New Books In Literature

Heather Bell Adams’ first novel, Maranatha Road (West Virginia University Press 2017), won the gold medal for the Southeast region in the Independent Publisher Book Awards and was selected for Deep South Magazine’s Fall/Winter Reading List. Her short fiction, which has won the James Still Fiction Prize and Carrie McCray Memorial Literary Award, appears in The Thomas Wolfe Review, Atticus Review, Pembroke Magazine, Broad River Review, The Petigru Review, Pisgah Review, and elsewhere. Originally from Hendersonville, NC, Heather lives in Raleigh with her husband and son. She works as a lawyer and volunteers on the Raleigh Review fiction staff. She loves hot yoga and does not love cooking. The Good Luck Stone (Haywire Books, 2020) appears on Summer Reading Lists for Deep South Magazine, Writer’s Bone, The Big Other and Buzz Feed. The story opens in Savannah, Ga with ninety- year-old Audrey Thorpe living in her historic mansion on palm-tree-lined Victory Drive, determined to retain her independence. When her healt

A tale of passion and obsession from a philosophy professor who learns to play Bach on the piano as an adult.  Dan Moller grew up listening to heavy metal in the Boston suburbs. But one day, something shifted when he dug out his mother's record of The Art of the Fugue, inexplicably wedged between ABBA's greatest hits and Kenny Rogers. Moller was fixated on Bach ever since.  In The Way of Bach, he draws us into fresh and often improbably hilarious things about Bach and his music. Did you know the Goldberg Variations contain a song about his mom cooking too much cabbage? Just what is so special about Bach’s music? Why does it continue to resonate even today? What can modern Americans—steeped in pop culture—can learn from European craftsmanship? And, because it is Bach, why do some people see a connection between music and God?  By turn witty and though-provoking, Moller infuses The Way of Bach with philosophical considerations about how music and art enable us to contemplate life's biggest questions. Zach McCul

Today I spoke with Max Gross about his book The Lost Shtetl (HarperCollins, 2020). Imagine a Jewish village hidden in the forests of Poland that somehow escapes the Holocaust. Eighty years later, a young woman divorces her husband and runs into the surrounding forest. The town sends a young man to find her. He’s an orphan and expendable because he’s not that good a marriage prospect, but suddenly he finds himself in modern-day Poland. He finds it hard to believe that all the Jews of Poland have been murdered along with most of Europe’s Jewry. Officials toss him in an institution and study him for months until a Yiddish translator is found. And when they fly him home in a helicopter, the townspeople think the Messiah has finally come. The Lost Shtetl is about love, family, community, religion, class, government, politics, antisemitism, assimilation, and history itself. Although the town never heard of electricity, running water, or cars, never advanced in science or medicine, and never even heard of sliced bre

Translator Jethro Soutar speaks to managing editor Emily Everett about three pieces he translated from Portuguese for Issue 20 of The Common magazine. These pieces appear in a special portfolio of writing from and about the Lusosphere—Portugal’s colonial and linguistic diaspora around the globe.  In this conversation, Soutar talks about the complexities of translating poetry and prose: capturing not just the meaning of a piece but the feeling and atmosphere of it, and the culture behind the scenes. He also explains a little of the colonial and racial history of Portugal, Cape Verde, and Mozambique, and how those events echo today through the literature and language of modern Lusophone countries. Jethro Soutar is a translator of Spanish and Portuguese. He has a particular focus on works from Africa and has translated novels from Equatorial Guinea, Guinea-Bissau, and Cape Verde. He is also editor of Dedalus Africa and a co-founder of Ragpicker Press. Originally from Sheffield in the UK, he now lives in Lisbon,

