Boxcars711 Old Time Radio

Broadway Is My Beat, a radio crime drama, ran on CBS from February 27, 1949 to August 1, 1954. With music by Robert Stringer, the show originated from New York during its first three months on the air, with Anthony Ross portraying Times Square Detective Danny Clover. John Dietz directed for producer Lester Gottlieb. Beginning with the July 7, 1949 episode, the series was broadcast from Hollywood with producer Elliott Lewis directing a new cast in scripts by Morton Fine and David Friedkin. The opening theme of "I'll Take Manhattan" introduced Detective Danny Clover (now played by Larry Thor), a hardened New York City cop who worked homicide "from Times Square to Columbus Circle -- the gaudiest, the most violent, the lonesomest mile in the world." THIS EPISODE: March 3, 1950. CBS network origination, AFRTS rebroadcast. A tough guy just out of prison named Joe Quito is knifed in the subway, just after talking to Danny. This program is possibly dated June 5, 1949 or January 27, 1950. Larry Thor, Morton Fine (wr

Inner Sanctum Mysteries was a popular old-time radio program that aired from January 7, 1941 to October 5, 1952. Created by Himan Brown, the anthology series featured stories of mystery, terror and suspense. The tongue-in-cheek introductions were in sharp contrast to shows like Suspense and The Whistler. A total of 526 episodes are known to have been produced. The early 1940s programs opened with Raymond Edward Johnson introducing himself as, "Your host, Raymond," in a mocking sardonic voice. A spooky melodramatic organ score punctuated Raymond's many morbid jokes and playful puns. Raymond's closing was an elongated "Pleasant dreaaaaammmmssss!" Beginning in 1945, Lipton Tea sponsored the series, pairing first Raymond and then McGrath with its cheery commercial spokeswoman, Mary Bennett, whose pitches for Lipton contrasted sharply with the subject matter of the stories, and who would primly chide the host for his dark humor and creepy manner. TODAY'S SHOW: January 24, 1949. CBS net origination, AFRS rebroadc

Dark Venture - Have you ever wondered what it might be like inside the mind of a criminal? The stories of Dark Venture try to imagine. In this thrilling drama series, you will be drawn in to the murky calculations behind sinister acts. How much money would make stealing worthwhile? If your business partner caught you stealing $50,000 from your company, would he turn you in to the authorities? Would you let yourself be blackmailed? Or, would you let yourself commit another, more serious crime? On the verge of breaking the law, or taking a life, all risks and dangers must be considered. THIS EPISODE: May 20, 1946. ABC network origination, AFRS rebroadcast. "Turnabout". When a man is caught by his partner after stealing $50,000 from the company, murder seems the only way out. Howard Duff is heard in three different minor roles. AFRS program name: "Mystery Playhouse." The system cue has been deleted. The date is approximate. Howard Duff, Elliott Lewis. 24:30.

The Boston Blackie radio series, also starring Morris, began June 23, 1944, on NBC as a summer replacement for The Amos 'n' Andy Show. Sponsored by Rinso, the series continued until September 15 of that year. Unlike the concurrent films, Blackie had a steady romantic interest in the radio show: Lesley Woods appeared as Blackie's girlfriend Mary Wesley. Harlow Wilcox was the show's announcer. On April 11, 1945, Richard Kollmar took over the title role in a radio series syndicated by Frederic W. Ziv to Mutual and other network outlets. Over 200 episodes of this series were produced between 1944 and October 25, 1950. Other sponsors included Lifebuoy Soap, Champagne Velvet beer, and R&H beer. While investigating mysteries, Blackie invaribly encountered harebrained Police Inspector Farraday (Maurice Tarplin) and always solved the mystery to Farraday's amazement. Initially, friction surfaced in the relationship between Blackie and Farraday, but as the series continued, Farraday recognized Blackie's talents and

The Haunting Hour - The shows are classic chills from the old school, with creepy organ, overwrought women and over the top men. Perhaps not the highest of melodrama, but obsessively workmanlike. After all, they might have known they were a skeleton staff toiling relentlessly without a ghost of a chance of fame. Thanks to transcription, these unknowns are still with us. John Dunning, succinctly states in "On the Air, The Encyclopedia of Old Time Radio," "There were no credits, so casts and production crews are unknown." TODAY'S SHOW 1848 Program #3. NBC syndication. "The Hands Of Mr. Smith". Commercials added locally. A fine story with an unexpected ending about Tiny, a big guy whose hands have a mind of their own! The date is approximate . 28:10. 1948. Program #33. NBC syndication. "The Mystery Of The Southern Star". Commercials added locally. A missing diamond aboard ship, and a dead body in a trunk. 27:42.

