New Books In Literature

Today I talked to Jennifer Estep about her new book Capture the Crown (HarperCollins, 2021). Princess Gemma Ripley is famous for her glittering outfits, in which she flounces through countless parties and balls. There’s another side to her, though. Her duties as a royal also include putting on a disguise and spying, in order to discover any trouble in her father’s Kingdom of Andvari. There’s almost sure to be trouble at any time, given their neighbors, the ruthless rulers of the Kingdom of Morta, who hate the Andvarians. Gemma finds out firsthand just how ruthless the Mortans are, when heir-apparent Leonidas kidnaps her after an injury and brings her back to the Mortan palace. Luckily Leonidas has no idea who she is-or does he? Complicating matters is that he’s a hunk with a heart—and seems to be attracted to Gemma. In meantime, Gemma is ideally placed to find out why Leonidas’ fiendish half-brother, Milo, is secretly assembling vast stocks of tearstone—that is, if she can survive without losing her heart—or

Back in the days when brick-and-mortar bookstores were common in suburban America, I was browsing the shelves at my local Borders when a title caught my eye: Her Royal Spyness by Rhys Bowen. I picked it up, opened it, and fell in love. It’s 1932, and Lady Georgiana Rannoch, a twenty-something who is “thirty-fourth in line to the British throne,” has fled her ancient but drafty ducal castle in Scotland for the family mansion in London. Alas, the Rannoch family—although rich in property—hasn’t a farthing to its illustrious name due to the unfortunate gambling habits of the first duke, Lady Georgie’s father. And as a member of the royal family, Georgie can’t just go out and get a job, because the only destiny approved by her lofty relatives is to marry the fish-faced Prince Siegfried, who doesn’t even like women. Nonetheless, with a little help from her friend Belinda and a handsome but enigmatic gentleman named Darcy O’Mara, Georgie manages not only to survive but to solve a murder. Since the day I finished tha

Ricardo Wilson speaks to managing editor Emily Everett about his poem, “nigrescence,” which appears in The Common’s spring issue. In this conversation, Ricardo talks about his new collection Apparent Horizon and Other Stories, winner of the PANK Book Contest in fiction. The collection includes several short poetic fragments scattered amongst stories and novellas, with both historic and contemporary storylines. He discusses his process for writing from historical research, and what it’s like writing creative and critical work at the same time. Ricardo also talks about Outpost, a fully-funded residency in Vermont for creative writers of color from the US and Latin America. Ricardo Wilson is an assistant professor of English at Williams College and the author of An Apparent Horizon and Other Stories and The Nigrescent Beyond: Mexico, the United States, and the Psychic Vanishing of Blackness. His fiction and critical writing can be found in 3:AM Magazine, Black Renaissance / Renaissance Noire, Callaloo, CR: The N

Today I interview Sarah Minor, a brilliant and exciting author and artist. Minor has written a new book that looks into—in fact, I might even say sinks us or maybe slathers us in—slime. And if that sounds more disgusting than appealing, that's one of the many wonders of slime that Minor reveals: yes, slime grosses us out and yet its grossness somehow comes curiously close to desire. Slime features in immensely popular genres our culture loves and loathes, like horror movies and pornography. Slime has its own online communities. Slime even comes from outer space and lands on the earth as "gelatinous meteors." Slime, once you start looking for it, shows up in spaces where we experience birth and death, where bodies connect and boundaries dissolve. Minor's book is called Slim Confessions: The Universe as a Spider or Spit (Noemi Press, 2021), which is a title that slimes together unexpected things, and I start our conversation by asking her about it. Here’s my chat with the warm and wonderfully un-slimy Sarah Min

Today I talked to Beth Alvarado about her new novel Jillian in the Borderlands (Black Lawrence Press, 2020) We first meet Jillian Guzmán when she is nine. She’s mute, has a big imagination, and communicates through her drawings. She and her mother, Angie O’Malley live in the borderlands of Arizona and Mexico. Jillian can see ghosts – in the first story a dead child-bride saves her from the clutches of a predatory neighbor. These dark stories introduce faith healers, talking animals, and spirits of the dead. As she grows up, Jillian’s drawings begin to both reflect and create the realities she sees around her, culminating at the Casa de los Olviados, a refuge for the sick and elderly run by a traditional faith healer, Juana of God. Beth Alvarado is an American author of both fiction and nonfiction. Her essay collection Anxious Attachments won the 2020 Oregon Book Award for Creative Nonfiction and was long listed for the PEN/Diamonstein-Spievogel Award for the Art of the Essay. She is also the author of Anthrop

