Slow Burn: A Podcast About Watergate

In a new miniseries inspired by Charles Duhigg’s bestseller, the former host of Slate’s How To! podcast sits down with psychologists, social scientists, and even a Hollywood writer to explore how to ask the right questions, communicate without words, and find meaningful connections in our lives. Learn more about your ad choices. Visit megaphone.fm/adchoices

You may never have thought very hard about scratch-off tickets, but that’s part of their power. They’re a form of gambling that’s simply a pedestrian part of American life. But not so long ago, they were risky and innovative, the killer app of their time and the must-play game of the state lottery. In this episode, Ian Coss, host of the new podcast series Scratch & Win, is going to walk us through the history of the scratch-off ticket: its invention, its popularization, and its connection to the explosion in gambling that’s now all around us.  This episode of Decoder Ring was produced by Katie Shepherd. Decoder Ring is also produced by Willa Paskin, Evan Chung and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. Scratch & Win is a production of GBH News. It is produced by Isabel Hibbard and Ian Coss and edited by Lacy Roberts. Its editorial supervisor is Jenifer McKim with support from Ryan Alderman. Mei Lei is the project manager, and the Executive Producer is Devin

When we recently got a couple of listener emails asking about the swing revival of the late 1990s, host Willa Paskin’s first, knee jerk reaction was just: no. She lived through it, and remembers it as being so incredibly corny and uncool. Insofar as the swing revival persists in the cultural memory, it’s usually as a punchline or as head-scratcher, a particularly odd-seeming fad.  But then we started talking to everyone who was anyone in the swing scene, from Big Bad Voodoo Daddy to the dancers in the infamous Gap khakis commercial. It turns out the 90’s swing revival is more involved, more interesting and, OK, maybe cooler than we ever imagined. It’s about an underground scene that went above ground in a major way, and how that level of success can obscure what’s happening while it’s happening—but also long after it’s over.  This episode was written and produced by Willa Paskin, Evan Chung, and Sofie Kodner with mix help from Max Freedman. Decoder Ring is produced by Willa Paskin, Evan Chung, Max Freedman

The storage container is a stealthy star of the modern home. It’s something we use to organize more of our stuff than ever before, and also something other people use to organize their stuff for our viewing pleasure. Its role as a source of soothing, satisfying, potentially viral clicks is new, but storage container innovations are not – something we had occasion to remember when Tupperware, the company, recently filed for bankruptcy. Tupperware was the original container craze. In today’s episode we’re going to connect it to the contemporary one, because as it happens, for a long time now, we’ve been filling empty plastic boxes with far more than just leftovers.   This episode was reported and produced by Olivia Briley. It was edited by Willa Paskin. Decoder Ring is produced by Willa Paskin, Evan Chung, Katie Shepherd and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. In this episode, you’ll hear from Amanda Mull who wrote the articles “Tupperware Is in Trouble” a

People often say that money can't buy you happiness. Sometimes, if you ask them to tell you more about it, they'll mention a famous 2010 study by Nobel Prize winners Daniel Kahneman and Angus Deaton. That study found that higher household income correlates with greater emotional well-being, but only up to around $75,000 a year. After that, more money didn't seem to matter. This was a famous study by two famous academics. The result stood for over a decade. And it feels good, right? Maybe the rich aren't so much happier than anyone else. But researchers have recently done a complete 180 on this idea. In 2021, psychologist Matt Killingsworth found nearly the opposite: That more money does correlate with more happiness. And that the relationship continues well beyond $75,000 per year. Today on the show: Does more money mean fewer problems? Two researchers with totally different takes come together to hammer out a better understanding of the relationship between money and happiness. This episode was hosted by Sal

It’s our annual mailbag episode! We get a lot of wonderful reader emails suggesting topics for the show — and at the end of the year we try to answer some of them. This year, we’re tackling four fascinating questions. Why do grocery stores keep live lobsters in tanks, unlike any other animal? How did candy get rebranded as “fruit snacks” when fruit is already a snack? Whatever happened to perfumed ads in magazines? And what was the waterbed all about? We’ll get an answer from the waterbed’s inventor who still has four of them. You’ll hear from Ray Shalhoub of Joray Fruit Rolls, consumer lawyer Steve Gardner, Jessica Murphy, aka the “Perfume Professor,” inventor Charlie Hall, restaurant historian Jan Whitaker, and the CEO of Crustacean Compassion, Dr. Ben Sturgeon. This episode was produced by Max Freedman and Sofie Kodner. Decoder Ring is also produced by Willa Paskin, Evan Chung, and Katie Shepherd. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. If you have any cultural mysteri

