New Books In Literature

Nathan Jordan Poole speaks to managing editor Emily Everett about his story “Idlewild,” which appears in The Common’s new spring issue. In this conversation, Nathan talks about doing seasonal work at Christmas tree farms, the workers from all walks of life he met there, and how those experiences and those people helped to inspire this story. He also discusses his writing and revision process, his story collections and future projects, and why he chooses to write unromantically about rural life. Nathan Jordan Poole is the author of two books of fiction: Father Brother Keeper, a collection of stories selected by Edith Pearlman for the Mary McCarthy Prize, and Pathkiller as the Holy Ghost, selected by Benjamin Percy as the winner of the Quarterly West Novella Contest. He is a recipient of the Narrative Prize, a Milton Fellowship at Seattle Pacific University, a Joan Beebe Fellowship at Warren Wilson College, a Tennessee Williams Scholarship at Sewanee School of Letters, and a North Carolina Artist Fellowship. He

Lea Roback was a feminist and labor activist who was raised in a large Jewish family in Quebec, Canada. In the novel Lea (Linda Leith Publishing, 2022), Ariela Freedman describes a strong, vibrant woman whose life spanned the 20th century. Lea Roback spoke four languages, and wherever she was in the world, she fought for workers’ rights, votes for women, access to contraception and abortion, pay equity, social housing and free education. She was often in the center of world history—in Berlin during the rise of Nazism and Moscow during Stalin’s reign of terror. She was intelligent, passionate about equality, and ultimately worked in factories as a union organizer. The real Lea is remembered by the work of the Lea Roback Foundation, which offers scholarships to women, the Lea Roback Research Centre, which focuses on inequality and public health; and the Maison Parent-Roback, which links community organizations that advance women's rights and social justice causes. Ariela Freedman was born in Brooklyn and has li

An interview with novelist Grant Ginder. In his latest dramady of familial disfunction, Let’s Not Do That Again (Henry Holt, 2022), Grant starts with political intrigue that bridges New York and Paris, mixes it with a wealthy and connected family in freefall, and ties it together with a transnational criminal coverup. The result is one of the most engrossing novels of the year. Grant’s work reminds us why the novel form can be both beautiful and ribald, literary and popular. I had such a wonderful time talking to Grant about how families inevitably disappoint, and how great writers can show how they manage to love each other despite themselves. Grant Recommends: Emma Straub, This Time Tomorrow Rumaan Alam, Leave the World Behind Jennifer Close, Marrying the Ketchups Antoine Wilson, Mouth to Mouth  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under c

In this episode, co-translators Suhyun J. Ahn and Archana Madhavan discuss their Korean-to-English translation of Glory Hole by Kim Hyun (Seagull Books, 2022). Released as part of The Pride List from The University of Chicago Press, Glory Hole is a fantastical collection of queer poems that are uncomfortable, bodily, fluid-filled, and delightfully puzzling to read. Across fifty-one bewildering poems, Kim both engages and confuses readers with puns, distorted retellings of American popular culture, dystopian landscapes, robots, and more, all to a relentlessly queer backdrop of longing and sexual desire. Tune in to hear Suhyun and Archana read some of their favorite translations from this collection, talk about their own journeys to translation and translating Glory Hole, and share the challenges and joys of bringing this work into the English language: the Korean wordplay that they reimagine in English; their collaborative process of making sense of these poems in both Korean and English; some favorite (and mo

Set against the backdrop of coal-rich, hard-scrabble West Virginia and "civilized," segregated Virginia, W. Jeff Barnes' Mingo (Little Star, 2021) reveals the deep divide between corporate might and those seeking a fair wage for an honest day's work. The novel plumbs the depths of brotherly love, betrayal, and the power of reconciliation amidst the deadly struggle to unionize America's coalfields. The Matney brothers are tragically fated to divergent paths: fourteen-year-old Bascom to the coal mines with his father, and younger Durwood to the care of distant family in far-off Richmond. Shaped by circumstances and time, the brothers form deeply held, conflicting beliefs about the world and their places in it. Bascom is resolved to a life underground but dreams of escape and a reunion with his brother; Durwood thrives in a life cushioned by wealth but disciplined by the promise of returning home as soon as things "settle down." Things rapidly unsettle in Mingo. The Matney brothers find themselves separated by m

