New Books In Literature

Casey Walker speaks to managing editor Emily Everett about his short story “Vigilância,” which appears in Issue 20 of The Common magazine. In this conversation, Walker talks about writing World War II-era Lisbon through the eyes of a police informer who trades in secrets. Walker also discusses the complex nature of complicity in his novel Last Days in Shanghai, and the historical and personal background behind his current project Mexicali, a new novel set in the Mexican-American borderlands. Casey Walker is a graduate of the Iowa Writer’s Workshop and has a PhD in English Literature from Princeton University. He is the author of the novel Last Days in Shanghai. His writing has appeared in The Believer, Boston Review, and The Los Angeles Review of Books. He is currently finishing a new novel, Mexicali, exploring the history of the Mexican-American borderlands where he was born and raised. Read “Vigilância” by Casey Walker at thecommononline.org/vigilancia. Learn more about Casey Walker and his work at caseymwa

When Elisabeth Parker and her husband leave Massachusetts and arrive in California to join her father, she quickly learns that her father is not who she thought he was. It’s 1849, and she also realizes that her new husband is also not who she thought. She’s forced to confront her preconceived notions of family, love, and opportunity, and finds comfort in corresponding with her childhood friend back home, writer Louisa May Alcott. She also spends time with a mysterious and handsome native Californian. Armed with Ralph Waldo Emerson’s Self-Reliance, she sets out to determine her role in building the West, even as she comes to terms with the sacrifices she must make to achieve independence and happiness. A gripping and illuminating window into life in the Old West, Prospects of a Woman (She Writes Press, 2020) is the story of one woman’s passionate quest to carve out a place for herself in the liberal and bewildering society that emerged during the California gold rush frenzy. Born and raised on the American Riv

After Australia (Affirm Press with the Sweatshop Literacy Movement 2021). No, Australia has not ended - it's a book edited by Michael Mohammed Ahmad. Climate catastrophe, police brutality, white genocide, totalitarian rule and the erasure of black history provide the backdrop for stories of love, courage and hope. An anthology, twelve of Australia’s most daring Indigenous writers and writers of colour provide a glimpse of Australia as we head toward the year 2050. Unique voices and a great editor - whose input is apparent, but he's humbly kept in the background to let the writers shine, and we all benefit.  Featuring Ambelin Kwaymullina, Claire G. Coleman, Omar Sakr, Future D. Fidel, Karen Wyld, Khalid Warsame, Kaya Ortiz, Roanna Gonsalves, Sarah Ross, Zoya Patel, Michelle Law and Hannah Donnelly. Edited by Michael Mohammed Ahmad. Original concept by Lena Nahlous. Michael Mohammed Ahmad is the founding director of Sweatshop Literacy Movement and editor of the critically acclaimed anthology, After Australia (A

Compiled around 1235, the Ogura Hyakunin Isshu, or Ogura's 100 Poems by 100 Poets, is one of the most important collections of poetry in Japan. Though the poets include emperors and empresses, courtiers and high priests, ladies-in-waiting and soldier-calligraphers, the collection is far more than a fascinating historical document. As the translators, James Hadley and Nell Regan, note in A Gap in the Clouds: A New Translation of Ogura Hyakunin Isshu (Dedalus Press, 2020), "these beautiful poems have endured because their themes are universal and readily understood by contemporary readers". Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

An old farmer, trying to build a plane in his village. A young man that gambles everything on the roaring stock market. A community transformed by a magical fruit that evokes vivid memories. A Chinese woman unable to understand her American partner. People stuck in a train station, waiting for a train that never comes. These stories, among others, make up Land of Big Numbers (Mariner Books: 2021), the debut story collection by Te-Ping Chen. Chen’s fiction spans a wide array of styles and narratives, from vignettes that feel like they could have been plucked from the newspapers, through surreal allegories for Chinese society, to character examinations of cross-cultural relationships. In this interview, Te-Ping and I talk about the different stories in “Land of Big Numbers”, and her choice of styles, narratives and themes. We talk about how these stories are based on her time in China, as well as the differences between writing for fiction and writing for journalism. Te-Ping Chen is a fiction writer and journal