While the Slow Burn team is hard at work on our next season, we are excited to share the first episode of the second season from our friends at SNAFU with Ed Helms: MEDBURG. In March 1971, Washington Post reporter Betty Medsger receives a mysterious envelope full of classified documents. Soon, what's inside will change the way America sees the FBI. Learn more about your ad choices. Visit megaphone.fm/adchoices

The mullet, the love-to-hate-it hairstyle, is as associated with the 1980’s as Ronald Reagan, junk bonds, and breakdancing. But in at least one major way, we are suffering from a collective case of false memory syndrome. In this episode we track the rise and fall of the mullet, and also the lexical quandary at its heart: Who named the mullet? We learn how David Bowie, hockey players, the Oxford English Dictionary, the Beastie Boys, a mysterious Reddit user named Topsmate, and a group called Annoy Club all played a part in the strange history of the mullet. Some of the voices you’ll hear in this episode include proud mullet-wearer Lauren Wright, amateur mullet-sleuth Oskar Sigvardsson, writer, market researcher, and 1980’s hockey teenager John Warner, head of product for Oxford Languages Katherine Connor Martin, and novelist and Grand Royal contributor Warren Fahy. This episode was produced by Willa Paskin and Benjamin Frisch. If you have any cultural mysteries you want us to decode, email us at DecoderRing@sl

In 1980, a variety show debuted on NBC called Pink Lady and Jeff. Its stars were a pair of Japanese pop idols known for catchy, choreographed dance numbers. Pink Lady was inescapable in Japan: selling millions of records, appearing on TV daily, and filling arenas. But their American TV show left audiences completely bewildered. Pink Lady and Jeff acquired legendary status as one of television’s most notorious bombs, a show that managed to kill off the entire variety show genre. Or at least—that’s how it’s been seen in America. But for the two women of Pink Lady, the show was something else. In this episode, Decoder Ring’s Evan Chung puts this so-called “megaflop” in the spotlight to find out what really went wrong. You’ll hear from Mie and Keiko Masuda of Pink Lady, their co-host Jeff Altman, head writer Mark Evanier, and legendary TV producer Sid Krofft of H.R. Pufnstuf fame. This episode was written and produced by Evan Chung. It was edited by Willa Paskin. Our translator was Eric Margolis. Decoder Ring is

The fear that the Earth could be destroyed by a killer asteroid is an anxiety that pops up all the time in fiction and is grounded in fact. But funnily enough—actually being pancaked by a giant space rock? Not something you need to spend a whole lot of time worrying about! And that’s because a bunch of NASA scientists and engineers are already worried about it for us. In this episode, science journalist Dr. Robin George Andrews tells us the story of NASA’s first-ever mission to defend the planet, which is the subject of his new book, How to Kill an Asteroid. This episode was written and produced by Sofie Kodner. It was edited by Willa Paskin and Evan Chung. Decoder Ring is produced by Willa Paskin, Evan Chung, Max Freedman and Katie Shepherd, with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive b

There is a prominent bird in the 2000 film Charlie’s Angels that makes absolutely no sense. This so-called Pygmy Nuthatch doesn’t look or sound like it should, or live where the characters say it does. The bird is so elaborately wrong that it has haunted the birding community, including Slate’s very own Forrest Wickman, for almost a quarter of a century. In this episode, Forrest embarks on a wild goose chase: Why can’t hundreds of filmmaking professionals with a $100 million budget accurately portray a single bird? This episode was reported and written by Forrest Wickman. It was edited by Willa Paskin. It was produced by Max Freedman. Decoder Ring is produced by Willa Paskin, Evan Chung, Katie Shepherd, and Max Freedman with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. In this episode, you’ll hear from Charlie’s Angels screenwriters John August and Zak Penn, director McG, animal trainer Guin Dill, and sound editor Michael Benavente; and bird experts Nic

