New Books In Hindu Studies

The things that make people academics -- as deep fascination with some arcane subject, often bordering on obsession, and a comfort with the solitude that developing expertise requires -- do not necessarily make us good teachers. Jessamyn Neuhaus’s Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers (West Virginia University Press, 2019) helps us to identify and embrace that geekiness in us and then offers practical, step-by-step guidelines for how to turn it to effective pedagogy. It’s a sharp, slim, and entertaining volume that can make better teachers of us all. Stephen Pimpare is Senior Lecturer in the Politics & Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017

The Hindu great epic, Mahābhārata, exists today in hundreds of variant manuscripts across India. These manuscripts were painstakingly examined, sorted and reconstituted into the official Critical Edition of the Mahābhārata. Is the Critical Edition a viable means of studying India's great epic?  While several scholars critique this undertaking project, the authors of Philology and Criticism: A Guide to Mahābhārata Textual Criticism (Anthem Press, 2018), Vishwa Adluri and Joydeep Bagchee, present a rigorous defense of the Mahābhārata's Critical Edition. Listen in and hear how and why they've done so. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Was ancient India ruled by politics or religion? In The History of the Arthaśāstra: Sovereignty and Sacred Law in Ancient India (Cambridge University Press, 2019), Mark McClish explores the Arthaśāstra (ancient India’s foundational treatise on statecraft and governance) to problematize the common scholarly idea that politics in ancient India was circumscribed by religion, i.e., that kings prioritized a sacred duty to abide by the spiritual law of dharma. McClish shows that this model of kingship comes to the fore only in the classical period, demonstrating that the Arthaśāstra originally espoused a political philosophy marked by empiricism and pragmatism. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beginning in the mid 19th century, thousands of indentured laborers traveled from India to the Caribbean, and many settled in Trinidad. In The Regulation of Religion and the Making of Hinduism in Colonial Trinidad (University of North Carolina Press, 2019)  Alexander Rocklin argues that the beliefs and practices they recreated in the new world only became recognizable as a discrete entity we now call “religion” over time and as the result of social and political processes. This book tells the story of the making of Hindu in the British colonial Caribbean. Over time, interactions between colonial officials, elite Indians and workers, as well as conflicts over public performances of rituals produced something that many now call Hinduism. But Rocklin argues that this was not necessarily a foregone conclusion, and his book highlights the contingent nature of this process.Learn more about your ad choices. Visit megaphone.fm/adchoices

What role did women play in securing power in colonial Himalayan kingdoms? Kingship and Polity on the Himalayan Borderland (Amsterdam UP, 2019) specifically documents the key roles played by women - especially queen regents - in the modern transformation of state and society in the Indian Himalaya kingdoms. Arik Moran examines three Rajput kingdoms during the transition to British rule (c. 1790-1840) and their interconnected histories and court intrigues. He draws on rich archival records, local histories, and extensive ethnographic research to offer an alternative to the popular and scholarly discourses that developed with the rise of colonial knowledge.For information on your host Raj Balkaran’s background, see rajbalkaran.com.Learn more about your ad choices. Visit megaphone.fm/adchoices

William Elison's The Neighborhood of Gods: The Sacred and the Visible at the Margins of Mumbai(University of Chicago Press, 2018) explores how slum residents, tribal people, and members of other marginalized groups use religious icons to mark urban spaces in Mumbai. Interestingly, not all of Elison's interview subjects identify as Hindu, which bolsters has argument that sacred space in Mumbai is created by visual and somatic practices performed across religious boundaries. Join as as we discuss Elison's rich fieldwork in the streets, slums, and movie studios of Mumbai.For information on your host Raj Balkaran’s background, see rajbalkaran.com.Learn more about your ad choices. Visit megaphone.fm/adchoices

The Bhagavad Gītā remains to this day a mainstay of Hinduism and Hindu Studies alike, despite the profusion of books written on it over the centuries. While the Gītā’s profundity is evident, its meaning most certainly is not. Is there a unity within the Bhagavad Gītā? Ithamar Theodor’s Exploring the Bhagavad Gītā: Philosophy, Structure and Meaning (Routledge, 2016) proposes a unifying structure which of this seminal Hindu work, identifying multiple layers of meaning at play. Theodor provides a new translation of the full text of the Bhagavad Gita, divided into sections, and accompanied by in-depth commentary, rendering this ancient Indian classic accessible to scholars and aspirants alike.For information on your host Raj Balkaran’s background, see rajbalkaran.com.Learn more about your ad choices. Visit megaphone.fm/adchoices

