New Books In Hindu Studies

Ravana, the demon-king antagonist from the Ramayana, the ancient Hindu epic poem, has become an unlikely cultural hero among Sinhala Buddhists over the past decade.  In Ravana's Kingdom: The Ramayana and Sri Lankan History from Below (Oxford UP, 2022), Justin W. Henry delves into the historical literary reception of the epic in Sri Lanka, charting the adaptions of its themes and characters from the 14th century onwards, as many Sri Lankan Hindus and Buddhists developed a sympathetic impression of Ravana's character, and through the contemporary Ravana revival, which has resulted in the development of an alternative mythological history, depicting Ravana as king of the Sri Lanka's indigenous inhabitants, a formative figure of civilizational antiquity, and the direct ancestor of the Sinhala Buddhist people. Henry offers a careful study of the literary history of the Ramayana in Sri Lanka, employing numerous sources and archives that have until now received little to no scholarly attention, as well as the 21st c

Andrea Acri and Peter Sharrock's The Creative South: Buddhist and Hindu Art in Mediaeval Maritime Asia (2 volumes; Iseas-Yusof Ishak Institute, 2022) examines the creative contribution of Maritime Asia towards shaping new paradigms in the Buddhist and Hindu art and architecture of the mediaeval Asian world. Far from being a mere southern conduit for the maritime circulation of Indic religions, in the period from ca. the 7th to the 14th century those regions transformed across mainland and island polities the rituals, icons, and architecture that embodied these religious insights with a dynamism that often eclipsed the established cultural centres in Northern India, Central Asia, and mainland China. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbook

In most mainstream traditions of Hinduism and Buddhism, women have for centuries largely been excluded from positions of religious and ritual leadership. However, as this volume shows, in an increasing number of late-20th-century and early-21st-century contexts, women can and do undergo monastic and priestly education; they can receive ordination/initiation as Buddhist nuns or Hindu priestesses; and they are accepted as religious and political leaders. Even though these processes still take place largely outside or at the margins of traditional religious institutions, it is clear that women are actually establishing new religious trends and currents. They are attracting followers, and they are occupying religious positions on par with men. At times women are filling a void left behind by male religious specialists who left the profession, and at times they are perceived as their rivals. In some cases, this process takes place in collaboration with male religious specialists, in others against the will of the

A Radical Pluralist Philosophy of Religion: Cross-Cultural, Multireligious, Interdisciplinary (Bloomsbury, 2020) is a unique introduction to studying the philosophy of religion, drawing on a wide range of cultures and literary sources in an approach that is both methodologically innovative and expansive in its cross-cultural and multi-religious scope. Employing his expertise in interdisciplinary and Wittgenstein-influenced methods, Mikel Burley draws on works of ethnography and narrative fiction, including Dostoevsky's The Brothers Karamazov and Soyinka's Death and the King's Horseman, to critically engage with existing approaches to the philosophy of religion and advocate a radical, pluralist approach. Breaking away from the standard fixation on a narrow construal of theism, topics discussed include conceptions of compassion in Buddhist ethics, cannibalism in mortuary rituals, divine possession and animal sacrifice in Hindu Goddess worship and animism in indigenous traditions. Original and engaging, Burley's

In Opening Kailasanatha: The Temple in Kanchipuram Revealed in Time and Space (U Washington Press, 2020), Padma Kaimal deciphers the intentions of the monument’s makers, reaching back across centuries to illuminate worldviews of the ancient Indic south. By focusing on the material form of the complex—the architecture, inscriptions, and sculptures, along with the spaces they carve out that guide light, shadow, sound, and footsteps—Kaimal offers insights that complement what surviving texts tell us about Shaiva Siddhanta ideas and practices, providing a rare opportunity to walk in the distant past. Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

For many centuries, Hindu temples and shrines have been of great importance to South Indian religious, social and political life. Aside from being places of worship, they are also pilgrimage destinations, centres of learning, political hotspots, and foci of economic activities. In these temples, not only the human and the divine interact, but they are also meeting places of different members of the communities, be they local or coming from afar. Hindu temples do not exist in isolation, but stand in multiple relationships to other temples and sacred sites. They relate to each other in terms of architecture, ritual, or mythology, or on a conceptual level when particular sites are grouped together. Especially in urban centres, multiple temples representing different religious traditions may coexist within a shared sacred space.  Temples, Texts, and Networks: South Indian Perspectives (HASP, 2022) pays close attention to the connections between individual Hindu temples and the affiliated communities, be it within

