Boxcars711 Old Time Radio

The Great Gildersleeve (1941-1957), initially written by Leonard Lewis Levinson, [1] was one of broadcast history's earliest spin-off programs. Built around a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catch phrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (10/22/40). He soon became so popular that Kraft Foods — looking primarily to promote its

The Third Man (The Lives of Harry Lime) was a old-time radio adventure series that ran in 1951 and 1952. It was based on the 1949 film of the same name. Orson Welles stars as Harry Lime, a perpetually broke confidence man, smuggler, and general scoundrel. He will participate in virtually any criminal activity to make a fast buck, but uses his wits rather than a gun. He draws the line short of murder, blackmail, or drugs. Even so, Harry is an endearing character and listeners love to hear of his one-step-ahead-of-the-law misadventures as he hops around the globe looking for his next pigeon. The zither music of Anton Karas adds a wonderful Viennese ambience to each episode and really makes this show special.THIS EPISODE:January 18, 1952 - The Double Double Cross -  Lang-Worth syndication. A Love Affair. Commercials added locally. In a remote Saudi Arabian town, Harry finds a murder and a double-cross in oil. Harry has the oil concession rights and two foreign agents set to buy. Orson Welles, Anton Karas (zither

Hear It Now, an American radio program on CBS, began in 1950 and was hosted by Edward R. Murrow and produced by Fred Friendly. It ran for one hour on Fridays at 9 p.m. One of the most popular and best selling records of 1948 was I Can Hear It Now 1933-1945. The record was a collaboration between Edward R. Murrow and Fred W. Friendly. The record interwove historical events with speeches and Murrow's narration and marked the beginning of one of the most famous pairings in journalism history. The huge success of the record prompted the pair to parlay it into a weekly radio show for CBS. That show was Hear It Now. The show had a "magazine format." It drove to include a variety of sounds from current events such as an atom smasher at work or artillery fire from Korea. It was the artillery fire that produced one of the show's more poignant moments as it backdropped the words of American soldiers fighting the Korean War. The entire premise of the show was to include the "actual sound of history in the making," accor

CANDY MATSON was the private eye star of Candy Matson, YUkon 2-8208, an NBC West Coast show which first aired in March 1949 and was created by Monty Masters. He cast his wife, Natalie Parks, in the title role of this sassy, sexy PI. Her understated love interest, Lt. Ray Mallard, was played by Henry Leff while her assistant and best pal, aptly named Rembrandt Watson, was the voice of Jack Thomas. Every show opened with a ringing telephone and our lady PI answering it with "Candy Matson, YU 2-8209" and then the organ swung into the theme song, "Candy". Each job took Candy from her apartment on Telegraph Hill into some actual location in San Francisco. The writers, overseen by Monty, worked plenty of real Bay Area locations into every plot.THIS EPISODE:January 2, 1950. NBC net, San Francisco origination. Sustaining. Candy investigates a plane crash and is asked to certify the safety of an airport. Bill Brownell (sounworkd effects), Dudley Manlove (announcer), Eloise Rowan (organist), Harry Bechtel, Henry Leff,

Author’s Playhouse - Famous stories by celebrated authors: among them, Elementals (Stephen Vincent Benet), The Piano (William Saroyan), and The Snow Goose (Paul Gallico).March 5, 1941 till June 4, 1945, NBC;  Blue Network until mid-October 1941, then the Red Network.  Many briefly held 30m timeslots, including Sundays at 11:30, 1941-42;  Wednesdays at 11:30, 1942-44;   Mondays at 11:30, 1944-45.  Sponsor was Philip Morris, 1942-43. Cast:  John Hodiak, Fern Persons, Arthur Kohl, Laurette Fillbrandt, Kathryn Card, Bob Jellison, Nelson Olmsted, Marvin Miller, Olan Soule, Les Tremayne, Clarence Hartzell, Curley Bradley, etc.  Orchestra:  Rex Maupin, Roy Shield, J6seph Gallicchio. Creator:  Wynn Wright.  Directors:  Norman Felton, Fred Weihe, Homer Heck, etc.THIS EPISODE:July 8, 1944. NBC network. "The Kraken". Sustaining. A science fiction tale about a British submarine captured by a huge sea monster. Frederick Englehart (author). 1/2 hour.