The Tashkent-born Russian-American literary critic, editor, essayist, and journalist Vladislav Davidzon has been covering post-Soviet Ukraine for the past ten years, a tumultuous time for that country and the surrounding world. The 2014 “Revolution of Dignity” heralded a tremendous transformation of Ukrainian politics and society that has continued to ripple and reverberate throughout the world. These unprecedented events also wrought a remarkable cultural revolution in Ukraine itself. In late 2015, a year and a half after the 2014 Revolution swept away the presidency of the Moscow-leaning kleptocratic President Viktor Yanukovich, Davidzon and his wife founded a literary journal, The Odessa Review, focusing on newly emergent trends in film, literature, painting, design, and fashion. The journal became an East European cultural institution, publishing outstanding writers in the region and beyond. From his vantage point as a journalist and editor, Davidzon came to observe events and know many of the leading fig

In a world that demands faith in progress and growth, Limbo (Fitzcarraldo, 2019) is a companion for the stuck, the isolated, delayed, stranded and those in the dark. Fusing memoir with a meditation on creative block and a cultural history of limbo, Dan Fox considers the role that fallow periods and states of inbetween play in art and life. Limbo is an essay about getting by when you can't get along, employing a cast of artists, ghosts and sailors - including the author's older brother who, in 1985, left England for good to sail the world - to reflect on the creative, emotional and political consequences of being stuck, and its opposites. From the Headington Shark to radical behavioural experiments, from life aboard a container ship to Sun Ra's cosmology, Limbo argues that there can be no growth without stagnancy, no movement without inactivity, and no progress without refusal. Sergio Lopez-Pineiro (Harvard Graduate School of Design) interviews authors on how the portrayal and use of emptiness and allied conc

Mark Baker is an American journalist and travel writer. In the 1980s, he lived in Vienna and reported on the former Eastern bloc for Business International and The Economist Group. In 1991, he moved to Prague, where he worked as an editor for The Prague Post and co-founded The Globe Bookstore & Coffeehouse. He’s written 30 travel guidebooks for publishers like Lonely Planet and Fodor's on countries in Central and Eastern Europe, including the Czech Republic. Čas Proměn (Time of Changes) is his first book of historical nonfiction. Find more about Mark at his website. Steven Seegel is Professor of Slavic and Eurasian Studies at The University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Celeste Mohammed speaks to managing editor Emily Everett about her story “Home,” which appears in The Common’s spring issue. In this conversation, Celeste talks about her novel-in-stories, Pleasantview, and why it was important to her to write a book that shows all the complexities and difficulties of island life, with characters who break out of the stereotypical West Indian personality Americans often expect. She also discusses Trinidad’s multicultural society, her choice to write dialogue in patois, and her essay “Split Me in Two,” about being mixed-race during the election of Vice President Kamala Harris. Celeste Mohammed’s debut novel-in-stories, Pleasantview, published this year. Her work has appeared in the New England Review, LitMag, Epiphany, and The Rumpus, among other places. She is the recipient of a 2018 PEN / Robert J. Dau Short Story Prize for Emerging Writers, the 2019 Virginia Woolf Award for Short Fiction, and the 2017 John Gardner Memorial Prize for Fiction. A native of Trinidad and Tobago,

Cadwell Turnbull appeared on New Books in Science Fiction two years ago to discuss his debut novel, The Lesson, about an alien invasion and colonization of Earth, centered around Turnbull's native U.S. Virgin Islands. He returns to talk about his second book, No Gods, No Monsters (Blackstone, 2021), which, rather than aliens from another planet, features monsters who live among us as our friends, neighbors and even relatives. While ostensibly about the fantastical, the novel is grounded in reality with complex characters whose experiences touch on difficult but important issues like police violence, othering, and even fake news. While the two books have different characters and storylines, Turnbull calls them “sister books.” Aliens and monsters “are both versions of human fears manifested through these speculative elements,” Turnbull says. “One is dealing with a threat from without, and one is dealing with a threat from within. And they both have similar thematic concerns.” Among the topics Turnbull discusses