Divine Descent and the Four World-Ages in the Mahābhārata reflects on the theology of time in this early Hindu text and poses the key question: why does the Krishna avatāra inaugurate the worst yuga? The Sanskrit Mahābhārata describes a massive war facilitated by God and the gods. That war took place between the third and the last ages of a 12,000-year cycle; within the cycle, moral behaviour and human lifespan always decrease in steps before being rebooted for the next cycle (initial lifespan 400 years). Divine Descent and the Four World-Ages in the Mahābhārata-Or, Why Does the Krsna Avatāra Inaugurate the Worst Yuga? (Cardiff UP, 2022) describes and discusses this cycle and tries to explain why God and the gods are said to have descended and acted at that particular point within it. The trigger was the complaint of the Earth, who was suffering on account of the human beings upon her. This book is available open access here.  Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Cen

"The close attention required for editing and translating gives Olivelle an unparalleled understanding of the texts and inspires numerous articles and essays contained in this volume that draw out key ideas and insights from those same sources. Only careful philological editing and the hard, interpretive choices of translation enable progress in our historical understanding of India. Among the advances that philology makes possible is an improved sense of chronology in ancient India. Although uncertain chronologies still pose challenges for this period, readers are invited to note how often Olivelle makes arguments based on historical simultaneity or sequence. His feel for the texts and his scrutiny of the historical markers in them enables him to place ideas, institutions, and authors in plausible chronological contexts. Taken together, Olivelle’s many editions and translations function as both the foundation and the justification for the shorter writings in this volume. In addition to questions of social hi

Twenty-first century life is increasingly governed by artificial intelligence (AI) technologies such as machine learning, big data analysis, facial recognition, and robotics. For decades, an ideology of apocalyptic progress and cosmic transformation has accompanied the advancement of AI in the United States; that vision is intimately connected to transhumanism, the idea that humanity can transcend its limits, even mortality, using technology. By describing the arrival and reconfiguration of transhumanist ideas in India, Robert M. Geraci's book Futures of Artificial Intelligence: Perspectives from India and the U.S. (Oxford UP, 2021) reveals how the nexus of religion and technology contributes to public life and our modern self-understanding while suggesting that the apocalyptic approach to AI should be tempered by other visions. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkara

In this episode, we focus the use of religious myths, icons and deities in Hindu nationalist politics in India. More specifically, we discuss the political invocation of Lord Parshuram, a deity in the Hindu pantheon who has, in recent years, become more visible as a mobilizing political symbol for the Hindu nationalist movement. But who is Lord Parshuram? Why has he now become politically salient? And what does his politicization tell us about Hindu nationalist politics in India today? We look for answers to these questions in the states of Uttar Pradesh and Goa, where Lord Parshuram has recently been a focal point for political contestation and conflict along caste and religious lines. Solano da Silva, Department of Humanities and Social Sciences at BITS Pilani in Goa. Jigisha Bhattacharya, The Faculty of English at Cambridge University. Kenneth Bo Nielsen is an Associate Professor at the dept. of Social Anthropology at the University of Oslo and one of the leaders of the Norwegian Network for Asian Studies.

Today I talked to Mani Rao about her translation Saundarya Lahari: Wave of Beauty" (HarperCollins, 2022) Saundarya Lahari is a popular Sanskrit hymn celebrating the power and beauty of Sakti, the primordial goddess. In one hundred verses, it underlines the centrality of the feminine principle in Indian thought. Attributed to Adi Sankaracarya, Saundarya Lahari is a valuable source for understanding tantric ideas. Every verse is associated with yantras and encoded mantras for tantric rituals, and specific verses in the hymn are considered potent for acquiring good health, lovers, and even poetic skills. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

Today I talked to Holly Walters about her new book Shaligram Pilgrimage in the Nepal Himalayas (Amsterdam UP, 2020). For roughly two thousand years, the veneration of sacred fossil ammonites, called Shaligrams has been an important part of Hindu and Buddhist ritual practice throughout South Asia and among the global Diaspora. Originating from a single remote region of Himalayan Nepal, called Mustang, Shaligrams are all at once fossils, divine beings, and intimate kin with families and worshippers. Through their lives, movements, and materiality, Shaligrams then reveal fascinating new dimensions of religious practice, pilgrimage, and politics. But as social, environmental, and national conflicts in the politically-contentious region of Mustang continue to escalate, the geologic, mythic, and religious movements of Shaligrams have come to act as parallels to the mobility of people through both space and time. Shaligram mobility therefore traverses through multiple social worlds, multiple religions, and multiple