The title of S. B. Divya’s debut novel, Machinehood (Gallery/Saga Press, 2021), refers to an underground band of rebels (or terrorists, depending on your view) who threaten to unplug the world from the tech essential to modern life unless all intelligences—human and man-made—are given equal rights. The book opens with Welga, the story’s hero, ordering black coffee from a bot in Chennai, India; the bot puts milk in the coffee while insisting that the drink is still “black.” A human vendor across the street fills Welga’s order properly, without milk, and then summarizes her experiences with the two vendors in a tidy lesson: “Bots work faster, but human mind is smarter.” The vendor’s words foreshadow the fault line that runs through the book. On the one hand, humans rely on bots to run their homes and economy, on the other, humans compete with bots, constantly afraid of falling physically and mentally behind. “Once upon a time, we harnessed animals to help us,” Divya says. “Now we've turned to machines and, as t

By combining the spirit of fiction with the fabulism of Indian mythology and in-depth academic research, Vanessa R. Sasson shares the evocative story of the Buddha from the perspective of a forgotten woman: Yasodhara, the Buddha's wife. Although often marginalized, Yasodhara's narrative here comes to life. Written with a strong feminist voice, we encounter Yasodhara as a fiercely independent, passionate and resilient individual. We witness her joys and sorrows, her expectations and frustrations, her fairy-tale wedding, and her overwhelming devastation at the departure of her beloved. It is through her eyes that we witness Siddhattha's slow transformation, from a sheltered prince to a deeply sensitive young man. On the way, we see how the gods watch over the future Buddha from the clouds, how the king and his ministers try to keep the suffering of the world from him and how he eventually renounces the throne, his wife and newly-born son to seek enlightenment. Along with a foreword from Wendy Doniger, Yasodhara

Evening Plays (Theatre Communications Group, 2020) collects three plays by experimental playwright Richard Maxwell. The plays are inspired by Dante's Divine Comedy, and all three concern death and dying. The Evening focuses on characters whose lives revolve around cage-fighting and drinking, and also includes searing meditations on the process of dying. Samara reads a bit like a western, though one filtered through a mystic sensibility reminiscent of Jorge Luis Borges. Paradiso is, like its Dantean precursor, a fractured, future-oriented work that exists on the border of the human. Videos of many of Maxwell's plays, including the three discussed in this interview, can be found on Vimeo at https://vimeo.com/nycplayers. Several of his paintings are currently on view between Dunkin’ Donuts and Frames Bowling Alley on the second floor of the south building at Port Authority Bus Terminal. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard

Kate Moran, a graduate of Smith College, has been making her living tutoring students in French when her college friend Emmie Van Alden appears out of the blue and talks Kate into joining a group of alumnae intent on offering relief to rural families in war-torn France. Despite her mother’s disapproval, in July 1917 Kate boards an ocean liner with the Smith College Relief Unit. She knows few of the other alumnae and dislikes some of those she remembers from her college days. Even her friendship with Emmie has been tarnished since graduation by their disparate family backgrounds. After a dangerous journey across the Atlantic, where German U-boats still patrol the seas, the Smith women reach Paris. There they encounter one obstacle after another: incomplete paperwork, missing supplies, trucks delivered in pieces, absent members of their unit, and a simmering coup against their leader. Somehow they overcome their difficulties and reach their intended destination in Picardy, not far from the River Somme. But no s

Katherine Vaz speaks to managing editor Emily Everett about her short story “The Treasure Hunt of August Dias,” which appears in Issue 20 of The Common magazine. In this conversation, Vaz talks about her long career of writing novels and short stories about Portuguese and Portuguese-American characters, and their rich, complex communities. She also discusses her current project, a heavily researched historical novel about Portuguese immigrants set during the Civil War. Katherine Vaz is the author of the novels Saudade and Mariana, the latter translated in six languages. Her story collection Fado & Other Stories won the Drue Heinz Literature Prize, and the collection Our Lady of the Artichokes & Other Portuguese-American Stories won the Prairie Schooner Book Prize. She is the first Portuguese American to have her work recorded for the archives of the Library of Congress, and she served on the six-person Presidential Delegation to the World’s Fair in Lisbon in 1998. She is a teacher of “Writing the Luso Experie