On Wandering Beaches (Pardes, 2020) is a novel of journeys, a novel of migration that conceals contradictions that summarize a whole world. Along the shores of Tel Aviv- Haifa-Acre-Nahariyya, all the contradictions are summarized: the Jewish nationalism versus the Arab nationalism, the individual principles versus the traditions of society, the heart versus the mind, femininity versus manliness, the ‘I’ versus the ‘Other’, geography of homeland versus geography of happiness, the end versus the beginning, and emigration versus settlement in homeland. All these contradictions seek on the shores of the novel to achieve reconciliation, affinity, identification and harmony in a deeper entity of humanity, love and happiness. Dr. Rawya Jarjoura Burbara. Born in Nazareth (1969), Dr. Burbara serves as Chief Inspector Director of Arabic (for native speakers of Arabic) at the Ministry of Education, and a lecturer at the Language Department, Oranim College. She is also a writer, and her 10th book was published in 2021 (c

Today I interview Stephen Jenkinson. Jenkinson has a new book. It's entitled A Generation's Worth: Spirit Work While the Crisis Reigns (Orphan Wisdom, 2021) and it's a rarity among books and, to my mind, authors. Jenkinson not only attempts to reckon with our current crisis in the midst of it, which would be challenge enough, but he also attempts to reckon with his previous work, asking the ballsy question: do the books that I've written in my life—does, in some part, my life's work—stand up to the pressures of this moment? Did I write anything that withstands the test of this time? This is, to my mind, a colossal demand that Jenkinson asks of himself. He's written books about money and soul, death and wisdom, matrimony and patrimony, and the role of elders in a culture bereft of them. In A Generation's Worth, Jenkinson isn't so much summing up these previous books as leaning in more deeply to the questions that animate them. And through these questions, these wonderings, as Jenkinson calls them, he asks us t

The poet Shachar-Mario Mordechai was born 1975 in Haifa and he currently lives in Tel Aviv. He has published four volumes of poetry, all of which attracted critical attention. Mordechai is the 2017 recipient of the Prime-Minister’s award for creativity in poetry and the 2010 recipient of Tel Aviv Municipality's nationwide Poetry Competition. He was Poet in Residence at Johns Hopkins University for 2018/9. His book of poems "Make Room For The Rain" won first place in poetry by the Rachel and Leib Goldberg Foundation for 2021. The book was written in the USA when Mario lived for two years in Baltimore and one year in NYC. Dr. Yakir Englander is the National Director of Leadership programs at the Israeli-American Council. He also teaches at the AJR. He can be reached at: Yakir1212englander@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Today I talked to Laurie Frankel about her new novel One, Two, Three (Henry Holt, 2021). The little town of Bourne made national news seventeen years before when its water turned green and people started to get sick. The Mitchell triplets were born that year, after the factory closed, the town began to wither along with its citizens, and their father died. The three girls, each a different version of normal, have watched their mother’s endless fight for justice from the company that destroyed their town. Mirabel, number Three, is the smartest triplet, even though she can’t speak and uses a wheelchair. Monday, number Two, inherited all the library’s books when the library building closed. She eats and wears only yellow and knows exactly where in the house each book is hidden. And Mab, number One, is trying to get into college and out of Bourne. Then one day, a moving truck pulls up and the Mitchell sisters are forced to grapple with a past that was never resolved. Laurie Frankel writes novels (and reads novels

Two plays about the legal battle to decriminalize homosexuality in India. On September 6, 2018, a decades-long battle to decriminalize queer intimacy in India came to an end. The Supreme Court of India ruled that Section 377, the colonial anti-sodomy law, violated the country’s constitution. “LGBT persons,” the Court said, “deserve to live a life unshackled from the shadow of being ‘unapprehended felons.’” But how definitive was this end? How far does the law’s shadow fall? How clear is the line between the past and the future? What does it mean to live with full sexual citizenship? In Love and Reparation: A Theatrical Response to the Section 377 Litigation in India (Seagull Books, 2021), Danish Sheikh navigates these questions with a deft interweaving of the legal, the personal, and the poetic. The two plays in this volume leap across court transcripts, affidavits (real and imagined), archival research, and personal memoir. Through his re-staging, Sheikh crafts a genre-bending exploration of a litigation bat