Whatever happened to selling out? The defining concern of Generation X has become a relic from another era. How that happened is best illustrated by one of the idea’s last gasps, when in 2001, Oprah Winfrey invited author Jonathan Franzen to come on her show to discuss his new novel The Corrections. A month later, she withdrew the invitation, kicking off a media firestorm. The Oprah-Franzen Book Club Dust-Up of 2001 was a moment when two ways of thinking about selling out smashed into each other, and one of them—the one that was on its way out already—crashed and burned in public, seldom to be seen again. Some of the voices you’ll hear in this episode include screenwriter Helen Childress; writer and musician Franz Nicolay; New York Times critic Wesley Morris, Oprah producer Alice McGee; Boris Kachka, author of Hothouse: The Art of Survival and the Survival of Art at America’s Most Celebrated Publishing House, Farrar, Straus, and Giroux; Bethany Klein, author of Selling Out: Culture, Commerce and Popular Music

(While we work on the next season of Slow Burn we're showcasing new episodes from Slate's narrative podcast Decoder Ring.) Oscar-winner Warren Beatty first secured the rights to the comic book character Dick Tracy in the lead up to his 1990 movie adaptation. Decades later, Beatty kept playing Tracy in bizarre late-night specials airing on cable TV, that confounded nearly everyone. Why is one of the most famous movie stars of the 20th century, spending the twilight of his career playing a comic strip detective of dwindling renown? In this episode, we investigate: What’s going on between Warren Beatty and Dick Tracy? This episode was written by Willa Paskin. It was edited by Lacy Roberts and Evan Chung. It was produced by Sofie Kodner. Decoder Ring is produced by Willa Paskin, Evan Chung, Katie Shepherd and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. In this episode, you’ll hear from author and artist Ryan Estrada, journalist Kim Masters, comic book store owner Ma

The 2004 presidential race would be the first fully Fox News election—a contest that was framed by Fox, and fought on its terms. But the fight over Fox News was about more than just partisan politics. It also launched covert ops against reporters and let loose a secret army of online trolls. And when a Fox producer made serious allegations against Bill O’Reilly, the network showed just how far it would go to defend its biggest star—no matter the cost. To read our full reporting on the most recent legal actions between Bill O'Reilly and Andrea Mackris, and learn more about how a non-disclosure agreement from two decades ago has kept Mackris silent, go to slate.com/foxnda. Want more from Slow Burn? Join Slate Plus to unlock full access to all seasons, including members-only bonus episodes from The Rise of Fox News. You'll also enjoy ad-free listening to all of your favorite Slate podcasts. Subscribe now by clicking "Try Free" at the top of the Slow Burn show page on Apple Podcasts. Or, visit slate.com/slowburnp

As Fox News gathered strength, progressive activists turned to comedian Al Franken and fledgling online communities to punch back. But could the left put up a real fight without a Fox News of its own? And what did Fox’s critics miss when they focused only on its politics? Want more from Slow Burn? Join Slate Plus to unlock full access to all seasons, including members-only bonus episodes from The Rise of Fox News. You'll also enjoy ad-free listening to all of your favorite Slate podcasts. Subscribe now by clicking "Try Free" at the top of the Slow Burn show page on Apple Podcasts. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 10 of Slow Burn was written and reported by Josh Levin. It was executive produced by Lizzie Jacobs. Slow Burn is produced by Sophie Summergrad, Joel Meyer, and Rosie Belson with help from Patrick Fort, Jacob Fenston, and Julia Russo.  Derek John is Slate’s executive producer of narrative podcasts. This season was edited by Susan Matthews and Hillary Frey. Mer