Barry Craig, Confidential Investigator (AKA Barry Crane" and then "Barrie Craig)  is one of the few detective radio series that had separate versions of it broadcast from both coasts. Even the spelling changed over the years. It was first "Barry Crane" and then "Barrie Craig". NBC produced it in New York from 1951 to 1954 and then moved it to Hollywood where it aired from 1954 to 1955. It attracted only occasional sponsors so it was usually a sustainer.William Gargan, who also played the better known television (and radio) detective Martin Kane, was the voice of New York eye BARRY CRAIG while Ralph Bell portrayed his associate, Lt. Travis Rogers. Craig's office was on Madison Avenue and his adventures were fairly standard PI fare. He worked alone, solved cases efficiently, and feared no man. As the promos went, he was "your man when you can't go to the cops. Confidentiality a speciality."Like Sam Spade, Craig narrated his stories, in addition to being the leading character in this 30 minute show. Nearl

The Life of Riley, with William Bendix in the title role, was a popular radio situation comedy series of the 1940s that was adapted into a 1949 feature film and continued as a long-running television series during the 1950s. The show began as a proposed Groucho Marx radio series, The Flotsam Family, but the sponsor balked at what would have been essentially a straight head-of-household role for the comedian. Then producer Irving Brecher saw Bendix as taxicab company owner Tim McGuerin in the movie The McGuerins from Brooklyn (1942). The Flotsam Family was reworked with Bendix cast as blundering Chester A. Riley, riveter at a California aircraft plant, and his frequent exclamation of indignation---"What a revoltin' development this is!"---became one of the most famous catch phrases of the 1940s. The radio series also benefited from the immense popularity of a supporting character, Digby "Digger" O'Dell (John Brown), "the friendly undertaker."Beginning October 4, 1949, the show was adapted for television for th

General Mills Radio Adventure Theater - The series had it origins in the meeting of two minds: the ad agency for General Mills at the time, Dancer-Fitzgerald-Sample was looking for a different means to reach a child audience besides television, which was decreasing commercial minutes and increasing costs; and Himan Brown, producer-director of the CBS Radio Mystery Theater, who wanted to introduce new audiences to the dramatic form on radio. Tom Bosley was chosen as the host because of his television recognition from a kid’s oriented series, Happy Days. CBS chose to produce 52 original broadcasts followed by 52 repeat broadcasts. I believe they had hoped to maintain General Mills sponsorship during the complete 104 episodes, but General Mills dropped their sponsorship after the original broadcasts. The series continued for the next 52 repeats as the CBS Radio Adventure Theater.THIS EPISODE:A Journey to the Centre of the Earth (French: Voyage au centre de la Terre), also translated as A Journey to the Interior

Yours Truly, Johnny Dollar  - For over twelve years, from 1949 through 1962 (including a one year hiatus in 1954-1955), this series recounted the cases "the man with the action-packed expense account, America’s fabulous freelance insurance investigator, Johnny Dollar". Johnny was an accomplished 'padder' of his expense account. The name of the show derives from the fact that he closed each show by totaling his expense account, and signing it "End of report... Yours Truly, Johnny Dollar". Terry Salomonson in his authoritative "A Radio Broadcast Log of the Drama Program Yours Truly, Johnny Dollar", notes that the original working title was "Yours Truly, Lloyd London". Salomonson writes "Lloyd London was scratched out of the body of (the Dick Powell) audition script and Johnny Dollar was written in. Thus the show was re-titled on this script and the main character was renamed. Why this was done was unclear – possibly to prevent a legal run-in with Lloyd’s of London Insurance Company." Although based in Hartford,

The CBS Radio Mystery Theater (or CBSRMT) was an ambitious and sustained attempt to revive the great drama of old-time radio in the 1970s. Created by Himan Brown (who had by then become a radio legend due to his work on Inner Sanctum Mysteries and other shows dating back to the 1930s), and aired on affiliate stations across the CBS Radio network, the series began its long run on January 6, 1974. The final episode ran on December 31, 1982. The show was broadcast nightly and ran for one hour, including commercials. Typically, a week consisted of three to four new episodes, with the remainder of the week filled out with reruns. There were a total of 1399 original episodes broadcast. The total number of broadcasts, including reruns, was 2969. The late E.G. Marshall hosted the program every year but the final one, when actress Tammy Grimes took over. Each episode began with the ominous sound of a creaking door, slowly opening to invite listeners in for the evening's adventure. At the end of each show, the door wou