Few writers are as qualified to set their book in a circus as Khan Wong, who has not only performed in a circus but is an internationally recognized hula hoop virtuoso. While Wong’s descriptions of acrobats, clowns and fortunetellers are grounded in real life, the pleasure moon that is the setting of his debut novel, The Circus Infinite (Angry Robot, 2022) arises entirely from his formidable imagination. Persephone-9 is a Las Vegas-like destination for members of the 9-Star Congress of Conscious Worlds, an alliance of nine species that includes humans. Into this diverse and raucous setting comes Jes, a young man with the unique power to manipulate gravity. A self-described asexual panromantic, Jes is on the run from a sadistic researcher who has tortured him in the name of science. And yet just as Jes starts to find love and acceptance in the circus, he confronts a new nemesis: a blackmailing crime boss who seeks to exploit his psionic abilities. Writing an asexual character “was liberating,” Wong says. “I my

Welcome to The Academic Life! In this episode you’ll hear about: How the Common got started What is involved in running a literary journal Why grants and institutional support matter so much in the literary arts The importance of finding mentors and building a network How the Common creates community Our guest is: Jennifer Acker , who is the founder and editor in chief of The Common, and author of the debut novel The Limits of the World, a fiction honoree for the Massachusetts Book Award. Her memoir “Fatigue” is a #1 Amazon bestseller, and her short stories, essays, translations, and reviews have appeared in Oprah Daily, Washington Post, Literary Hub, n+1, and The Yale Review, among other places. Acker has an MFA from the Bennington Writing Seminars and teaches writing and editing at Amherst College, where she directs the Literary Publishing Internship and LitFest. She lives in western Massachusetts with her husband. Our guest is: Elizabeth Witte, who is a writer and editor based in western Massachuset

Rajiv Mohabir is a dazzling poet of linguistics crossovers, who works in English, Bhojpuri, Hindi and more. He is as prolific as he is polyglot (three books in 2021!) and has undertaken a remarkable array of projects includes the prizewinning resurrection of a forgotten century-old memoir about mass involuntary migration. He joined John and first-time host Ulka Anjaria (English prof, Bollywood expert and Director of the Brandeis Mandel Center for the Humanities) in the old purple RtB studio. During the conversation, Rajiv read and in one case sang poems from his wonderful recent books, Cutlish and Antiman. Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supporting

Jason Redmond, a US Civil War surgeon, never expected to step into his father’s shoes as the heir to an English earldom. When he first shows up to claim his inheritance, with a scrawny twelve-year-old former drummer as his ward, Jason plans to inspect the property, then return to his home in New York. But the discovery of an obviously murdered body in the local church first casts suspicion on Jason, then involves him—in performing the postmortem and helping the parish constable, Daniel Haze, solve the crime. By the end, Jason has decided to stay in England for a while. Six books and as many cases later, Haze has moved to London for reasons explained in Murder at Ardith Hall. When the corpse of Blake Upton, a renowned Egyptologist, shows up on a ship in the London Docks, it seems only natural that Daniel should involve his friend Jason in finding out who among the potential suspects had the means, motive, and opportunity to dispatch the Egyptologist to his eternal rest in the arms of Osiris. And in this variat

Abbigail Nguyen Rosewood has created a swiftly mutating story about a woman who is either a loving mother, a famous artist, or a teacher. Constellations of Eve (Texas Tech University Press 2022) portrays deviations from an initial story that revolves around Eve, Pari, Liam, and a child named Blue. Eve meets Liam, a tall, gentle man who is either philandering husband, a kind partner, or a scheming benefactor. Eve’s best friend is Pari, who is either her best friend and college roommate, a stunning model, or mentally fragile and suicidal. Eve loves, obsesses over Pari, or encourages her to hang herself. Liam is good or not, loving or not, solid, or not. We don’t know if Eve is kind-hearted or crazy, loving or obsessive. We watch these three people weaving around each other, and the child, Blue, has something to say in each iteration of Eve’s life. Eve needs to figure out which part of herself is going to dominate, and who or what is going to control her destiny – will it be love, motherhood, or art? Abbigail Ng

