New Books In Latin American Studies

From the sounds of Samba to the spectacles of Carnival, Afro-Brazilian traditions are today seen as emblematic of Brazil and especially of Salvador de Bahia, the northeastern city where many Afro-Brazilian cultural traditions were first established. Salvador’s present status as the “Black Rome” of Brazil marks a shift from the early Twentieth Century, when Afro-Brazilian practices – particularly those associated with the religion Candomble – were denigrated as “primitive” and subject to repression in Bahia. Yet even as Afro-Brazilian culture is celebrated in Bahia and throughout Brazil, Afro-Brazilians themselves remain subject to discrimination, economic marginalization, and negative stereotypes, often directed at those same cultural traditions. In African-Brazilian Culture and Regional Identity in Bahia, Brazil(University Press of Florida, 2013), Scott Ickes explores the emergence of this paradoxical modern attitude towards Afro-Brazilian culture during and after th

Today I spoke to Ioan Grillo about his book El Narco: Inside Mexico’s Criminal Insurgency (Bloomsbury, 2012). This book is an excellent introduction to the state of conflict between drug cartels themselves, the government and the Mexican community. This is not an academic study of criminology. Ioan has reported from Mexico for many years and he has brought together his accumulated wisdom into this book. The final product provides the multi-dimensional story and analysis of the events in that country. He explains how external factors such as the war on drugs in Columbia and internal issues relating to the nature of governance in Mexico have influenced the current situation. But this is more than just a retelling of criminal activity. Ioan gives an insight into the social aspects of the drug culture including the glorification of the participants in popular music and the religious justifications used by some cartels. El Narco is a fascinating book that read to me like a sci-fi almost post-apocalyptic worl

Ron Schmidt is the co-author (with Yvette M. Alex-Assensoh, Andrew L. Aoki, and Rodney Hero) of Newcomers, Outsiders, and Insiders: Immigrants and the American Racial Politics in the Early 21st Century (University of Michigan Press, 2013). Schmidt is professor of political science at California State University Long Beach. This is a big book that covers long and complex histories of numerous groups in the United States. The authors link the arrival and integration of Latino Americans and Asian Americans to evolving group identities and developing political institutions. They draw interesting comparisons between the legacies of the African American social movements of the Civil Rights era and immigrant protests in other ethnic communities. They conclude with a mixed assessment about where the US now stands in terms of immigrant politics. Gains have been made, but immigrants remain largely shut out of traditional forms of political representation and often lack entre into politics.Learn more about your ad choic

Most people today think of war–or really violence of any sort–as for the most part useless. It’s better, we say, just to talk things out or perhaps buy our enemies off. And that usually works. But what if you lived in a culture where fighting was an important part of social status and earning a living? What if, say, you couldn’t get married unless you had gone to war? What if, say, you couldn’t feed your family without raiding your enemies? Such was the case with Chiricahua Apache of the Southwest. As Lance R. Blyth shows in his terrific book Chirichahua and Janos: Communities of Violence in the Southwestern Borderlands, 1680-1880 (Nebraska UP, 2012), war was a necessary part of Chiricahua life, at least in the 17th and 18th centuries. They needed to fight the Spanish in Janos, and there was nothing the Spanish could really do to stop them, at least in the long term. Of course the Spanish–who were, it should be said, invaders–fought back. And so the two communities en

The violence in Mexico is receiving a lot of media attention internationally. Paul Rexton Kan has produced a book that provides us with a comprehensive and comprehendible introduction to the background to the conflict and its effects. Cartels at War: Mexico’s Drug-Fueled Violence and the Threat to US National Security (Potomac Books, 2012) is a relatively short book packed with detailed information. The book covers the nature of the drug war, the cartels involved, the national and international responses and the effects of this war on the local and international communities. But this is not just a descriptive work. Kan provides us with his recommendations for solutions and predictions about the future of the conflict. In particular, he draws comparisons between treating this as an insurgency and spells out how a counter-terrorist response would not be the correct way to deal with the issue. This is high intensity crime and requires a high intensity policing response. Overall the book is an excellent int

Are you looking for a good Hanukkah gift? A good Christmas gift? Heck, any gift? Or maybe you just want to read a terrific book? Well I’ve got just the ticket: Ilan Stavans and Steve Sheinkin‘s, El Iluminado: A Graphic Novel (Basic Books, 2012). Stavans and Scheinkin team up to perform a minor miracle: they not only tell the story of hispanic crypto-Jews (conversos, marranos) in the Old and New Worlds, but they do it in the most entertaining, compelling way possible–with a great, moving, thought-provoking, and often funny (yes, funny) mystery. This is how popular history should be done. El Iluminado is–or should be–a model for all those scholars who want to bring their work to the public. I strongly urge you to take a look at the book and perhaps give it to someone you love.Learn more about your ad choices. Visit megaphone.fm/adchoices

Daniela Bleichmar‘s new book is a story about 12,000 images. In Visible Empire: Botanical Expeditions and Visual Culture in the Hispanic Enlightenment (University of Chicago Press, 2012), Bleichmar uses this vast (and gorgeous) archive of botanical images assembled by Spanish natural history expeditions to explore the connections between natural history, visual culture, and empire in the eighteenth century Hispanic world. In beautifully argued chapters, Bleichmar explores that ways that eighteenth century natural history expeditions were grounded in a visual epistemology where observation and representation were powerful tools for negotiating both scientific and imperial spheres. The “botanical reconquista” spanned fields, shops, gardens, and cabinets across the New World and the Old. Botanists, artists, and others employed images for collaboration and competition, developing distinct styles and practices for observing and representing the natural world. The expeditions’ taxonomic bota

Isaac Campos is the author of Home Grown: Marijuana and the Origins of Mexico’s War on Drugs (University of North Carolina Press, 2012). Campos is an assistant professor of history at the University of Cincinnati. His book traces the intellectual history of marijuana from Europe to Mexico and the ways in which usage of the drug was portrayed – as a source of madness and violence — in the Mexican media. Campos turns on its head the popular myth that drug regulation in Mexico derives from US sources. For political scientists and for all those interested in the issue, the book offers a deep historical context for the current “war on drugs” and related violence in the US and in Mexico.Learn more about your ad choices. Visit megaphone.fm/adchoices

In my work with pre-Hispanic and colonial Mexican pictorial texts, I often wish I could talk with the people who authored them. In the academic setting, sometimes we forget that these documents represent conversations about what was happening in the lives of many people at the time they were created and that some aspects of these materials that we have found in archives or ancient cities are still part of the cultural heritage and daily lives of the descendants of the creators. Ethelia Ruiz Medrano helps us realize that the study of popular culture also can mean the sharing of knowledge. Ruiz Medrano’s research in the tiny town of Santa Maria Cuquila has led to a new way of thinking about our pasts and how they connect with our presents. Ruiz Medrano’s book Mexico’s Indigenous Communities: Their Lands and Histories, 1500-2010 is a best-selling work on popular culture from the University of Colorado Press. Indigenous Communities traces a new context for our Amerindian heritage. Ruiz Medrano e

In my work with pre-Hispanic and colonial Mexican pictorial texts, I often wish I could talk with the people who authored them. In the academic setting, sometimes we forget that these documents represent conversations about what was happening in the lives of many people at the time they were created and that some aspects of these materials that we have found in archives or ancient cities are still part of the cultural heritage and daily lives of the descendants of the creators. Ethelia Ruiz Medrano helps us realize that the study of popular culture also can mean the sharing of knowledge. Ruiz Medrano's research in the tiny town of Santa Maria Cuquila has led to a new way of thinking about our pasts and how they connect with our presents. Ruiz Medrano's book Mexico's Indigenous Communities: Their Lands and Histories, 1500-2010 is a best-selling work on popular culture from the University of Colorado Press. Indigenous Communities traces a new context for our Amerindian heritage. Ruiz Medrano examines local admi

Here’s something I learned by reading Joel Wolfe’s terrific Autos and Progress: The Brazilian Search for Modernity (Oxford, 2010): the United States and Brazil have a lot in common. Both hived off European empires; both struggled with slavery and its legacy; both are profoundly multiethnic and multiracial; both have spent much of their respective histories settling a vast “wild” frontier (though, to be fair, it was already “settled” by indigenous people); and, most importantly for our purposes, both are car-crazy, and indeed for almost the same reason. In the United States, the automobile meant modernity. It was the implement with which we, Americans of every stripe, would “tame” a continent and thereby realize our national potential. The Brazilians, according to Wolfe, feel the same way. Joel does a masterful job of explaining how the promise of this crucial technology entered the Brazilian psyche and became not only the vehicle of modernity (pardon the pun) bu

It’s shocking and embarrassing how little I, as an American, know about Mexican history. Mexico shares a 2,000 mile long border with the United States. Mexico is America’s third largest trading partner (behind Canada–about which I also know nothing–and China). Over 20 million people in the U.S. say they are of “Mexican descent.” But all I can tell you about Mexican history is that the Aztecs built some really impressive pyramids, then the Spanish took over, then the Mexicans threw the Spanish out, then “we” beat the Mexicans and grabbed a bunch of their territory, then there was a confusing period involving France, and then Pancho Villa and Emiliano Zapata did some revolutionary stuff. The only phrase that comes to mind when I think of the period that followed–1910 to the present–is “illegal aliens.” My ignorance is just pathetic (not to mention irresponsible). So I was really happy when William H. Beezley told me that he and Colin M. Mac

The question of how we come to understand who we are–nationality-wise–is a thorny one. In a widely-read book, Benedict Anderson said we got nationality, inter alia, by reading about it in books. William Beezley‘s got a different, though complementary, thesis regarding Mexicans of the 19th century: they were shown nationality in things like puppet shows. That’s right. Puppet shows. In his excellent Mexican National Identity. Memory, Innuendo and Popular Culture (University of Arizona Press, 2008) he explores how Mexicans were taught Mexican nationality through a variety of popular performances, games, carnivals, holidays, and household items. “Taught” might be a little too strong, as the point of each of these folk enterprises was, well, enterprise and entertainment. In any event, Mexican nationality seems to have came from the bottom up, not the top down. Seems about right to me. I learned I was American by reading a comic book called “Sergeant Rock.” Please bec