CBS Radio Workshop - Broadcast from 1936 through to 1947 with just an occasional break. Revived again from January 1956 to September 1957 as CBS Radio Workshop with pretty much the same format.  Broadcast from 1936 through to 1947 with just an occasional break. Revived again from January 1956 to September 1957 as CBS Radio Workshop with pretty much the same format. This was drama with a difference. Columbia Workshop was not everybody’s cup of tea and in terms of audience popularity it was always noted that it was never a strong contender for the title “Radios Top Rated Drama Series” and yet it was always considered to be the drama program that led the way in radio standards. Columbia was the first to mexperiment with what radio drama was all about, introducing new techniques never before used in over the airwaves drama and because it received little encouragement from established writers, actors, etc., it was only by breaking new ground with new ideas and new techniques from writers who were not versed in the

The Casebook of Gregory Hood, starring Gale Gordon in the title role, took over where Sherlock Holmes had left off. Sponsored by Petri wine, it used the same "weekly visit" format and the same team of Anthony Boucher and Dennis Green that had written The New Adventured of Sherlock Holmes. Gregory Hood was modelled after true-life San Francisco importer Richard Gump, and many of the stories revolve around a mystery surrounding some particular imported treasure. Hood's sidekick Sanderson "Sandy" Taylor was played by Bill Johnstone. The show aired from June, 1946 through August, 1950. There were an additional couple of shows aired in October 1951. Hood and Sanderson were played in later episodes by Elliott Lewis and Howard McNear, respectively.

Crime Club was a Mutual Network  murder and mystery series, a product of the Doubleday Crime Book Club imprints found weekly in bookstores everywhere. The telephone rings"Hello, I hope I haven't kept you waiting. Yes, this is the Crime Club. I'm the Librarian. Murder Rents A Room? Yes, we have that Crime Club story for you.Come right over. (The organist in the shadowed corner of the Crime Club library shivers the ivories) The doorbell tones sullenly"And you are here. Good. Take the easy chair by the window. Comfortable? The book is on this shelf." (The organist hits the scary chord) "Let's look at it under the reading lamp." The Librarian, played by Raymond E. Johnson,  begins reading the tale. Veteran Willis Cooper (Lights Out, Quiet Please) did some of the scripts from the Crime Club books.THIS EPISODE:July 3, 1947. Mutual network. "Death At 7:10". Sustaining. Susan Ward Steel, a woman everybody hated is dies of atropine poisoning in the compartment of a mystery writer on a train. Her story is told through

The Black Museum - Opening in 1875, the Crime Museum at Scotland Yard is the oldest museum in the world purely for recording crime. The name Black Museum was coined in 1877 by a reporter from The Observer, a London newspaper, although the museum is still referred to as the Crime Museum. The idea of a crime museum was conceived by Inspector Neame who had already collected together a number of items, with the intention of giving police officers practical instruction on how to detect and prevent burglary. It is this museum that inspired the Black Musuem radio series. The museum is not open to members of the public but is now used as a lecture theatre for the curator to lecture police and like bodies in subjects such as Forensic Science, Pathology, Law and Investigative Techniques. A number of famous people have visited the musuem including Sir Arthur Conan Doyle, Harry Houdini, Stan Laurel and Oliver Hardy. Orsen Welles hosted and narrated the shows. Following the opening, Mr. Welles would introduce the museum's

Gunsmoke - The radio show first aired on April 26, 1952 and ran until June 18, 1961 on the CBS radio network. The series starred William Conrad as Marshal Matt Dillon, Howard McNear as Doc Charles Adams, Georgia Ellis as Kitty Russell, and Parley Baer as Deputy Chester Proudfoot. Doc's first name and Chester's last name were changed for the television program. Gunsmoke was notable for its critically acclaimed cast and writing, and is commonly regarded as one of the finest old time radio shows. Some listeners (such as old time radio expert John Dunning) have argued that the radio version of Gunsmoke was far more realistic than the television program. Episodes were aimed at adults, and featured some of the most explicit content of the day.TODAY'S SHOW: Double Feature -  "Gun Smuggler" (01-30-54) and "The Badge" (04-26-59)January 30, 1954. CBS network. "Gun Smuggler". Sustaining. The Pawnees have killed a family of homesteaders using guns smuggled to them by a white man. Marshal Dillon, Chester and an Indian sco