The Adventures Of The Falcon - This hard boiled spy drama began as an RKO Radio Pictures theatrical serial in the 1940s, went on radio in 1945, and then came to TV ten years later in this Syndicated series produced for distribution by NBC Films; Charles McGraw had been in many motion pictures before and after including "The Killers", "Spartacus" and "Cimarron"; in this series he played the title role of a man whose real name was supposedly Mike Waring, an American agent whose code name was "Falcon"; Later Charles McGraw starred in a short lived TV version of "Casablanca" (1955 - 1956) in the character of Rick; He also had a role on the detective drama "Staccato" (1959) Actor McGraw (whose birth name was Charles Butters) met an unfortunate death in real life when he fell through a shower glass door in 1980 at his home in Studio City, CA. TODAY'S SHOW: November 5, 1950. NBC network. "The Case Of The Rich Racketeer". Sponsored by: Kraft. A gangster double crosses his lawyer and slaps his wife, right after bein

The Whistler was one of radio's most popular mystery dramas, with a 13-year run from May 16, 1942 until September 22, 1955. If it now seems to have been influenced explicitly by The Shadow, The Whistler was no less popular or credible with its listeners, the writing was first class for its genre, and it added a slightly macabre element of humor that sometimes went missing in The Shadow's longer-lived crime stories. Writer-producer J. Donald Wilson established the tone of the show during its first two years, and he was followed in 1944 by producer-director George Allen. Other directors included Sterling Tracy and Sherman Marks with final scripts by Joel Malone and Harold Swanton. A total of 692 episodes were produced, yet despite the series' fame, over 200 episodes are lost today. In 1946, a local Chicago version of The Whistler with local actors aired Sundays on WBBM, sponsored by Meister Brau beer. THIS EPISODE: November 29, 1953. CBS network origination, United States Air Forces In Europe rebroadcast. "La

Inheritance - A Dramatized look into American History. NBC Networt in cooperation with the AMERICAN LEGION Sundays 4:30 - 5:00 pm PRUDUCER/DIRECTOR: Albert McCleary ANNOUNCER: John Wald MUSIC: Robert Armbruster. THIS EPISODE: Inheritance. July 11, 1954. Program #14. NBC network. "America's Greatest Bargain". Sustaining. Not auditioned. 4:30 P. M. The program is produced in co-operation with The American Legion. There is no after-drama speaker. Albert McCleary (producer, director), John Wald (announcer), Robert Armbruster (composer, conductor), Milt Kahn (writer), Whitfield Connor, Dennis Patrick, Clarence Straight, Gil Harmon, Ann Seaton, Tyler McVey, Jay Barney, Ben Wright, Donald Lawton. 29:32.

The Campbell Playhouse was a sponsored continuation of the Mercury Theater on the Air, a direct result of the instant publicity from the War of the Worlds panic. The switch occurred on December 9, 1938. In spite of using the same creative staff, the show had a different flavor under sponsorship, partially attributed to a guest star policy in place, which relegated the rest of the Mercury Players to supporting cast for Orson Welles and the Hollywood guest of the week. There was a growing schism between Welles, still reaping the rewards of his Halloween night notoriety, and his collaborator John Houseman, still in the producer's chair but feeling more like an employee than a partner. The writer, as during the unsponsored run, was Howard Koch. THIS EPISODE: May 19, 1939. CBS network. "The Bad Man". Sponsored by: Campbell's Soup. Comedy-Adventure about a Mexican Bandito and the mixed bag of Americans who cross his path. Bernard Herrmann (composer, conductor), Diana Stevens, Edwin Jerome, Ernest Chappell (announ

Crime Does Not Pay was an anthology radio crime drama series based on MGM's short film series. The films began in 1935 with Crime Does Not Pay: Buried Loot. For the most part, actors who appeared in B-films were featured, but occasionally, one of MGM's major stars would make an appearance. The radio series aired in New York on WMGM (October 10, 1949-October 10, 1951) and then moved to the Mutual network (January 7-December 22, 1952). Actors included Bela Lugosi, Everett Sloane, Ed Begley, John Loder and Lionel Stander. THIS EPISODE: February 20, 1950. Program #20. MGM syndication. "Death On The Doorstep". Commercials added locally. An out-of-town hit-man does his job with a smile on his face and a silencer on his rifle. John Beal, Jon Gart (composer, conductor), Marx B. Loeb (director), Burton B. Turkas (technical advisor), Bob Williams (announcer), Ira Marion (writer). 27:34.