Franz Nicolay's Someone Should Pay for Your Pain (Gibson House Press, 2021) is a moving, funny, and sometimes brutal novel about the life of a touring musician. Rudy Pauver is a punk-turned-singer-songwriter now roughly ten years past his peak. He draws a small but steady crowd in bars and venues far from the beaten track, all while enduring the thundering success of his one-time protege Ryan Orland. Nicolay brings his decades of experience as a musician to this novel, which teems with perfect tiny details of the rigors of touring. This is a coming of middle age story for anyone who's ever wondered what goes on in the van during the long stretches between the glamorous heights of a musician's life. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.suppor

Despite the deluge of novels about World War II that has characterized the last few years, the period leading up to the war on the Pacific Front has received far less attention. One welcome exception is the Death in Shanghai series penned by Garrett Hutson, the latest book of which is No Accidental Death (Warfleigh Publishing, 2021). The series revolves around Douglas Bainbridge, a naval intelligence officer assigned to a two-year immersion program in Chinese language and culture. Doug has defied the expectations of his affluent but rigid parents by joining the US Navy instead of taking over the family business, and although he has already developed fluency in Mandarin, he is not emotionally prepared for the rich and varied life that awaits him in Shanghai’s International Settlement when he arrives in May 1935. It doesn’t help that he has barely unpacked his suitcases before a childhood friend, met by chance in a bar, winds up dead in the streets—with the local police all too willing to assign responsibility

The discovery of Tutankhamun’s tomb in Egypt’s Valley of the Kings almost a century ago revolutionized the study of ancient Egypt and its pharaohs. The splendors that surrounded the burial of this relatively minor ruler, interred in a hastily arranged tomb, sparked a furor of speculation, scholarship, and outright chicanery and draw crowds even today. For a long time, though, no one knew that the first modern person to enter the tomb was not Howard Carter, the famed archaeologist who located it, but Lady Evelyn (Eve) Herbert, the twenty-one-year-old daughter of Lord Carnarvon, who funded Carter’s expedition. In The Collector’s Daughter (William Morrow, 2021), Gill Paul approaches the story of Carter’s discovery from the perspective of its long-term effects on those involved in the find. We meet Eve first in 1972, fifty years after these life-changing events, when she has just awoken in a hospital after suffering the latest in a series of strokes that sap her physical and mental strength. She barely recognizes

Botonist Andre Damazy undertakes a perilous exploration into the mountains of Kazakhstan to retrieve a sapling from a rare apple tree in the mountains of Kazakhstan. At great cost, he manages to retrieve a sapling, and brings it to his hidden greenhouse in Paris. The fruit of the tree has mysterious medicinal properties, and Andre’s mission is both scientific and personal, because his mother has suffered a serious stroke. He receives sufficient funding to create the correct conditions to care for the trees, but he’s under pressure, both from his sponsors, and from a mysterious organization that fears the apple is an omen of evil. Second in Karen Hugg’s literary thriller series focused on the world of plants, Harvesting the Sky (Woodhall Press, 2021) is a parable about what we take from nature. Karen Hugg is also the author of The Forgetting Flower and Song of the Tree Hollow. Born into a Polish family and raised in Chicago, she later moved to Seattle and worked as an editor in tech, which gave her the opportu

It’s no coincidence that one of the main characters in S. Qiouyi Lu’s In the Watchful City carries with ser a qíjìtáng, or cabinet of curiosities. Lu’s novella is, itself, a cabinet of unusual mementos, with many smaller objects carefully folded into the larger structure. On one level the plot is simple. The qíjìtáng is full of stories, and its owner, Vessel, who hovers between life and death, needs to add one more story to ser collection in order to have a second chance at life. (Vessel’s pronouns are se, ser and sers). So se asks Anima, one of eight people who provide surveillance for the city-state of Ora, for aer story. (Anima’s pronouns are ay, aer and aers). But Anima’s life isn’t so simple. Ay serves as a node in the city’s Hub, which aer monitors by entering the consciousness of animals (including a gecko, raven, and wild dog during the course of the story). In this way, Ay can travel anywhere and yet aer body is fastened by a stem to a tank of amniotic-like fluid. Lu likens Anima’s experience of bein