Duffy's Tavern, an American radio situation comedy (CBS, 1941-1942; NBC-Blue Network, 1942-1944; NBC, 1944-1952), often featured top-name stage and film guest stars but always hooked those around the misadventures, get-rich-quick-scheming, and romantic missteps of the title establishment's malaprop-prone, metaphor-mixing manager, Archie, played by the writer/actor who created the show, Ed Gardner.THIS EPISODE:February 23, 1949. NBC network origination, Nostalgia Broadcasting Corporation syndication. Commercials added locally. Slippery McGuire sells Archie a patent on electricity! Alan Reed appears as "Slippery McGuire." Ed Gardner, Eddie Green, Charlie Cantor, Alan Reed, Gloria Erlanger. 24:20.

Frank Merriwell, the much-loved fictional hero of Street and Smith's Tip Top Weekly, was first introduced to readers on April 18, 1896. Merriwell was the creation of writer Burt L. Standish (real name: Gilbert Patten), and embodied a new type of dime novel hero, one who relied as much upon mental as physical prowess. The Yale-educated Merriwell possessed "a body like Tarzan's and a head like Einstein's," wrote one admiring writer, and thus represented "the perfect union of brain and brawn." The show First ran on NBC radio from March 26 to June 22, 1934 as a 15-minute serial airing three times a week at 5:30pm. Sponsored by Dr. West's Toothpaste, this program starred Donald Briggs in the title role. Harlow Wilcox was the announcer. After a 12-year gap, the series returned October 5, 1946 as a 30-minute NBC Saturday morning show, continuing until June 4, 1949. Lawson Zerbe starred as Merriwell, Jean Gillespie and Elaine Rostas as Inza Burrage, Harold Studer as Bart Hodge and Patricia Hosley as Elsie Belwood. Th

The FORD THEATER, sponsored by the Ford Motor Company, presented hour long dramas first on NBC for one only season. The series moved to CBS for its second and last season. There were 39 NBC and 39 CBS hour- long shows (not verified). The show initially received an unfavorable review from the New York Times for poor script adaptation but was still highly rated for the actors' performance and overall production. The show was supposed to feature only original scripts but had to forgo that plan due to lack of quality material. The first season on NBC used radio actors under the direction of George Zachary. Martin Gabel announced the first show but was soon replaced by Kenneth Banghart. The second season, on CBS, used Hollywood screen actors in the lead roles, supported by radio actors. Fletcher Markle, who previously produced CBS's STUDIO ONE series, was the producer for the second season. Although a short series, it still has some of radio's best dramas. THIS EPISODE:June 20, 1948. NBC network. "The Late Christo

It's A Crime Mr. Collins. 1956. Mutual net origination, syndicated. "The Case Of The Pink Elephant". Commercials added locally. A racketeer just out of jail threatens the crusading newspaperman who "sent him up the river." But then, the racketeer is shot in, "The Pink Elephant" (that must have hurt). The date is approximate. Mandel Kramer, Gail Collins, Richard Denning. 25:32.

The Lineup is a realistic police drama that gives radio audiences a look behind the scenes at police headquarters. Bill Johnstone plays Lt. Ben Guthrie, a quiet, calm-as-a-cupcake cucumber. Joseph Kearns (and from 1951 to 1953, Matt Maher) plays Sgt. Matt Grebb, a hot-tempered hot plate who is easily bored. The director and script writer often rode with police on the job and sat in on the police lineups to get ideas for The Lineup. They also read dozens of newspapers daily and intermeshed real stories with those that they used in the show. With Dragnet a smash hit, realism in police dramas was popular at the time this show aired. Don’t be caught without this radio show in your collection!THIS EPISODE:July 20, 1950. CBS network. Sustaining. Eddie Gaynor has been framed for the murder of Johnny Taranto, and Eddie's no choir boy either! After Eddie is sprung on a writ, his body is found the next morning. Elliott Lewis (producer, director), Morton Fine (writer), David Friedkin (writer), William Johnstone, Wally M