Juliane Okot Bitek, of the Emily Carr University of Art and Design and writer-in-residence at Simon Fraser University, has written a terrific book of poetry on the 1994 Genocide of Tutsi in Rwanda. Published in 2016 by the University of Alberta, and simply titled, 100 Days (University of Alberta Press, 2016), Okot Bitek’s poetry is a form of witnessing violence that records the senseless loss of life in a way that reminds us violence is human and universal. Susan Thomson is an Associate Professor of Peace and Conflict Studies at Colgate University. I like to interview pretenure scholars about their research. I am particularly keen on their method and methodology, as well as the process of (white, foreign) producing academic knowledge about African places and people. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his pathbreaking graphic novel, Berlin (Drawn and Quarterly, 2018), Jason Lutes creates a multifaceted exploration of urban life during the Weimar Republic.  The book contains a variety of mostly fictional characters, all of whom capture aspects of the political, cultural, and social life of Berlin during the final years of Germany’s first democratic experiment.  Beautifully drawn, this work provides a compelling alternative to readers used to reading only textual accounts of the period. Much the narrative revolves around two characters: Marthe Müller and Kurt Severing. The former is an art student from Cologne, spending time in Berlin. The latter is a journalist and keen observer of Weimar politics.  The journey of these two characters as well as many others reveals much about the specific situation in Germany during this era as well as elements of the human condition.  The novel appeals not only to the increasing number of graphic book readers, but also to anyone interested in the failure of Weimar democ

Mary Godwin Shelley had yet to reach her nineteenth birthday when she had the dream that gave rise to the classic Gothic horror tale Frankenstein. The daughter of a dissenting English clergyman and Britain’s first feminist, Mary Wollstonecraft, Mary Godwin lost her mother not long after her birth. After an unconventional upbringing by the standards of late eighteenth-century Europe, followed by the arrival of a very conventional and far from accommodating stepmother, at the age of fourteen Mary fell madly in love with the poet Percy Bysshe Shelley. Two years later, they eloped to Europe, leaving behind Percy’s wife and child but bringing along Mary’s stepsister, Claire. For the next decade, the trio traveled around the continent—especially France, Switzerland, and Italy—with occasional returns to London to secure funds. Through trips over the Alps by mule, sailing expeditions on Lake Como, and wild parties thrown by Lord Byron—a misogynist who belittles Mary’s talents even as he engages in a wild affair with

Travelers often become enchanted with the first country that captures their hearts and gives them license to be free. For Wade Davis, it was Colombia. In his new book Magdalena, River of Dreams: A Story of Colombia (Knopf, 2020), the bestselling author tells of his travels on the mighty Magdalena, the river that made possible the nation. Along the way, he finds a people who have overcome years of conflict precisely because of their character, informed by an enduring spirit of place, and a deep love of a land that is home to the greatest ecological and geographical diversity on the planet. Only in Colombia can a traveler wash ashore in a coastal desert, follow waterways through wetlands as wide as the sky, ascend narrow tracks through dense tropical forests, and reach verdant Andean valleys rising to soaring ice-clad summits. This rugged and impossible geography finds its perfect coefficient in the topography of the Colombian spirit: restive, potent, at times placid and calm, in moments explosive and wild. Bot

Arranged marriages have been around for centuries, and in The Light Years (Angry Robot, 2020), R.W.W. Greene imagines they’ll be around for centuries more. With the addition of speed-of-light travel, Greene’s character Adem Saddiq can sign a contract with the parents of his wife-to-be before she’s even born, take to space on his family’s freighter and return several months later to find his 26-year-old bride, Hisako Sasaki, waiting for him. Because time dilation allows him to jump 26 years into the future, he can have his bride made-to-order, specifying what degrees and skills she’ll need to play a productive part in the family business. He can even require that she receive genetic modifications to make her a genius. Greene imagines that the same considerations that shaped arranged marriages in the past will shape them in the future. Hisako’s “parents are very poor. They’re refugees,” he explains. “Their only way to get out of this situation is to sign the contract. It's going to allow Adem and his family to