Already in her late twenties, Tara is relieved when her parents arrange a marriage with a man who lives across the world in Atlanta. But she understands quickly that her husband doesn’t love her or even want her. The ensuing loneliness brings up memories of being left at age eight with her grandparents and mentally ill uncle when her family moved to Dubai. Now, as her husband isolates her and becomes increasingly abusive, she accepts the help of American strangers to leave and set up a life of her own. The scandal, even across oceans, is insurmountable, and she’s pressured into moving back into her husband’s house. This time when the violence escalates, Tara finds the strength, despite fear of being shunned, not only to leave, but to seek love outside the community. Purple Lotus is a story of a woman facing her fears and choosing her own path. Veena Rao is an award-winning journalist and author. Purple Lotus (She Writes Press, 2020), her recently released debut novel, is the winner of the She Writes Press and

Today I interview Patrick Madden, an essayist.  Now, for most of us, an essay—that thing we were assigned to write in high school or maybe that thing we stayed up all night writing in college—doesn't immediately evoke feelings of joy and excitement or associations of pleasure and profundity.  No, an essay isn't something we usually chose to do. And we can take that view of the essay even further. I'm guessing most of us didn't grow up hoping to be an essayist. In fact, we might be surprised to recall that such an identity actually exists.  When, after all, is the last time you met an essayist, if you ever have? Well, I'm happy to say that, if you haven't, today is the day, and I couldn't think of a better essayist to dispel any wizened views of the essay that you or I might hold than Madden.  His new book Disparates: Essays (University of Nebraska Press, 2020) is full of delights and surprises and goofy jokes and riffs on rock lyrics and doodles and, just as often, moving insights on how all of these things a

Journey to the West, and especially the character of Sun Wukong, the Monkey King, is beloved by readers across China, East Asia, and beyond. The story and its characters have been written and rewritten in books, comics, graphic novels, movies, television shows, and video games. In many ways, Journey to the West and Son Wukong have become archetypes: stories and characters that people refer to and recognise, without ever looking at the original source material. But for those interested in reading the original novel, we now have a new translation of Journey to the West (Penguin Classics: 2021) from Professor Julia Lovell. This new translation takes the original 1592 novel by Wu Cheng’en and presents its adventures, humor, satire and spiritual insights for a modern audience. In this interview, Julia and I talk about Journey to the West: its story, its characters, and its history, before and after the publication of the 1592 novel. We talk about what motivated this new translation. Finally, we end by discussing h

Today I talked to Michael P. F. Smith about his book The Good Hand: A Memoir of Work, Brotherhood, and Transformation in an American Boomtown (Viking, 2021) Michael Smith is a folk singer who has shared the stage with luminaries such as Ramblin’ Jack Elliott. He’s also a playwright, whose works include Wood Guthrie Dreams and Ain’t No Sin. The Good Hand is his first book. This episode looks at what life is like in the oil fields of North Dakota. It covers a wide range of topics from how much oil (black gold) has influenced our standard and style of living to just how miserable the wages are for workers handling the rigs. Lonely, often violent men blanket Williston, North Dakota, many of them the earlier victims of abusive fathers. The episode touches on notable characters like Huck and the Wildebeest, and most of all Magic Mike (the author and narrator). It’s safe to say that the open spaces of North Dakota are another feature the episode addresses. Dan Hill, PhD, is the author of eight books and leads Sensor

In The Man Who Loved His Wife (Mayapple Press, 2021), Jennifer Anne Moses creates characters who grapple with the minutiae of their lives while considering family, fate, love, death, the afterlife, the divine presence, and spirituality. Peppered with Yiddishisms and salted with sisters, brothers, parents, children, grandparents, neighbors, and friends, Moses tells the stories of regular people faced with the problems of daily life but weighted with the 4000-year-old history of Judaism. She is reminiscent of writers like Isaac Bashevis Singer, Cynthia Ozick, Chaim Grade, and Philip Roth (to name a few) who captured the spirit of humanity in a specific time and place. Jennifer Anne Moses was born in 1959 and grew up in McLean, Virginia. She always wanted to be a writer, so she read a lot and later earned a degree at Tufts. Eventually she married, had three children, taught herself to paint, and moved from Washington D.C. to Baton Rouge, Louisiana to Montclair, NJ. In addition to her books (Food and Whine, The B