In The Dancer's Voice: Performance and Womanhood in Transnational India (Duke UP, 2022) Rumya Sree Putcha theorizes how the Indian classical dancer performs the complex dynamics of transnational Indian womanhood. Putcha argues that the public persona of the Indian dancer has come to represent India in the global imagination—a representation that supports caste hierarchies and Hindu ethnonationalism, as well as white supremacist model minority narratives. Generations of Indian women have been encouraged to embody the archetype of the dancer, popularized through film cultures from the 1930s to the present. Through analyses of films, immigration and marriage laws, histories of caste and race, advertising campaigns, and her own family’s heirlooms, photographs, and memories, Putcha reveals how women’s citizenship is based on separating their voices from their bodies. In listening closely to and for the dancer’s voice, she offers a new way to understand the intersections of body, voice, performance, caste, race, ge

India celebrates itself as a nation of unity in diversity, but where does that sense of unity come from? One important source is a widely-accepted narrative called the “bhakti movement.” Bhakti is the religion of the heart, of song, of common participation, of inner peace, of anguished protest. The idea known as the bhakti movement asserts that between 600 and 1600 CE, poet-saints sang bhakti from India’s southernmost tip to its northern Himalayan heights, laying the religious bedrock upon which the modern state of India would be built. In A Storm of Songs: India and the Idea of the Bhakti Movement (Harvard UP, 2015), John Stratton Hawley clarifies the historical and political contingencies that gave birth to the concept of the bhakti movement. Starting with the Mughals and their Kachvaha allies, North Indian groups looked to the Hindu South as a resource that would give religious and linguistic depth to their own collective history. Only in the early twentieth century did the idea of a bhakti “movement” crys

McComas Taylor discusses the upcoming 18th World Sanskrit Conference January 9-13, 2023. The conference is held online. All are welcome to register here.  Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

The mission of The Dharma Academy of North America (DANAM) "is to identify strategies for, and undertake, the recovery, reclamation and reconstitution of Dharma traditions for the contemporary global era, with initial focus on Hindu Dharma and subsequently on other Dharma traditions." Where did DANAM come from? What is its future? Listen into this candid discussion with Rita D. Sherma about DANAM past and future.  Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

This book addresses the recent transformations of popular Hinduism by focusing upon the religious cum artistic practice of Ramkatha, staged narratives of the Ramcharitmanas. Focusing on the sensory and media experiences, the author examines the aesthetics and dynamics of the Ramkatha ethnoscape through participant-observation in everyday practices, and how it particularly, translates politics from the realm of religion. Besides being socially constructed, the Ramkatha heavily relies on technologies for its production and continuation. Negotiated through a telling of Hindu religious stories, the mediated voice of Morari Bapu, a former school-teacher turned narrator, is a major medium of performance transposed into multiple media such as theatre, stage, music and spectacle. The book engages with voice as a vehicle of meaning to scrutinize its discursive production, imagination and re-production across mobile contexts. It investigates how the transnationally disseminated practices re-contextualize religious subj

Suspect Others: Spirit Mediums, Self-Knowledge, and Race in Multiethnic Suriname (U Toronto Press, 2021) explores how ideas of self-knowledge and identity arise from a unique set of rituals in Suriname, a postcolonial Caribbean nation rife with racial and religious suspicion. Amid competition for belonging, political power, and control over natural resources, Surinamese Ndyuka Maroons and Hindus look to spirit mediums to understand the causes of their successes and sufferings and to know the hidden minds of relatives and rivals alike. But although mediumship promises knowledge of others, interactions between mediums and their devotees also fundamentally challenge what devotees know about themselves, thereby turning interpersonal suspicion into doubts about the self. Through a rich ethnographic comparison of the different ways in which Ndyuka and Hindu spirit mediums and their devotees navigate suspicion, Suspect Others shows how present-day Caribbean peoples come to experience selves that defy concepts of per

Words for the Heart: A Treasury of Emotions from Classical India (Princeton UP, 2022) is a captivating treasury of emotion terms drawn from some of India’s earliest classical languages. Inspired by the traditional Indian genre of a “treasury”—a wordbook or anthology of short texts or poems—this collection features 177 jewel-like entries evoking the kinds of phenomena English speakers have variously referred to as emotions, passions, sentiments, moods, affects, and dispositions. These entries serve as beautiful literary and philosophical vignettes that convey the delightful texture of Indian thought and the sheer multiplicity of conversations about emotions in Indian texts. An indispensable reference, Words for the Heart reveals how Indian ways of interpreting human experience can challenge our assumptions about emotions and enrich our lives. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information s

In Human Being, Bodily Being: Phenomenology from Classical India (Oxford UP, 2021), Chakravarthi Ram-Prasad offers illuminating new perspectives on contemporary phenomenological theories of body and subjectivity, based on studies of diverse classical Indian texts. He argues for a 'phenomenological ecology' of bodily subjectivity in health, gender, contemplation, and lovemaking. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions