New Books In Middle Eastern Studies

Of the available sources for Islamic history published before the 9th century of the Christian Era, few are of greater importance than Kitab Futuh al-Buldan (The Book of the Conquest of Lands), by al-Baladhuri, a ninth-century administrator at the Abbasid court. The text has been heavily relied upon by scholars for centuries as they have compiled the history of the early Islamic empires. In Arab Conquests and Early Islamic Historiography: The Futuh al-Buldan of al-Baladhuri (I. B. Tauris, 2021), Ryan J. Lynch, Associate Professor of History at Columbus State University in Georgia, takes a deeper look at the text, its author, sources, genre, and reception. Al-Baladhuri wasn't a historian, and he wrote Futuh al-Buldan for a specific purpose -- what was he trying to achieve, and why? This fascinating volume not only brings new depths to al-Baladhuri's text, but offers insight into how historians of the Late Antique and Early Medieval Mediterranean can engage with sources in a more critical manner while still rec

For more than thirteen centuries, caravans transported millions of enslaved people from Africa south of the Sahara into what is now the Kingdom of Morocco. Today there are no museums, plaques, or monuments that recognize this history of enslavement, but enslaved people and their descendants created the Gnawa identity that preserves this largely suppressed heritage. This pioneering book describes how Gnawa emerged as a practice associated with Blackness and enslavement by reviewing visual representation and musical traditions from the late nineteenth century to the present. Cynthia J. Becker addresses the historical consciousness of subaltern groups and how they give Blackness material form through modes of dress, visual art, religious ceremonies, and musical instruments in performance. She examines what it means to self-identify as Black in Morocco (a country typically associated with the Middle East and the Arab world), especially during this time of increased contemporary African migration, which has made B

Islam through Objects (Bloomsbury, 2021) represents the state of the field of Islamic material cultural studies. With contributions from scholars of religion, anthropologists, art historians, folklorists, historians, and other disciplines, Anna Bigelow, Associate Professor of Religious Studies at Stanford University, brings together a wide range of perspectives on Islamic materiality to debunk myths of Islamic aversion to material aspects of religion. Each chapter focuses on a single object in daily use by Muslims, including prayer beads, coins, amulets, a cistern well, clothing, jewelry, and bodily and domestic adornments, to consider both generic and particular aspects of the object in question. Framed by an introduction that assesses the various approaches to Islamic material culture in recent scholarship, Islam through Objects provides a template for the study of religion and material culture, which engages current theory, subtle and nuanced narratives, and the creative and imaginal capacities of Muslims

Samuel: The Making of the Monarchy, a volume of The Koren Tanakh of the Land of Israel with Koren Publishers, offers an innovative and refreshing approach to the Hebrew Bible. By fusing extraordinary findings by modern scholars on the ancient Near East with the original Hebrew text and a brand new English translation, The Koren Tanakh of the Land of Israel clarifies and explains the Biblical narrative, laws, events, and prophecies in context with the milieu in which it took place. The Koren Tanakh features stunning visuals of ancient civilizations including artifacts, archeological excavations, inscriptions, and maps, along with brief articles on ancient Near Eastern culture, geography, biblical botany, language, and more. Join us as we talk to David Arnovitz, Editor in Chief of the Koren Tanakh of the Land of Israel. Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus (Pe

There are more than 700,000 Bulgaristanlı migrants residing in Turkey. Immigrants from Bulgaria who are ethnically Turkish, they assume certain privileges because of these ethnic ties, yet access to citizenship remains dependent on the whims of those in power. Through vivid accounts of encounters with the police and state bureaucracy, of nostalgic memories of home and aspirations for a more secure life in Turkey, Precarious Hope: Migration and the Limits of Belonging in Turkey (Stanford UP, 2019) explores the tensions between ethnic privilege and economic vulnerability and rethinks the limits of migrant belonging among those for whom it is intimated and promised—but never guaranteed. In contrast to the typical focus on despair, Ayşe Parla studies the hopefulness of migrants. Turkish immigration policies have worked in lockstep with national aspirations for ethnic, religious, and ideological conformity, offering Bulgaristanlı migrants an advantage over others. Their hope is the product of privilege and an act

Any study of the Crusades — the religious wars waged by Latin Catholics to recapture the Holy Land — is primarily an exploration of men and their military deeds, with scant consideration of women, save perhaps the redoubtable Eleanor of Aquitaine who accompanied her husband, King Louis VII of France, on the Second Crusade. But the history of the Christian Crusader states established after the success of the First Crusade is a different matter. From 1099 to 1187, the four polities, known collectively as “Outremer” or “the lands beyond the sea” — the Kingdom of Jerusalem, the Principality of Antioch, and the Counties of Tripoli and Edessa — were more often ruled by queens, princesses, and countesses in their own right. The captivating story of these women is the subject of Queens of Jerusalem: The Women Who Dared to Rule (Hachette, 2021) by Katherine Pangonis. In taking up the story of Queen Melisende of Jerusalem, her rebel sister, Princess Alice of Antioch, and their descendants, Pangonis set herself the chal

It is now just over a decade since protests in Cairo's Tahrir Square started Egypt's chapter in the events of the Arab Spring. Much has been made in western criticism of art and culture's role in the revolution, but the everyday cultural production of studio artists, graffiti artists, musicians, and writers since has attracted less attention. How have artists responded personally and artistically to the political transformation ? What has social role of art been in these periods of transition and uncertainty? What are the aesthetic shifts and stylistic transformations present in the contemporary Egyptian art world? Caroline Seymour-Jorn speaks with Pierre d'Alancaisez about her many years of research in Cairo that goes beyond the current understandings of creative work solely as a form of resistance or political commentary, providing a more nuanced analysis of creative production in the Arab world. Caroline suggests that young artists like Hany Rashed or The Choir Project have turned their creative focus incr

The Mongols are widely known for one thing: conquest. Through the ages, word "horde" has entered the English lexicon with a negative connotation, conjuring up images of warriors on horseback, sweeping across the plain--a virtual human flood destroying everything in its path and then receding, leaving a wave of devastation and grief. Such is often the popular perception of the Mongol empire under Chingghis Khan and his successors, who came to control much of Eurasia in the mid-thirteenth century. In the past few decades, scholarship has started emphasizing other aspects of the three hundred year Mongol project--after all, waves of destruction don't tend to also be referred to by names like "Pax Mongolica," or "the Mongolian Peace." In this majestic new study, Marie Favereau (Paris Nanterre University) takes us inside one of the most powerful sources of cross-border integration in world history. For three centuries, the Mongol Empire was no less a force for global development than the Roman Empire. The Horde--u

Ahmad Ibn Tulun: Governor of Abbasid Egypt, 868-884 (Oneworld Academic, 2021), by Matthew S. Gordon (Miami University (Ohio)) is an innovative look at the Abbasid governor of Egypt from 868-884, and the short-lived dynasty that succeeded him for just two decades.  Ibn Tulun is perhaps best known for the mosque that still bears his name in Cairo--arguably the city's oldest Islamic monument that survives in its original form--which was the centerpiece of the capital city that he built. While ibn Tulun is often depicted in Egyptian historiography as an autonomous leader, aspiring toward independence away from the greater Abbasid state, Gordon makes a convincing argument that ibn Tulun--the son of a Turkic slave-soldier gifted to the Abbasid caliph--was instead a product of the political turmoil in Iraq, but that he was very much an Abbasid in spirit and politics. This intriguing and convincing reframing of ibn Tulun's life and career offers a new interpretation of this understudied period in Egyptian history, as

In today's program, I speak with Richard E. Antaramian about his recent monograph, Brokers of Faith, Brokers of Empire: Armenians and the Politics of Reform in the Ottoman Empire (Stanford University Press, 2020).  In Brokers of Faith, Brokers of Empire, Antaramian shows that the Armenian Church and clergy--spread across the empire in a vast ecclesiastical network--played an important role in the application of Ottoman reform programs during the mid-nineteenth century. His main intervention to the scholarship is to show that Armenians were not uniformly opposed to Ottoman centralization. Furthermore, Through his study of the Armenian Church, he challenges the well-known paradigm of "center and periphery" by offering a networked model of empire. For experts and novices alike, this book will not only offer a compelling new perspective into Ottoman and Armenian history, but also surprise you with new insights on Kurdish-Armenian relations in Eastern Anatolia in the 19th century. Deren Ertas is a PhD student in t

A vivid ethnography of Egyptian migrants to the Arab Gulf states, Migrant Dreams: Egyptian Workers in the Gulf States (AU in Cairo Press, 2020) is about the imagination which migration thrives on, and the hopes and ambitions generated by the repeated experience of leaving and returning home. What kind of dreams for a good or better life drives labor migrants? What does being a migrant worker do to one’s hopes and ambitions? How does the experience of migration to the Gulf, with its attendant economic and legal precarities, shape migrants’ particular dreams of a better life? What do those dreams—be they realistic and productive, or fantastic and unlikely—do to the social worlds of the people who pursue them, and to their families and communities back home upon their return? Based on ten years of ethnographic fieldwork and conversations with Egyptian men from mostly low-income rural backgrounds who migrated as workers to the Gulf, returned home, and migrated again over a period of about a decade, this fine-grai

A Physician on the Nile: A Description of Egypt and Journal of the Famine Years (NYU Press, 2021) is a unique text that will fascinate specialists and general readers alike. Written by the polymath and physician ʿAbd al-Laṭīf al-Baghdādī, and intended for the Abbasid caliph al-Nāṣir (r. 1180-1225 CE), the first part of the book offers detailed descriptions of Egypt’s geography, plants, animals, and local cuisine, including a recipe for a giant picnic pie made with three entire roast lambs and dozens of chickens. ʿAbd al-Laṭīf’s text is also a pioneering work of ancient Egyptology, with detailed observations of Pharaonic monuments, sculptures, and mummies. An early and ardent champion of archaeological conservation, ʿAbd al-Laṭīf condemns the vandalism wrought by tomb-robbers and notes with distaste that Egyptian grocers price their goods with labels written on recycled mummy-wrappings. The book’s second half relates his horrific eyewitness account of the great famine that afflicted Egypt in the years 597–598/

On Heels in the Middle East (Pardes Publishing, 2020) is the first book of Ksenia Svetlova, an Israeli journalist of Russian origin who covered the Middle East extensively during the last two decades. Svetlova takes us on a journey to Hizbullah dominated parts of Beirut, refugee camps in Gaza, Qaddafi's Libya and the revolutionary squares of the Arab Spring. She describes the fateful events that had changed the face of the Middle East such as the US invasion to Iraq or the second Palestinian Intifada and disengagement from Gaza from a unique point of view of female reporter, and explains the processes that culminated in revolutions, armed conflicts or peace agreements. "On heels in the Middle East" ties together first-hand impressions, rare interviews with key figures such as Yassir Arafat and Sheikh Ahmad Yassin, the founder of Hamas and expert analysis of developments in the Middle East. Ksenia Svetlova is an Israeli journalist, researcher of the Middle East and writer. She was born in Moscow and grew up in

In the 1970s, American curator Donna Stein served as the art advisor to Empress Farah Diba Pahlavi, the Shahbanu of Iran. Together, Stein and Pahlavi generated an art market in Iran, as Stein encouraged Pahlavi’s patronage of the Tehran Museum of Contemporary Art. Today, the contemporary section of the Iranian National Collection―most of which continues to languish in storage―is considered one of the most significant collections of modern art outside of Europe and the United States. The Empress and I: How an Ancient Empire Collected, Rejected and Rediscovered Modern Art (Skira, 2021) is a vivid account of Stein’s experience at the helm of this storied intercultural initiative. In crafting her highly readable narrative, Stein cites a number of previously confidential documents, including private correspondence with artists and dealers. This text explores the relationship between two women united by their shared passion for the arts and the continued legacy of their partnership in today’s art world. Kirstin L.

Working Out Desire: Women, Sport, and Self-Making in Istanbul (Syracuse UP, 2020) examines spor merakı as an object of desire shared by a broad and diverse group of Istanbulite women. Sehlikoglu follows the lat­est anthropological scholarship that defines desire beyond the moment it is felt, experienced, or even yearned for, and as something that is formed through a series of social and historical makings. She traces Istanbulite women’s ever-increasing interest in exercise not merely to an interest in sport, but also to an interest in establishing a new self—one that attempts to escape from conventional feminine duties—and an investment in forming a more agentive, desiring, self. Working Out Desire develops a multilayered analysis of how women use spor merakı to take themselves out of the domestic zone physically, emotionally, and also imaginatively. Sehlikoglu pushes back against the conventional boundaries of scholarly interest in Muslim women as pious subjects. Instead, it places women’s desiring subjectiv

In his majestic and magisterial new book Law, Empire, and the Sultan: Ottoman Imperial Authority and Late Hanafi Jurisprudence (Oxford UP, 2020), Samy Ayoub examines and demonstrates the entanglement of Islamic law and imperial political authority in the early modern period. Focused on the incorporation of Ottoman imperial authority and edicts in the late Hanafi jurisprudential tradition, this brilliant book interrupts and questions widely held assumptions about the separation between the domains of imperial politics and the Islamic legal tradition in the premodern period. The strength of this book lies in the way it provides a meticulous and dazzling intellectual history of the Hanafi legal tradition showing its internal dynamism and nuanced forms of reasoning while constantly connecting that intellectual history to broader theoretical questions about the interaction of law, juridical authority, and empire. Combining philological rigor with razor sharp conceptual dexterity, this book fundamentally reorients

Poetry has long dominated the cultural landscape of modern Iraq, simultaneously representing the literary pinnacle of high culture and giving voice to the popular discourses of mass culture. As the favored genre of culture expression for religious clerics, nationalist politicians, leftist dissidents, and avant-garde intellectuals, poetry critically shaped the social, political, and cultural debates that consumed the Iraqi public sphere in the twentieth century. The popularity of poetry in modern Iraq, however, made it a dangerous practice that carried serious political consequences and grave risks to dissident poets. Kevin M. Jones' The Dangers of Poetry: Culture, Politics, and Revolution in Iraq (Stanford University Press, 2020) is the first book to narrate the social history of poetry in the modern Middle East. Moving beyond the analysis of poems as literary and intellectual texts, Jones shows how poems functioned as social acts that critically shaped the cultural politics of revolutionary Iraq. He narrates

Completed in 1938, the Trans-Iranian Railway connected Tehran to Iran's two major bodies of water: the Caspian Sea in the north and the Persian Gulf in the south. Iran's first national railway, it produced and disrupted various kinds of movement—voluntary and forced, intended and unintended, on different scales and in different directions—among Iranian diplomats, tribesmen, migrant laborers, technocrats, railway workers, tourists and pilgrims, as well as European imperial officials alike. Iran in Motion: Mobility, Space, and the Trans-Iranian Railway (Stanford UP, 2021) tells the hitherto unexplored stories of these individuals as they experienced new levels of mobility. Drawing on newspapers, industry publications, travelogues, and memoirs, as well as American, British, Danish, and Iranian archival materials, Mikiya Koyagi traces contested imaginations and practices of mobility from the conception of a trans-Iranian railway project during the nineteenth-century global transport revolution to its early years

The Gaza Strip is one of the most beleaguered environments on earth. Crammed into a space of 139 square miles (360 square kilometers), 1.8 million people live under an Israeli siege, enforcing conditions that continue to plummet to ever more unimaginable depths of degradation and despair. Gaza, however, is more than an endless encyclopedia of depressing statistics. It is also a place of fortitude, resistance, and imagination; a context in which inhabitants go to remarkable lengths to create the ordinary conditions of the everyday and to reject their exceptional status. Inspired by Gaza’s inhabitants, this book builds on the positive capabilities of Gazans. It brings together environmentalists, planners, activists, and scholars from Palestine and Israel, the US, the UK, India, and elsewhere to create hopeful interventions that imagine a better place for Gazans and Palestinians. Open Gaza: Architectures of Hope ( American University in Cairo Press, 2021) engages the Gaza Strip within and beyond the logics of si

Forging Ties, Forging Passports: Migration and the Modern Sephardi Diaspora (Stanford University Press, 2020) is a history of migration and nation-building from the vantage point of those who lived between states. Author Devi Mays traces the histories of Ottoman Sephardi Jews who emigrated to the Americas—and especially to Mexico—in the late nineteenth and early twentieth centuries, and the complex relationships they maintained to legal documentation as they migrated and settled into new homes. Mays considers the shifting notions of belonging, nationality, and citizenship through the stories of individual women, men, and families who navigated these transitions in their everyday lives, as well as through the paperwork they carried. These Ottoman Sephardi migrants resisted unequivocal classification as either Ottoman expatriates or Mexicans through their links to the Sephardi diaspora in formerly Ottoman lands, France, Cuba, and the United States. By making use of commercial and familial networks, Sephardi mig