Augusta is a meek museum curator trapped in a dead-end job and relationship, when an employment offer to become the collections manager at Harlowe House changes her life. With new friends and new responsibilities, as well as a new handsome coworker, Augusta is drawn to investigate the life of Margaret Harlowe. Margaret’s portrait at Harlowe House radiates vivaciousness and warmth, but the historic records barely mention her. Soon, Augusta is obsessed by the secret life story of the mysterious young woman she feels connected to. Was Margaret just a woman unjustly ostracized by Victorian society for her wild nature and her love of herbs, or is she a more dangerous presence? For although Margaret died more than a hundred years ago, her spirit is still very present, and her voice active. A ghost story with a strong romantic element, A Lullaby for Witches (Graydon House Books, 2022) features a tender love story as well as some thrills and chills. Bio: Hester Fox is a full-time writer and mother, with a background

The first poem in Sean Singers’ new collection of poetry, Today in the Taxi, published by Tupelo Press, begins with, “Today in the taxi, I brought a man from midtown to someplace in Astoria near the airport.” From that ordinary beginning, the poems explore the many features of New York City--its people, its streets, its highways, and its neighborhoods--all delivered through the impressions of an Uber driver. Like Walt Whitman, whose poem “Crossing Brooklyn Ferry” turned a short boat ride into a meditation on life, death and eternity, Sean’s poetry starts in everyday experiences and grasps large realms of significance. Sean, now a former Uber driver, holds an MFA from Washington University in Saint Louis and a Ph.D. in American Studies from Rutgers University-Newark. He is the author of two other books of poetry: Discography, which won the Yale Series of Younger Poets Prize and the Norma Faber First Book Award from the Poetry Society of America, and Honey and Smoke---which the Pulitzer Prize-winning poet Yusef

Jean-Luc Guéry is a man down on his luck. Middling journalist, gambling addict, alcoholic. Yet when news of his brother’s murder in Saigon reach him in France, Guéry drops everything and travels to French Vietnam to investigate. Guéry is not the kind of main character you’d think would star in a detective novel like Bede Scott’s Too Far From Antibes (Penguin Random House, 2022)—something that many other characters in Bede’s novel remark on several occasions. Yet Scott drives Guéry through a murky plot of corruption and colonialism in a tense Saigon near the end of French colonialism. Bede Scott is Associate Professor of World Literature in the School of Humanities at Nanyang Technological University, Singapore. He has been teaching in Singapore since 2006, when he completed his PhD at the University of Cambridge. Scott is the author of On Lightness in World Literature (Palgrave Macmillan, 2013), and Affective Disorders: Emotion in Colonial and Postcolonial Literature (Liverpool University Press, 2019). Today,

An interview with Fernanda Melchor, finalist for the International Booker Prize, and author most recently of Paradais (New Directions, 2022). And Sophie Hughes, the English translator of Fernanda’s two novels, and winner of the Pen Translates Award. In a wide-ranging discussion, we touch upon the ways in which translation is akin to friendship, and how a translation can be the greatest interpretation of your work. Fernanda discusses her understanding of violence as inseparable from the story of humanity, and how she sees her style as that which persists after she has let go of the text, while Sophie addresses the question of the translator’s invisibility and the lexicons required for each new writer's work that she takes on. This episode features a bilingual reading from Paradais by Fernanda Melchor. It is not to be missed. Books Recommended in this episode: Juan Rulfo, Pedro Paramo José Agustín, De Perfil Nona Fernandez, The Twilight Zone Marianna Enriquez, The Dangers of Smoking in Bed Alia Trabucc

On this episode of New Books in Performing Arts, we talk with Andy Bragen about two plays of his published in a new volume by Northwestern University Press: This is My Office and Notes on My Mother's Decline. Both plays center on grief: Bragen's process of grieving his father in This is My Office and the slow, painful process of his mother's death in Notes on My Mother's Decline. Both plays are bravely emotionally bare yet unsentimental. They situate death and dying in a long continuum that both predates and antedates the individual person. In this way, both plays are as much about family, history, and family history as much as they are about the moment of death.  Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