The Hall Of Fantasy - This thirty-minute suspense series was written and produced by Richard Thorne who also played many of the roles. There were at least 35 episodes broadcast, telling tales of the supernatural and the dark forces of the unknown. There were often terrifying tales of vampires, killer fog, the walking dead and anything and everything that your imagination could stretch to. THIS EPISOPE: January 26, 1953. Mutual network, WGN, Chicago origination. "The Black Figurine Of Death". Sustaining. Uncle Amos and his little statuette have fun from beyond the grave. One of the announcements has possibly been deleted. . 25 minutes.

The Creaking Door was an old-time radio series of horror and suspense shows originating in South Africa. There are at present anywhere from 34-37 extant episodes in MP3 circulation, yet no currently available program logs for the series indicate the year of the series' broadcast (though it was likely sometime in the 1950s, given the generally high audio quality of the available shows), or the total number of episodes, and only a handful of them are known by their broadcast order. The stories are thrillers in the Inner Sanctum vein, and generally thought of favorably by most fans of OTR.

Cruise Of The Poll Parrot - In 1922, businessman Paul Parrot sold his shoe business "Poll Parrot Shoes" to the International Shoe Company, which was already selling Red Goose and Weatherbird shoes. The shoes were designed for children and so sponsoring a children's radio show seemed like a good idea. In 1937, they launched a syndicated children's serial named "Cruise of the Poll Parrot". The show was sold in thirteen segment blocks, and three complete blocks exist today. The shows exponentially boosted shoe sales, helping International compete against the leader in children's shoes: Buster Brown.The main character for the show was a 24 year old man from St. Louis, Missouri, named Marvin Miller. This was some of his first radio work. He was the voice for the main character, Captain Roy Dalton, the Master of the ship Poll Parrot, and also the voice of the parrot that was the pet of the Captain. Marvin Miller went on to work on hundreds of other radio shows, mostly as an announcer. He acted in a number of films,

General Mills Radio Adventure Theater - The series had it origins in the meeting of two minds: the ad agency for General Mills at the time, Dancer-Fitzgerald-Sample was looking for a different means to reach a child audience besides television, which was decreasing commercial minutes and increasing costs; and Himan Brown, producer-director of the CBS Radio Mystery Theater, who wanted to introduce new audiences to the dramatic form on radio. Tom Bosley was chosen as the host because of his television recognition from a kid’s oriented series, Happy Days. CBS chose to produce 52 original broadcasts followed by 52 repeat broadcasts. I believe they had hoped to maintain General Mills sponsorship during the complete 104 episodes, but General Mills dropped their sponsorship after the original broadcasts. The series continued for the next 52 repeats as the CBS Radio Adventure Theater. THIS EPISODE: Twenty Thousand Leagues Under the Sea(s) (French: Vingt mille lieues sous les mers) is a classic science fiction novel

The CBS Radio Mystery Theater (or CBSRMT) was an ambitious and sustained attempt to revive the great drama of old-time radio in the 1970s. Created by Himan Brown (who had by then become a radio legend due to his work on Inner Sanctum Mysteries and other shows dating back to the 1930s), and aired on affiliate stations across the CBS Radio network, the series began its long run on January 6, 1974. The final episode ran on December 31, 1982. The show was broadcast nightly and ran for one hour, including commercials. Typically, a week consisted of three to four new episodes, with the remainder of the week filled out with reruns. There were a total of 1399 original episodes broadcast. The total number of broadcasts, including reruns, was 2969. The late E.G. Marshall hosted the program every year but the final one, when actress Tammy Grimes took over. Each episode began with the ominous sound of a creaking door, slowly opening to invite listeners in for the evening's adventure. At the end of each show, the door wou