Seanan McGuire's Across the Green Grass Fields (Tor.com, 2021), a stand-alone novel in the Wayward Children series, a portal transports a horse-loving ten-year old, Regan, to Hooflands. Soon she becomes part of a centaur herd, learning how to herd unicorns, finding her place as an apprentice healer, and making a new best friend her own age, a centaur girl named Chicory. She finds herself at ease in her new role and other than missing her parents, would be content to continue in her life. But the population of Hooflands has expectations for her, expectations that even running away can’t evade. Humans have always saved Hooflands from bad things. And too soon, it will be Regan’s turn. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Book of Wings (Véhicule Press, 2011) is a stunningly mesmerizing debut novel by Tawhida Tanya Evanson. It follows the journey of the protagonist Maya across vast geographies, such as Canada, the United States, the Caribbean, France, and Morocco, as she reels from the end of a passionate relationship with her lover and partner, Shams. In this modern Sufi love story, Maya, a bi-racial Black woman, seeks Shams, her lost beloved, and this quest propels her on a spiritual search that unfolds in a physical return to her homeland in Morocco in North Africa; a return that is symbolic of the inner return to one’s spiritual origins, so modeled by the Sufis.  Evanson also draws from various Afro-Caribbean diasporic traditions such as spirituality, music, and storytelling. These intricate Sufi, Islamic, and Afro-Caribbean diasporic traditions appear through personalities that Maya encounters on her travels, namely figures such as Muhammad, Ali, Hassan, Husayn, Fatima, Hajar or saints, dervishes, ancestors, masters, and h

While there has been a recent boom in Jewish literacy and learning within the US, few resources exist to enable American Jews to experience the rich primary sources of Yiddish culture. Stepping into this void, Miriam Udel has crafted collection, Honey on the Page: A Treasury of Yiddish Children's Literature (NYU Press, 2020), which offers a feast of beguiling original translations of stories and poems for children. Arranged thematically―from school days to the holidays―the book takes readers from Jewish holidays and history to folktales and fables, from stories of humanistic ethics to multi-generational family sagas. Featuring many works that are appearing in English for the first time, and written by both prominent and lesser-known authors, this anthology spans the Yiddish-speaking globe―drawing from materials published in Eastern Europe, New York, and Latin America from the 1910s, during the interwar period, and up through the 1970s. With its vast scope, Honey on the Page offers a cornucopia of delights to

Bina Shah speaks to managing editor Emily Everett about her short story “Weeds and Flowers,” which appears in Issue 19 of The Common magazine. In this conversation, Shah talks about how the people she observes and encounters in her life in Karachi, Pakistan, inspire her work in fiction. She also discusses her 2018 feminist dystopian novel Before She Sleeps, and the sequel she’s working on now, in addition to her work as a journalist. Bina Shah is a Karachi-based author of five novels and two collections of short stories, including the feminist dystopia Before She Sleeps, published in 2018. Her work has appeared in Granta, The New York Times, and Pakistan’s biggest English-language newspaper, Dawn, as well as other international newspapers and journals. Read “Weeds and Flowers” by Bina Shah at thecommononline.org/weeds-and-flowers. Learn more about Bina Shah and her work at thefeministani.wordpress.com, and find her novel Before She Sleeps here. Follow Bina Shah on Twitter at twitter.com/BinaShah. The Common i

Humans have found many ways to divide and stratify—by skin color, ancestry, ethnicity, gender, sexual orientation, age, disability, health status, body type or size, and so on. The list is so long that it’s hard to imagine it getting longer, and yet debut author Chris Panatier has found a way. In The Phlebotomist (Angry Robot, 2020)t, society is divided (as the title suggests) by something invisible to the naked eye: blood type. Universal donors—those with Type O negative—are the most valued. Universal recipients—those who are AB positive—are the least valued. With incomes based on the market value of their blood, universal donors end up at the top of the socio-economic hierarchy and universal recipients at the bottom. Meanwhile, those running the show—executives of the company Patriot—are the richest of all, living in exclusive enclaves. It is vampiric capitalism in more ways than one. The name of the company is a reference to the Patriot Act—a real-life example of creeping authoritarianism that parallels th