than it has ever been. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Com

Laura Lam’s new book Goldilocks (Orbit, 2020) takes readers into space with an all-female crew bound for a distant Earth-like planet. The all-female crew isn’t the only twist; there’s also the fact that the five astronauts steal their spaceship. The crew aren’t mere bandits, but the spacecraft’s original crew, who’d been shoved aside by a reactionary patriarchy intent on confining women to home and family. “As a little girl, I thought sexism was on the way out. And in the last few years, I’ve realized, ‘Oh no, it’s definitely not,’” Lam says, discussing her motivations to write the book. When NASA confiscates the spacecraft of Valerie Black, a billionaire entrepreneur who Lam describes as a “cross between Elon Musk and Sigourney Weaver,” Black steals it back. She and her crew “know they’re the best people with the skills and training to find this new planet, which is humanity’s last hope because Earth has only 30 years left of habitability due to climate change,” Lam says. Lam found inspiration in the unsung

It is well known that the novels of Jane Austen (1775–1817), which enjoyed at best a modest success during her lifetime, have become ever more popular in the last fifty years or so. They support a small industry of remakes, spinoffs, and retellings. As Janice Hadlow notes while discussing The Other Bennet Sister (Henry Holt, 2020), one reason for that interest lies with Austen herself. A genius at characterization, Austen drops tiny pearls of insight into one secondary character or another throughout her novels, and these seeds, when properly nurtured, can develop in unexpected ways. The Other Bennet Sister focuses on the life of the middle sister in Pride and Prejudice. Stuck between an older pair—beautiful, gentle Jane and pretty, sprightly Lizzie—and a younger duo whose good looks and sheer love of life compensate for a certain lack of decorum, Mary is bookish, awkward, and plain. In a family where the daughters’ only future requires them to marry well without the plump dowries that would make them attract

Today I interview Martin Shaw. In Shaw’s new book, Courting the Wild Twin (Chelsea Green Publishing, 2020), he writes, “Here’s a secret I don’t share very often. Myths are not only to do with a long time ago. They have a promiscuous, curious, weirdly up-to-date quality. They can’t help but grapple their way into what happened on the way to work this morning, that video that appalled you on YouTube. Well, they are meant to; if they didn’t they would have been forgotten centuries ago.” In our interview, Shaw invites us to consider the power of myth to guide us not only toward new ways of seeing our current moment—one in which we’re witnessing an unprecedented global pandemic—but also new ways of seeing itself. For Shaw, a mythologist who’s designed courses at Stanford University and who directs the Westcountry School of Myth in the U.K, myths reveal unseen possibilities in our own lives and overlooked chances to reunite with our natural world. The old stories can lead us forward if only we learn how to hear the

Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day. The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as P

In this interview we discuss Fight Fight (Braveship Books, 2018), book 3 of the Raven One series. In Fight Fight, former aviator Kevin Miller explores the next big fight in the South China Sea when errors and miscalculations on the grandest scale drive the world’s greatest maritime powers into conflict. From aboard a nuclear powered super-carrier in the center of the maelstrom readers get a front row seat to the action as well as the planning and deliberation that goes into waging war. In Fight Fight the reader experiences the angst of a pilot about to catapult into the night sky and the frustration of being at the end of a long decision-making whip. Captain Miller also successfully paints the fog of modern war where near instant communications and extremely effective sensors give the decision-makers the illusion of knowledge. As an avid fan of military fiction, I have had an itch for this particular type of book since the Late Tom Clancy left the literary field. Consider the itch scratched. In the interview