New Books In Literature

Sista, Stanap Strong!: A Vanuatu Women's Anthology (Te Herenaa Waka UP, 2021) is an anthology of new writing from Vanuatu by three generations of women—and the first of its kind. With poetry, fiction, essay, memoir, and song, its narrative arc stretches from the days of blackbirding to Independence in 1980 to Vanuatu's coming of age in 2020. Most of these writers are ni-Vanuatu living in Vanuatu. Some have set down roots in New Zealand, Fiji, the Solomon Islands, and Canada. Some were born overseas and have made Vanuatu their home. One is just twenty; another is an octogenarian. The writers in this anthology have chosen to harness the coloniser’s language, English, for their own purposes. They are writing against racism, colonialism, misogyny, and sexism. Writing across bloodlines and linguistic boundaries. Professing their love for ancestors, offspring, and language— Bislama, vernacular, and English. What these writers also have in common is a sharp eye for detail, a love of words, a deep connection to Vanua

In this rebroadcast, John and Brandeis neuroscientist Gina Turrigiano (an occasional host and perennial friend of Recall this Book) speak with Madeline Miller, author of the critically acclaimed bestseller Circe. Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Farzana Doctor is a Toronto-based author, activist and a psychotherapist. She has written four critically acclaimed novels. Her latest, Seven, which Ms. Magazine described as “fully feminist and ambitiously bold”, was chosen for multiple 2020 Best Book lists and shortlisted for the Trillium and Evergreen Awards. Her poetry collection, You Still Look The Same (Freehand Books), will be released in May 2022 with an audiobook following soon after. Farzana is also the Maasi behind Dear Maasi, a new sex and relationships column for FGM/C survivors. In this interview, Doctor discusses her process and craft in the context of her personal journey and her work as a psychotherapist. She shares some poetry from her new collection and discusses the power of storytelling when it comes to reckoning with the past, healing, and moving forward. Her work is both deeply personal and incredibly resonant for all of us living in these challenging times. Find our more about Ms. Doctor at https://farzanadoctor.com/. Jori Krulder is a

This episode is part of a series of recordings I do with artists and scholars from Israel and Palestine. To allow people from the conflict to make their voices heard. Today I interview Sigal Naor Perelman, who is a literary scholar, editor, founder, and co-director of the Derech Ruach organization to promote the humanities in Israel. Sigal has published two research books on Natan Zach and Noah Stern. Her first volume of poetry, Machluta, was published in 2020. Sigal's poetry book, Machluta (Mixture in Arabic), deals with daily life in Haifa, a city that contains Jews and Arabs together. The dilemmas of a mother whose child has to enlist in military service, about love and sexuality, and more. Sigal's poetry does not allow us to ignore the nuances of life and allows us, readers and listeners, to meet them face to face. Dr. Yakir Englander is the National Director of Leadership programs at the Israeli-American Council. He also teaches at the AJR. He can be reached at: Yakir1212englander@gmail.com. Learn more a

The Lamps of Albarracin tells the story of Sarita, who looks back on her life before and after the Inquisition arrived in her town. It’s 15th century Spain, and Sarita is the daughter and assistant of the town’s Jewish doctor. She recalls living in a warm, loving household with her sisters and brother and Torah lessons taught by Solomon the Aged. She was raised with several languages and always looking forward to the next holiday. In the kingdom of Aragon, Albarracin was a town in which Christians, Muslims, and Jews still lived mostly in harmony, although the winds of change have started blowing across the Iberian Peninsula. We watch Sarita grow up – she’s skilled with healing, which helps her survive the punishment she receives from the Spanish Inquisition. She hadn’t known that she’d been baptized at birth. Rooted in Judaism, Sarita finds ways to live as her true self even when confined to a convent or masquerading as Muslim to escape the Inquisition. Edith Scott Saavedra was born in California to an Americ