This episode covers a range of topics from Old’s use of line breaks (enjambment that runs contrary to the tedious, end-stopped rhyming lines of hymnals) to the degree to which any art work can be really considered to be autobiographical as artists work from intuition. The episode features Olds reading from two of her poems in Arias (Knopf, 2019). Sharon Olds is the author of twelve books of poetry. Arias was short-listed for the 2020 Griffin Poetry Prize and her 2012 collection Stag’s Leap won both the Pulitzer Prize and England’s T. S. Eliot Prize. Olds is the Eric Maria Remarque Professor of Creative Writing at New York University’s Graduate Creative Writing Program. Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Merciful (Haywire Books, 2021) by Jon Sealy nineteen-year-old Samantha James is killed while riding her bike home from work in a small coastal town one dark summer night in South Carolina. It’s a hit and run, and when they learn who did it, the townspeople want Daniel Hayward, the alleged driver, to pay for his crime. The headlines are compelling, but the truth is unclear. Everyone has an opinion - the media, the prosecutor, the defense attorney, Daniel, and Samantha’s family. Delving into each of the characters, the author pauses to reflect on culture, social pressures, family, and history. Ultimately, The Merciful is a morality play about one moment, one accident, one decision, and the way an instant can change the course of a life forever. Jon Sealy is the author of The Whiskey Baron, The Edge of America, and The Merciful, as well as the craft book So You Want to Be a Novelist. An upstate South Carolina native, he has a degree in English from the College of Charleston and an MFA in fiction writing f

Tanya Coke is a lawyer, writer, and philanthropy executive at the Ford Foundation. She speaks to managing editor Emily Everett about “Brother Love,” her essay from Issue 19 of The Common magazine. Coke discusses both the beautiful and the difficult parts of writing about her own family, the process of being a writer and an artist, and what it means to helm the Ford Foundation’s Gender, Race & Ethnic Justice division. Tanya Coke is director of the Ford Foundation’s Gender, Racial, and Ethnic Justice team, focusing on issues of mass incarceration, harsh treatment of immigrants, and gender and reproductive justice. Her work has appeared in The Washington Post, The Atlantic, and USA Today. She is currently working on a graphic novel about race and suburban motherhood. Read “Brother Love” by Tanya Coke at thecommononline.org/brother-love. Find out more about Tanya Coke’s work with the Ford Foundation here. Follow her on Twitter @TanyaCoke. The Common is a print and online literary magazine publishing stories, essa

“These violent delights have violent ends. And in their triumph die, like fire and powder, which as they kiss, consume.” These Violent Delights (Margaret K. McElderry Books, 2020) is the debut novel by Chloe Gong. At first glance, the book seems like Romeo and Juliet transplanted to 1920s Shanghai: two rival families, and two main characters: Juliette Cai and Roma Montagov. But Chloe Gong takes the tropes of Romeo and Juliet and transforms them in ways beyond the new setting: Juliette and Roma have already had their teenage relationship, an epidemic of madness stalks the population of Shanghai, and there are rumors of a monster in the Huangpu River. These Violent Delights is a thrilling tale of intrigue and investigation, woven with horror and fantasy elements. More information can be found at Chloe’s website. In this interview, Chloe and I talk about her book, and how its elements connect to the setting of 1920s Shanghai. We talk about the various ways she works in the tropes of Romeo and Juliet into the sto

Cordelia Schmidt-Hellerau's Memory’s Eyes is a contemporary New York Oedipus novel. It is written for readers who enjoy playing with concepts and storylines, here namely the classical Oedipus myth, Sophocles’ three Theban plays, the psychoanalytical concept of the Oedipus complex, and its pop-cultural adaptations in cartoons and jokes. Tragic and funny, playful, but also challenging, readers will find themselves simultaneously knowing and not knowing, anticipating and surprised by how the truth slowly emerges. Philip Lance, Ph.D. is a psychoanalyst in private practice in Los Angeles. He can be reached at PhilipJLance@gmail.com and his website address is https://www.drphiliplance.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I interview Alexs Thompson about his new memoir, I'll Go: War, Religion, and Coming Home, from Cairo to Kansas City (2020). Let me begin with a moment of honesty. When I first heard about Thompson's memoir, I was skeptical that it was true. The experiences about which Thompson writes seem too remarkable, such as setting out to Egypt right after the 9/11 attacks in America with only a backpack and without a plan to study Arabic among fundamentalist Muslims, even though Thompson didn't know Arabic and isn't a Muslim, to working with combat troops in Iraq and Afghanistan to briefing major intelligence agencies and working with top military officials such as General Petraeus. His life experience seemed more vast and more varied than a person could fit in multiple lives, let alone one. Did I mentioned that Thompson also earned his PhD in Islamic Studies from the University of Chicago while many of these events unfolded? And yet I found out: it's true; he's true; and he's here with us today to share some of h