Harshita M. Kamath's new book The Artifice of Brahmin Masculinity in South Indian Dance (University of California Press, 2019) features an investigation of men donning a women’s guises to impersonate female characters – most notably Satyabhāmā, the wife of the Hindu deity Krishna –within the insular Brahmin community of the Kuchipudi village in Telugu-speaking South India. Kamath broaches the practice of impersonation across various boundaries – village to urban, Brahmin to non-Brahmin, hegemonic to non-normative – to explore the artifice of Brahmin masculinity in contemporary South Indian dance. This book is available open access here.For information on your host Raj Balkaran’s background, see rajbalkaran.com.Learn more about your ad choices. Visit megaphone.fm/adchoices

Jessica Vantine Birkenholtz's Reciting the Goddess: Narratives of Place and the Making of Hinduism in Nepal (Oxford University, 2018) represents the very first study of a fascinating Hindu phenomenon: the Svasthanivratakatha (SVK), a sixteenth-century narrative textual tradition native to Nepal surrounding the Goddess, Svasthānī. This work explores Himalayan Hindu religious tradition in the making during the very self-conscious creation of Nepal as the 'world's only Hindu kingdom' in the early modern period.  Touching on the pan-Hindu goddess tradition, regional ideals of Hindu womanhood, linguistic culture, identity formation and placemaking, Reciting the Goddess makes for a rich read.For information on your host Raj Balkaran’s background, see rajbalkaran.com.Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the relationship between religion and power? With this important overarching theme in mind, Bhakti and Power: Debating India's Religion of the Heart(University of Washington Press, 2019), edited by John Stratton Hawley, Christian Lee Novetzke and Swapna Sharma, combines 17 fascinating studies which explore the ways in which bhakti - “India’s religion of the heart”, loosely translated as devotionalism – tears down power barriers, and also build them up. Bhakti and Power offers important insight on both the power and powerlessness of bhakti at various social and historical junctures.For information about your host Raj Balkaran’s background, see rajbalkaran.com/academia Learn more about your ad choices. Visit megaphone.fm/adchoices

Is “Vedic” fire sacrifice at odds with “Hindu” image worship? Through a careful study of ritual (śanti) texts geared towards appeasement of inauspicious forces (primarily the Atharva Veda and in the Bṛhatsaṃhitā, an Indian astrological work), Marko Geslani demonstrates the persistent significance and centrality of the work of Brahmanical priesthood from ancient to medieval to modern times. In doing so he aptly problematizes the scholarly tendency to demarcate Vedic ritual from popular Hinduism. Join me today as I speak with Marco about his new book Rites of the God-King: Śānti and Ritual Change in Early Hinduism(Oxford University Press, 2018).For information on your host Raj Balkaran’s background, see rajbalkaran.com.Learn more about your ad choices. Visit megaphone.fm/adchoices

How distinct is Indian devotionalism from other strands of Indian religiosity? Is devotionalism necessarily at odds with asceticism in the Hindu world? What about the common contrasting of Hindu devotionalism as ‘religion’ with tantra as ‘black magic’? Patton E. Burchett's new book A Genealogy of Devotion: Bhakti, Tantra, Yoga, and Sufism in North India (Columbia University Press, 2019) re-examines what we assume about the rise of devotionalism in North India, tracing its flowering since India’s early medieval “Tantric Age” to present day.  It illumines the complex historical factors at play in Sultanate and Mughal India implicating the influence of three pervasive strands in the tapestry of North Indian religiosity: tantra, yoga and Sufism. Burchett shows the extent to which Persian culture and popular Sufism contribute to a (now prevalent) Hindu devotionalism that is critical of tantric and yogic religiosity.  Prior to this, argues Burchett, Hindu devotionalism locally flowered in fruitful cross p

Dr. Deonnie Moodie is Assistant Professor of South Asian Religions at the University of Oklahoma. Her book, The Making of a Modern Temple and a Hindu City: Kālīghāṭ and Kolkata (Oxford University Press, 2018), examines the history of the Kalighat temple of Kolkata and how that temple has been a symbol for competing expressions of Bengali middle class modernity.Shandip Saha is associate professor of Religious Studies at Athabasca University, the world leader in the realm of distance education and open learning. His research interests focus on religion and politics in pre-modern North India and on the changing performance practices in devotional music in India and Pakistan.Learn more about your ad choices. Visit megaphone.fm/adchoices

Why is the Indian Goddess sometimes figured as a corpse in Tantric Traditions? What is the significance of this? How is it different from when the Hindu god Shiva is figured as a corpse? Centered on the myth of Sati (whereby the Goddess was dismembered after her self-immolation), Anway Mukhopadhyay's new book The Goddess in Hindu-Tantric Traditions: Devī as Corpse (Routledge, 2018) features a fascinating take on why the “death” of the Goddess in this myth is no death at all, especially in contrast to Shiva as corpse.For information on your host Raj Balkaran’s background, see rajbalkaran.com.Learn more about your ad choices. Visit megaphone.fm/adchoices