Secretly his unconscious body, still flickering with life, is spirited away by to an island monastery in the Venetian lagoon where he recovers his health and joie de vivre. From there he begins a series of adventures that include Auguste Rodin, a romance with an English aristocrat, a new lover, a session with Sigmund Freud, and an heroic death. I spoke with novelist Ardythe Ashley about her meticulously researched historical novel that breathes new life into a writer who continues to charm and fascinate readers and audiences to this day. Ardythe Ashley is the author of The Return of the Century: The Death and Further Adventures of Oscar Wilde. While doing research for the novel, she found herself in the Library of the British Museum reading the letters Oscar Wilde wrote in his dank cell in Reading Gaol to Lord Alfred Douglas (Bosie), later published as De Profundis. “I’m sorry, Madam,” came the firm-but-not-unkind voice of a white-gloved librarian, “but it is not permitted to weep upon the manuscripts.” In ad

An interview with Natasha Brown, winner of the London Writers Award, and author of Assembly (Little Brown, 2021), the story of a young black British woman, marked by success in education and work, who asks a fundamental question: does my country care whether or I live or die? At a mere one hundred and two pages, Assembly manages to evoke more feeling, more sensorial reality than many novels twice its length. Natasha has gone to the novel’s primary function—its vision into the inner life of a character—and she has brought it to bear on the precariousness of black life. The result is a work of literary fiction that is profoundly beautiful, with passages of poetic form and lyrical description of a world that her narrator experiences as ultimately negating. Negating of her agency, her accumulated wealth and status, her education, her citizenship, and ultimately of her bare life. Suffused with its contemporary moment, with references to the police killing of Philando Castille and the white nationalist resurgence i

In A Vertical Art: On Poetry (Princeton UP, 2022), acclaimed poet Simon Armitage takes a refreshingly common-sense approach to an art form that can easily lend itself to grand statements and hollow gestures. Questioning both the facile and obscure ends of the poetry spectrum, he offers sparkling new insights about poetry and an array of favorite poets. Based on Armitage’s public lectures as Oxford Professor of Poetry, A Vertical Art illuminates poets as varied as Emily Dickinson, Walt Whitman, Marianne Moore, W. H. Auden, Ted Hughes, Thom Gunn, A. R. Ammons, and Claudia Rankine. The chapters are often delightfully sassy in their treatment, as in “Like, Elizabeth Bishop,” in which Armitage dissects—and tallies—the poet’s predilection for similes. He discusses Bob Dylan’s Nobel Prize, poetic lists, poetry and the underworld, and the dilemmas of translating Sir Gawain and the Green Knight. Armitage also pulls back the curtain on the unromantic realities of making a living as a contemporary poet, and ends the boo

Colm Tóibín, the new laureate for Irish fiction, talks to Joseph Rezek of Boston University, and guest host Tara K. Menon of Harvard. The conversation begins with Colm’s latest novel The Magician, about the life of Thomas Mann, and whether we can or should think of novelists as magicians and then moves swiftly from one big question to the next. What are the limitations of the novel as a genre? Would Colm ever be interested in a writing a novel about an openly gay novelist? Why and how does death figure in Colm’s fiction? Each of Colm’s revealing, often deeply personal answers illuminates how both novels and novelists work. As Thoman Mann wrote of the “grubby business” of writing novels, Colm reminds us of the “day to day dullness of novel writing.” Insight and inspiration only arrive, he warns, after long, hard days of work. Mentioned in this episode: Robinson Crusoe (1719), Daniel Defoe Pride and Prejudice (1813), Jane Austen The Portrait of a Lady (1881), Henry James The Wings of the Dove(1902), Henry James

From the years leading up to and into the French Revolution, we move forward in time to 1926. In Danger on the Atlantic (Kensington Publishing, 2022), Jane Wunderly, who left her home in the United States earlier in the year on a journey that took her first to Cairo, then to the English countryside, is heading back home in the company of Redvers, the enigmatic businessman she first met in Egypt. In fact, she is posing as Redvers’ wife—or should we say, he is posing as her husband, because they go by the name of Mr. and Mrs Wunderly—even though Jane has decidedly ambivalent views of matrimony, the result of bad experiences in her past. Despite her doubts, Jane enjoys being included in Redvers’ current mission: to identify a spy reported to be traveling on the Olympic, the magnificent sister ship of the Titanic. The settings are luxurious, the gig comes with magnificent clothes supplied by Redvers’ employer, and the biggest threat to Jane’s peace at first appears to be Miss Eloise Baumann, a loudmouthed New Yor