The Lineup is a realistic police drama that gives radio audiences a look behind the scenes at police headquarters. Bill Johnstone plays Lt. Ben Guthrie, a quiet, calm-as-a-cupcake cucumber. Joseph Kearns (and from 1951 to 1953, Matt Maher) plays Sgt. Matt Grebb, a hot-tempered hot plate who is easily bored. The director and script writer often rode with police on the job and sat in on the police lineups to get ideas for The Lineup. They also read dozens of newspapers daily and intermeshed real stories with those that they used in the show. With Dragnet a smash hit, realism in police dramas was popular at the time this show aired. Don’t be caught without this radio show in your collection! THIS EPISODE: September 23, 1950. CBS network. Sustaining. A gas station robbery results in the attendent's death. The search for the killer is on. Jaime del Valle (producer, director), Eddie Dunstedter (music), William Johnstone, Jack Moyles, Sidney Marshall (writer), Parley Baer, Howard McNear, Bob Sweeney, Hy Averback,

The Halls of Ivy was an NBC radio sitcom that ran from 1950-1952. It was created by Fibber McGee & Molly co-creator/writer Don Quinn before being adapted into a CBS television comedy (1954-55) produced by ITC Entertainment and Television Programs of America. Quinn developed the show after he had decided to leave Fibber McGee & Molly. The audition program featured radio veteran Gale Gordon (then co-starring in Our Miss Brooks) and Edna Best in the roles that ultimately went to British husband-and-wife actors Ronald Colman and Benita Hume. The Colmans had shown a flair for radio comedy in recurring roles on The Jack Benny Program in the late 1940s, and they landed the title roles in the new show. The Halls of Ivy featured Colman as William Todhunter Hall, the president of small, Midwestern Ivy College, and his wife, Victoria, a former British musical comedy star who sometimes felt the tug of her former profession, and followed their interactions with students, friends and college trustees. Others in the

The Fat Man"There he goes across the street into the drugstore, steps on the scale, height: 6 feet, weight: 290 pounds, fortune: Danger. Who isit? THE FAT MAN." Brad Runyon was the Fat Man, played by Jack Scott Smart. The series was created by Dashall Hammott and was first heard on the ABC network Jan. 21, 1946. J. Scott Smart fit the part of the Fat Man perfectly, weighing in at 270 pounds himself. When he spoke, there was no doubt that this was the voice of a big guy. Smart gave a witty, tongue-in-cheek performance and helped make THE FAT MAN one of the most popular detective programs on the air. Smart also appeared in The March Of Time (early 1930s), the Theater Guild On The Air, Blondie, The Fred Allen Show, and The Jack Benny Program. There was also an version made in Australia, syndicated on the Artansa lable, about 1954. There are at least 36 shows available from vendors. The Australian Fat Man was played possibly by Lloyd Berrell. Although not featuring J. Scott Smart, who really fit the part,

Dangerous Assignment - This thirty-minute international spy adventure featured Steve Mitchell (Brian Donlevy), and investigator of crimes in exotic locations. 60 episodes. Herb Butterfield played the Commissioner and Betty Moran was the Commissioner's secretary. Other cast members were GeGe Pearson, Ken Peters, Betty Lou Gerson, Dan O’Herlihy. The director was Bill Cairn and the writer for the series was Robert Ryf. The opening was the same every week “Yeah, danger is my assignment. I get sent to a lot of places I can’t even pronounce. They all spell the same thing though, trouble.” He would be summoned to his boss’s office where he would be given his assignment; he would then fly halfway across the globe to save the day! The worldwide locations are dealt up with a feeling of local, and the characters that inhabit these far-away places with strange sounding names are solid and capably acted by veterans. Music is an almost harsh orchestra. Donlevy carries the plots with a world-weary and wary tone that makes s

BEYOND TOMORROW was to be CBS's science fiction series. Three shows and one audition were transcribed to disk, but it's not certain if they were actually broadcast, despite announcements in newspapers. In the audition, the series title was BEYOND THIS WORLD and the audition show was "The Outer Limit". The first show under the series name BEYOND TOMORROW was "Requiem", a story by Robert Heinlein, which was later be done in DIMENSION X. THIS EPISODE: April 11, 1950. CBS network. "Incident At Switchpath". Sustaining. A fine story about two strange machines found buried deep in a cave. Theodore Sturgeon (author), Bret Morrison, Michael O'Day, William N. Robson (producer), Mitchell Grayson (director), Henry Sylvern (music), John Campbell Jr. (host). 1/2 hour.