Why would anyone want to study Sanskrit, an ancient complex tongue? What’s the best way to go about doing so?  Sanskrit is the highly sophisticated language of ancient India which remained in vogue for Millennia as a medium of philosophy, ritual, poetry – indeed every facet of Indian culture. Above and beyond Indian culture, it affords deep insight into the grammatical structures of language.  Join us as we talk to Antonia Ruppel (Oxford University) about her Sanskrit textbook, The Cambridge Introduction to Sanskrit (Cambridge University Press, 2017), a much-needed accessible, comprehensive tool for learning this ancient tongue, complete with online handouts, flash cards, and videos. We delve into the unique attributes of the Sanskrit language – for example, 3 numbers, 3 genders, special case endings, sophisticated rules for combinations of sounds (elision) – and the extent to which knowledge of the Hindu ‘language of the gods’ grants us access to millennia of human enterprise that is simultaneously

Why are myths of the Indian Great Goddess couched in a conversation between a deposed king and forest-dwelling ascetic? What happens when we examine these myths as a literary whole, frame and all? What interpretive clues might we find in their very narrative design? Join us in the "flip interview" as as your New Books Network Hindu Studies host Raj Balkaran (University of Toronto School of Continuing Studied) is interviewed on his new book The Goddess and The King in Indian Myth: Ring Composition, Royal Power and The Dharmic Double Helix (Routledge, 2018) by guest-interviewer Craig Ginn from the University of Calgary. Learn how the narrative design of Indian Great Goddess myths and the manner in which that design highlights the Goddess' association with royal power.Learn more about your ad choices. Visit megaphone.fm/adchoices

Why does the narrative motif of ‘dialogue’ pervade Hindu texts?  What role does it serve?  Join me as I speak with Chakravarthi Ram-Prasad (Fellow of the British Academy, and distinguished professor of Comparative Religion and Philosophy at Lancaster University), co-editor of In Dialogue with Classical Indian Traditions: Encounter, Transformation and Interpretation (Routledge, 2019). This volume presents 13 fascinating studies on the role of dialogue in Indian religious tradition, all of which are touched on in the interview. This book is part of a series entitled "Dialogues in South Asian Traditions: Religion, Philosophy, Literature and History."For information on your host Raj Balkaran’s background, see rajbalkaran.com.Learn more about your ad choices. Visit megaphone.fm/adchoices

To what extent may we say that religion is a theatrical phenomenon, and that theatre is a religious experience? Can making sense of one help us make sense of the other? Join us as we dive into The Performative Ground of Religion and Theatre (Routledge, 2018) with its author David V. Mason (editor-in-chief for Ecumenica: Performance and Religion and the South Asia area editor for Asian Theatre Journal) who posits an intriguing parity between theatre and religion.  Drawing heavily from Hindu aesthetic theory and Hindu religious performance, Mason examines the phenomenology of religion in an attempt to better understanding of the phenomenology of theatre, arguing that religion can show us the ways in which theatre is not fake.For information about your host Raj Balkaran’s background, see rajbalkaran.com/academiaLearn more about your ad choices. Visit megaphone.fm/adchoices

You’ve heard them all before. “Religions are Belief Systems.” “Religion is a Private Matter.” “I'm spiritual but not religious.” Our culture is full of popular stereotypes about religion, both positive and negative. Many people uncritically assume that religion is intrinsically violent, or that religion makes people moral, or that it is simply “bullshit.” In Stereotyping Religion: Critiquing Clichés (Bloomsbury, 2017), edited by Brad Stoddard, Assistant Professor at McDaniel College, and Craig Martin, Associate Professor at St. Thomas Aquinas College, several clichés are understood within a social and historical context, which enables us to see how they are produced and what makes them effective. In our conversation we explore several of these stereotypes, what makes them possible and desirable for communities that reproduce and curate them, secularization theory, the role of atheism, liberal political discourse about religion, critical thinking, and how “Stereotyping Religion” works in the classroom.Kristian

Embodying the Vedas: Traditional Vedic Schools of Contemporary Maharashtra(De Gruyter, 2017; open access) probes the backbone of what makes Hinduism the world’s oldest living tradition: the unbroken chain of transmission of Vedic texts composed over 3,000 years ago, originating circa 1750-1200 BCE.  What does the process of that transmission look like? What does it take to apprentice to learn the Vedic corpus?  Why is there an emphasis on precise ritual enunciation of these utterances even above and beyond their semantic meaning? Join me as I talk with Dr. Borayin Larios, Assistant Professor at the Institute for South Asian, Tibetan and Buddhist Studies (Vienna) about his work on the traditional “gurukula” education and training of Brahmins. Based on his study of 25 contemporary Vedic schools across the state of Maharashtra, we discover how contemporary Brahmin males learn with scrupulous care how to recite, memorize and ultimately embody the Vedas.Learn more about your ad choices. Visit megaphone.f