Everywhere young Russian noblewoman Darya Sheremeteva turns, someone in her circle of family and friends reminds her that she exists to serve a single purpose: to marry a powerful man selected by her male relatives and bear children, preferably sons, to continue his line. But after years in isolation nursing her elderly father, Darya questions whether marriage and motherhood constitute the best, never mind the only, future for a woman of twenty-five. Should she not instead take monastic vows and surrender her will to the soaring ritual of the Orthodox Church? When a cousin lays claim to her father's estate, Darya's decision acquires a new urgency. Because this cousin will stop at nothing to advance his career, and his most valuable asset is Darya herself. Years ago, C. P. Lesley decided to focus on sixteenth-century Russia. After all, they say, “write what you know,” and as a historian with a Stanford doctorate, that’s what she knew. It was also a time and place filled with exciting and dramatic events, some

Translator Elisabeth Jaquette speaks to managing editor Emily Everett about four stories she translated from Arabic for Issue 19 of The Common magazine. These stories appear in a special portfolio of fiction from established and emerging Sudanese writers. In this conversation, Jaquette talks about the delights and difficulties of translating from Arabic, as well as her thoughts on form, style, and satire in literature from the Arab world. She also discusses translating Minor Detail by Adania Shibli, which is currently a finalist for the National Book Award for Translated Literature. Elisabeth Jaquette is a translator from Arabic and Executive Director of the American Literary Translators Association (ALTA). Her work has been shortlisted for the National Book Award for Translated Literature and TA First Translation Prize, longlisted for the Best Translated Book Award and Warwick Prize for Women in Translation, and supported by the Jan Michalski Foundation, PEN/Heim Translation Fund, and several English PEN Tra

The first chapter of Rebecca Roanhorse’s new novel, Black Sun (Gallery/Saga Press, 2020), features a mother and child sharing a tender moment that takes an unexpected turn, ending in violence. It’s a powerful beginning to a story whose characters struggle with the legacies of family expectations, historical trauma, and myth. These three strands are most powerfully manifest in Serapio, the child in the opening scene, who is raised to fulfill a legacy on the day of the convergence, a solar eclipse on the winter solstice. His sole purpose is to avenge a massacre of his mother’s clan, drawing upon magic to carry out the mission. And yet he has never lived among his mother’s clan, nor was he alive when the massacre occurred, raising complex questions about duty, history, and how individuals find meaning in their lives. “Serapio has always been on the outside,” Roanhorse says. “He feels like he has a purpose, a destiny tied up with something pretty dark, that he's doing on behalf of people that don't even know he e

When Mike Anthony moved to New York City to become an actor, he’d imagined being under the bright lights of Broadway, living a life full of fame and fortune. Instead, he took a job not on stage for a Broadway show, but behind its bar, and found a life full of meaning. In Life at Hamilton: Sometimes You Throw Away Your Shot, Only to Find Your Story (Waterside, 2020), Mike takes us along on his journey, recounting his extraordinary experiences as Hamilton rocketed into Broadway history, from its unparalleled opening night, through the 2016 election, to its COVID-19 intermission. On display along the way are Mike’s heartfelt and often humorous encounters with the show’s patrons, including some of the most famous celebrities in the world, and its biggest (and littlest) Hamilfans. Mike’s story is a testament to the potent power of theater to connect, to inspire, and to heal. For as long as there have been people, they have put on plays. Life At Hamilton reminds us why. Alexandra Salkin is currently a student at Un

New Books in Performing Arts own Andy Boyd has written a new play about a young experimental playwright named Andy Boyd who pitches Georges Lucas his screenplay for a new Star Wars film. The concept: a prequel to the prequels that fleshes out the economic and social implications of the mysterious Trade Federation. Andy’s script is a full on Marxist allegory where The Trade Federation is The International Monetary Fund, the Gungans are the Zapatistas, and the Jedi are an international community reluctant to push for any real structural change- the UN, basically. Lucas thinks the movie sounds really boring and unceremoniously kicks Andy out of his office. Then things really get weird.  Andy Boyd joins host Toney Brown, as he discusses his life and relationship to the Star Wars Franchise, Marxism, Socialism, Globalization, US Imperialism and the future of leftism in American Theater. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard Uni