After 9/11, the Fox News Channel rallied a huge portion of the country around the Bush administration’s vision of the world. But as the U.S. marched to war in the Middle East, journalists, liberal watchdogs, and comedians began pushing back. Could The Daily Show, Fox News’ own liberal pundits, or an employee-turned-whistleblower take Fox down a peg? Want more from Slow Burn? Join Slate Plus to unlock full access to all seasons, including members-only bonus episodes from The Rise of Fox News. You'll also enjoy ad-free listening to all of your favorite Slate podcasts. Subscribe now by clicking "Try Free" at the top of the Slow Burn show page on Apple Podcasts. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 10 of Slow Burn was written and reported by Josh Levin. It was executive produced by Lizzie Jacobs. Slow Burn is produced by Sophie Summergrad, Joel Meyer, and Rosie Belson with help from Patrick Fort, Jacob Fenston, and Julia Russo.  Derek John is Slate’s executive producer of nar

For a decade and a half, CNN was peerless and ambitious, and it understood its place in the world. At least, it thought it did—until Fox News burst onto television screens. Could CNN save itself by becoming conservative or by going tabloid? And how would CNN and Fox respond when September 11 made the news more important than ever? Want more from Slow Burn? Join Slate Plus to unlock full access to all seasons, including members-only bonus episodes from The Rise of Fox News. You'll also enjoy ad-free listening to all of your favorite Slate podcasts. Subscribe now by clicking "Try Free" at the top of the Slow Burn show page on Apple Podcasts. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 10 of Slow Burn was written and reported by Josh Levin. It was executive produced by Lizzie Jacobs. Slow Burn is produced by Sophie Summergrad, Joel Meyer, and Rosie Belson with help from Patrick Fort, Jacob Fenston, and Julia Russo.  Derek John is Slate’s executive producer of narrative podcasts. Th

Before he ran Fox News, Roger Ailes launched a very different kind of channel. America’s Talking was his vision of the future of television: a strange, slapdash, mostly apolitical cable network. When that dream got snatched away from him, Ailes went on a revenge mission—and made a connection with Rupert Murdoch. Want more from Slow Burn? Join Slate Plus to unlock full access to all seasons, including members-only bonus episodes from The Rise of Fox News. You'll also enjoy ad-free listening to all of your favorite Slate podcasts. Subscribe now by clicking "Try Free" at the top of the Slow Burn show page on Apple Podcasts. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 10 of Slow Burn was written and reported by Josh Levin. It was executive produced by Lizzie Jacobs. Slow Burn is produced by Sophie Summergrad, Joel Meyer, and Rosie Belson with help from Patrick Fort, Jacob Fenston, and Julia Russo.  Derek John is Slate’s executive producer of narrative podcasts. This season was edite

When the Fox News Channel launched in 1996, critics called it disorganized, incompetent, and laughably inept. But it wouldn’t be a joke for long. During the 2000 election, Fox News would captivate the nation – and just maybe change the fate of American democracy. Want more from Slow Burn? Join Slate Plus to unlock full access to all seasons, including members-only bonus episodes from The Rise of Fox News. You'll also enjoy ad-free listening to all of your favorite Slate podcasts. Subscribe now by clicking "Try Free" at the top of the Slow Burn show page on Apple Podcasts. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 10 of Slow Burn was written and reported by Josh Levin. It was executive produced by Lizzie Jacobs. Slow Burn is produced by Sophie Summergrad, Joel Meyer, and Rosie Belson with help from Patrick Fort, Jacob Fenston, and Julia Russo.  Derek John is Slate’s executive producer of narrative podcasts. This season was edited by Susan Matthews and Hillary Frey. Merritt

Adults have a long history of trying to find morals and lessons in children’s literature. But what happens when a seemingly innocent book about a boy and a hungry mouse becomes fodder for the culture wars? Over the last decade, Laura Joffe Numeroff’s If You Give a Mouse a Cookie has been adopted by some on the right as a cautionary tale about government welfare. In this episode, we explore the origins of If You Give a Mouse a Cookie, the history of adults extracting unintended meaning from children’s books, and try to figure out how this particular kid’s book became a Republican battle cry. This episode was written by Cheyna Roth. It was edited by Katie Shepherd and Evan Chung. It was produced by Sofie Kodner. Decoder Ring is produced by Willa Paskin, Evan Chung, Katie Shepherd and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. In this episode, you’ll hear from author Laura Numeroff, book critic Bruce Handy, economist Rebecca Christie and former journalist Max Ehre