“In Africa, when an elder dies, a library burns.” We’ve all heard this phrase, or some version of it, but not all of us know who uttered it. It was the singular Amadou Hampâté Bâ. By the end of his long life, Bâ, the ethnographer, author, interpreter, religious teacher, poet, philosopher and ambassador had himself become one of Africa’s most famous “elders”, and, to borrow his phrase, one of the continent’s most expansive “libraries”. Amkoullel, the Fula Boy (Duke University Press, 2021) is the first volume of Hampâté Bâ’s memoirs, covering the earliest years of his life. Amkoullel, the Fula Boy was awarded the Grand Prix Littéraire d’Afrique Noire in 1991. It has just been translated into English by Jeanne Garane with a new foreword by Ralph Austen. Elisa Prosperetti is an Assistant Professor in International History at the National Institute of Education in Singapore. Her research focuses on the connected histories of education and development in postcolonial West Africa. Contact her at www.elisaprosperetti

In Live Caught (Black Lawrence Press 2022) by R. Cathey Daniels, we meet Lenny after he’s stolen money and a skiff in an attempt to escape his abusive older brothers and ride the rivers until reaching the Atlantic Ocean. Lenny is fourteen, and his family farm in western North Carolina has become a nightmare – he’s already lost an arm and isn’t sure which of his brothers’ experiments is going to kill him. But he doesn’t get very far when his boat and all the money he’s stolen sink in a huge storm. If not for a crazy old priest who pulls him out from under a log, he’d be dead. Now the priest provides Lenny with a home and work. Lenny makes friends, especially with a stoner who seems to be drugging his own baby daughter. It soon becomes clear that the priest is running an illegal drug operation to provide for the poor people in his struggling parish. And a crooked local cop wants to collect a tax on the illegal drugs. Just like at home, Lenny’s not sure he’s going to survive. R. Cathey Daniels grew up in the mou

It is the late twenty-first century, and Momo is the most celebrated dermal care technician in all of T City. Humanity has migrated to domes at the bottom of the sea to escape devastating climate change. The world is dominated by powerful media conglomerates and runs on exploited cyborg labor. Momo prefers to keep to herself, and anyway she’s too busy for other relationships: her clients include some of the city’s best-known media personalities. But after meeting her estranged mother, she begins to explore her true identity, a journey that leads to questioning the bounds of gender, memory, self, and reality. First published in Taiwan in 1995, The Membranes is a classic of queer speculative fiction in Chinese. Chi Ta-wei weaves dystopian tropes—heirloom animals, radiation-proof combat drones, sinister surveillance technologies—into a sensitive portrait of one young woman’s quest for self-understanding. Predicting everything from fitness tracking to social media saturation, this visionary and sublime novel stan

“Finally, the first of Norton’s long-awaited treatments of Ernest Hemingway, the American who, more than anyone, changed the look and sound of modern American prose. Academic rigor and impeccable attention to detail are the hallmarks of the Norton Critical Edition, and this volume on The Sun Also Rises is no exception. In addition to the usual suspects of contemporary reviews and early criticism, this volume draws on an exceptional pool of resources and ancillary material to tell this novel’s story: biographical excerpts from the likes of Sylvia Beach and Harold Loeb, original expurgated text, epistolary exchanges with Max Perkins and F. Scott Fitzgerald, and hefty segments on expatriation, the bullfights, and Hemingway’s own literary influences. Add to this a generous sampling of new, exceptional criticism that speaks to a modern audience about issues of gender and sexuality and about race, and a wonderful, spirited introduction, and this critical edition edited by Michael Thurston becomes the definitive edi

Romeo Oriogun speaks to managing editor Emily Everett about his poem “The Sea Dreams of Us,” which appears in The Common’s fall issue. In this conversation, Romeo talks about his life as a poet in exile from Nigeria, and how that experience of exile appears in his poetry. He also discusses his writing process, the themes he often returns to in his work, and how growing up in Nigeria affects his use of language in poetry. Romeo Oriogun is the author of the 2020 poetry collection Sacrament of Bodies. A finalist for the Lambda Literary Award for Gay Poetry, he has received fellowships and support from the Ebedi International Writers Residency, Harvard University, the Hutchins Center for African and African American Research, the Oregon Institute for Creative Research, and the IIE Artist Protection Fund. An alum of the Iowa Writers’ Workshop, he currently lives in Ames, where he is a postdoctoral research associate at Iowa State University. Read Romeo’s poetry in The Common at thecommononline.org/tag/romeo-oriogu