For better or worse, artists write. But why would a visual artist write a novel? How should such a novel be experienced? How does the artist’s novel compare or compete with literary fiction as we know it? David Maroto, the author of The Artist's Novel: A New Medium (Mousse Publishing, 2020) considers the proliferation of artists writing novels as a sign of the emergence of a new medium. Artists engaging in this new medium do so in order to address artistic issues by means of novelistic devices, favouring a sort of art predicated on process and subjectivity, introducing notions such as fiction, narrative, and imagination. Maroto’s work is the first to explore the subject of the artist’s novel in depth. David Maroto speaks to Pierre d’Alancaisez about the artist’s novel and the demands it makes on its readers and, as he found out through his own practice, on its curators and publishers. David reads from Benjamin Seror's Mime Radio and voices the mythical satyr Marsyas but, sadly, stops short of singing. David M

Take an average-to-below-average man, his loyal best friend, a jar of pickles, and some bug sex facts, and what do you have? The answer to that is Stringers, the new novel by Chris Panatier (Angry Robot, April 2022), which is already garnering fantastic reviews. In this riotous, laugh-out-loud science fiction epic, Ben Sullivan has lived a life full of questions relating to the strange facts in his brain and now faces abduction by aliens who want the answers he doesn’t have. It’s part buddy movie, part space adventure, with lots of heart and charm. It’s also ridiculously funny. “I wasn’t thinking about a space comedy even when I first conceived of [STRINGERS],” Chris says. “What I first conceived of was ‘what if someone was born with a bunch of crazy knowledge in their head’. Of course, because of my affinity for potty humour, that went to bugs f***ing themselves in the head, which you’ll find on page 3.” From its stunning cover to the formatting quirks that make it unlike anything you’ve read before—plus, ye

Elizabeth and John talk about fantasy's power of world-making with Edinburgh professor Anna Vaninskaya, author of William Morris and the Idea of Community: Romance, History and Propaganda, 1880-1914 ( 2010) and Fantasies of Time and Death: Dunsany, Eddison, Tolkien ( 2020). Anna uncovers the melancholy sense of displacement and loss running through Tolkien, and links his notion of "subcreation" to an often concealed theological vision. Not allegory but "application" is praised as a way of reading fantasy. John asks about hopeful visions of the radical politics of fantasy (Le Guin, but also Graeber and Wengrow's recent work); Elizabeth stresses that fantasy's appeal is at once childish and childlike. E. Nesbit surfaces, as she tends to in RtB conversations. The question of film TV and other visual modes comes up: is textual fantasy on the way out? Mentioned in the Episode: David Graeber and David Wengrow, The Dawn of Everything. In "From Elfland to Poughkeepsie" Ursula Le Guin perhaps surprisingly praises t

An interview with Jennifer Egan, winner of the Pulitzer Prize and the National Book Critics Circle Award, and author most recently of The Candy House (Scribner, 2022), the story of the intersections across space and time of characters desperate to understand their interior lives. At the hub of these stories, a machine capable of capturing and sharing memories, and even offering the possibility of joining a collectivity of consciousness. Jennifer Egan, as always, balances perfectly the profound intellectual problems of existence with characters who feel deeply real by virtue of their uncommon minds. We get to talking about how her process is one of discovery through the unconscious practice of writing, and the ways in which certain ideas of what the reader should feel and experience guide her structure. We discuss her creation of the futuristic machine in The Candy House that, in the end, fashions what only the novel can produce: a window into the minds and memories of another. On the subject of movement back

In In Praise of Good Bookstores (Princeton University Press, 2022), Jeff Deutsch, the director of the Seminary Co-op Bookstores in Chicago, aims to make the case for the value of spaces devoted to books and the value of the time spent browsing their stacks. It is a defense of serious bookstores, but more importantly, it is a paean to the spaces that support them; the experience of readers as they engage with the books, the stacks, and each other; and the particular community created by the presence of such an institution. Drawing on his lifelong experience as a bookseller and his particular experience at Sem Co-op, Deutsch aims, in a series of brief essays, to consider how concepts like space, time, abundance, measure, community, and reverence find expression in a good bookstore, and to show some ways in which the importance of the bookstore is both urgent and enduring. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses

Get ready for a cruel dark world of abnegation and revenge, featuring a woman who struggles to achieve psychic integration after a succession of betrayals. Like a Westworld written by Edgar Allen Poe, Bone Orchard (Tor Books, 2022) comes with its own charming brothel owner, whose name actually is Charm. Charm’s free will is limited by an implant, and her memory damaged. Her dying lover/captor, the old Emperor, assigns her two final tasks which she must complete to win her freedom. She must punish his poisoner and find a worthy person—not one of his sons—to serve as the next emperor. Charm’s girls at the brothel are also her helpmates. They were grown in vats from assemblages of bones. That doesn’t mean they don’t have feelings, though. Like Charm, they are named after emotions. Pride mostly stands behind the reservation desk, looking cool and composed, while Shame is damaged early on in the game by one of the Emperor’s sons, the cruel Prince Phelan. And Pain—well, she has an especially hard time of it. Her ro

Shola von Reinhold is the author of LOTE, a novel about getting lost in the archives and finding what the archives have lost. LOTE won the 2021 James Tait Black prize so who better to join Shola on Novel Dialogue than Ben Bateman of Edinburgh University, lead judge of the prize committee? This conversation takes listeners back to all yesterday’s parties as Shola, Ben, and Aarthi time travel to the Harlem Renaissance and the interwar modernist era. Shola offers up Richard Bruce Nugent as their current figure of fascination (or “transfixion” to use a key image from LOTE), and wonders what it would have been like to move through Harlem and London by Nugent’s side. Recovering the stories of black writers and artists is essential to Shola’s literary project. It is also inseparable from restoring queerness to the once hyper-masculine and “muscular” paradigm of modernism. In a stirring discussion of the aesthetic forms and moods of historical recovery, Ben and Shola sink into the “purpleness” of the fin-de-siècle an

What does it mean to be normal? What even is normal? It’s a strange concept, dependent entirely on context and yet, in spite of this flexibility, it’s an inescapable word. Try as we might, we can’t seem to escape it, even as it seems to collapse under critical scrutiny. So again, what does it mean to be normal? And is normal even something we should try to be? This is an animating question for Phil Christman in his new essay collection How to be Normal: Essays (Belt Publishing, 2022), a collection of previously published writings of the last few years. A sort of companion-piece to his previous book Midwest Futures, these essays are simultaneously fascinated by and skeptical of all the ways normal dominates our public discourse, especially in the wake of the COVID pandemic, where a return to normal has loomed over us as the most important achievement we can aim for. Christman tries to get beyond this imperative, and in a series of reflections on masculinity and gender, race and whiteness, religion and faith, c

Today I talked to Joan Schweighardt about her novel River Aria (Five Directions Press, 2020). It’s 1928 and Estela Euquério Hopper, of Manaus, Brazil, is the star vocal pupil of a world-renowned musician who’d come to revive a magnificent opera house. It had been erected during the heady years when rubber seemed likely to change Brazil’s fortunes. Those days ended, and most of the population is poor and struggling. Estela has grown up among the “river brats,” but she was fortunate to have a magnificent voice, a stellar musical education, and an American father. She’s got a job offer from the Metropolitan Opera House, but it’s only to work in the sewing room. And her cousin JoJo, another river brat and a talented artist, is going to accompany her across the ocean. But secrets threaten to destroy her plans, the heady days of Prohibition are about to come to an end, and the stock market is about to crash. Joan Schweighardt studied English Lit and Philosophy at Suny New Paltz, NY and is the award-winning author o

This is a story of America! Lynden Hoover, a young man on the brink of a new beginning, cannot embrace it without confronting the traumas of his past. Help comes from The Duke, an old loner who calls America's landscape his home. He clings to an honor code, but in fleeing from Short Arm, his merciless enemy, his code is being tested. At the end of the 20th century few Knights of the Road still cling to their vanishing lifestyle. The Duke mentors Lynden, enlisting old traveling friends to keep himself and his apprentice just ahead of Short Arm's relentless pursuit. When two of those friends are murdered, the stakes become life or death. Bonds are formed, secrets exposed, sacrifices made, trusts betrayed - all against a breathtaking American landscape of promise and peril. Three unforgettable characters, hurtling toward a spellbinding climax where pasts and futures collide, and lives hang in the balance. With The Last Professional (Artemesia Publishing, 2022), Davis has done for American railroads what Kerouac